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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 88 / 15 / 20 it is the complementary color CMYK 78 / 0 / 65 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 88 / 15 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 88 / 15 / 20: CMYK 0 / 89 / 20 / 18, CMYK 0 / 81 / 17 / 11, CMYK 0 / 75 / 15 / 5, CMYK 0 / 69 / 12 / 0 and CMYK 0 / 62 / 4 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 88 / 15 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 88 / 15 / 20: CMYK 0 / 88 / 15 / 20, CMYK 0 / 97 / 18 / 27, CMYK 0 / 100 / 21 / 33, CMYK 0 / 100 / 24 / 40 and CMYK 0 / 100 / 29 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

Complementary color

CMYK 78 / 0 / 65 / 9

HEX #33E752

RGB 51 231 82

HSL 130.33, 0.79%, 0.55%

LAB 81, -72.21, 58.27

 

CMYK 0 / 89 / 20 / 18

HEX #D118A8

RGB 209 24 168

HSL 313.3, 0.79%, 0.46%

LAB 48.31, 76.67, -30.63

 

CMYK 0 / 81 / 17 / 11

HEX #E22ABB

RGB 226 42 187

HSL 312.72, 0.76%, 0.53%

LAB 53.4, 79.16, -33.59

 

CMYK 0 / 75 / 15 / 5

HEX #F33CCE

RGB 243 60 206

HSL 312.13, 0.88%, 0.59%

LAB 58.74, 80.73, -35.96

 

CMYK 0 / 69 / 12 / 0

HEX #FF4EE1

RGB 255 78 225

HSL 310.17, 1%, 0.65%

LAB 63.46, 80.5, -39.16

 

CMYK 0 / 62 / 4 / 0

HEX #FF60F4

RGB 255 96 244

HSL 304.15, 1%, 0.69%

LAB 66.64, 76.85, -44.74

 

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

CMYK 0 / 97 / 18 / 27

HEX #BB069A

RGB 187 6 154

HSL 310.94, 0.94%, 0.38%

LAB 42.81, 72.72, -31.16

 

CMYK 0 / 100 / 21 / 33

HEX #AA0087

RGB 170 0 135

HSL 312.35, 1%, 0.33%

LAB 38.37, 67.69, -26.75

 

CMYK 0 / 100 / 24 / 40

HEX #990074

RGB 153 0 116

HSL 314.51, 1%, 0.3%

LAB 34.05, 61.99, -21.85

 

CMYK 0 / 100 / 29 / 47

HEX #880061

RGB 136 0 97

HSL 317.21, 1%, 0.27%

LAB 29.66, 56.19, -16.74

 

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

CMYK 0 / 88 / 30 / 20

HEX #CD1890

RGB 205 24 144

HSL 320.22, 0.79%, 0.45%

LAB 46.51, 73.03, -19.1

 

CMYK 0 / 88 / 44 / 20

HEX #CD1872

RGB 205 24 114

HSL 330.17, 0.79%, 0.45%

LAB 45.42, 70.06, -2.38

 

CMYK 0 / 88 / 59 / 20

HEX #CD1854

RGB 205 24 84

HSL 340.11, 0.79%, 0.45%

LAB 44.62, 67.81, 15.15

 

CMYK 0 / 88 / 74 / 20

HEX #CD1836

RGB 205 24 54

HSL 350.06, 0.79%, 0.45%

LAB 44.09, 66.28, 32.98

 

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 88 / 16 / 80

HEX #33062B

RGB 51 6 43

HSL 310.67, 0.79%, 0.11%

LAB 9.06, 26.87, -12.72

 

CMYK 0 / 88 / 16 / 60

HEX #660C56

RGB 102 12 86

HSL 310.67, 0.79%, 0.22%

LAB 22.86, 44.94, -20.59

 

CMYK 0 / 88 / 15 / 40

HEX #991282

RGB 153 18 130

HSL 310.22, 0.79%, 0.34%

LAB 35.63, 61.27, -28.17

 

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

CMYK 0 / 56 / 88 / 20

HEX #CD5A18

RGB 205 90 24

HSL 21.88, 0.79%, 0.45%

LAB 52.24, 42.47, 55.52

 

CMYK 88 / 0 / 20 / 20

HEX #18CDA3

RGB 24 205 163

HSL 166.08, 0.79%, 0.45%

LAB 73.87, -51.46, 9.24

 

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

CMYK 15 / 0 / 88 / 20

HEX #AFCD18

RGB 175 205 24

HSL 69.94, 0.79%, 0.45%

LAB 77.78, -30.55, 74.66

 

CMYK 88 / 15 / 0 / 20

HEX #18AFCD

RGB 24 175 205

HSL 189.94, 0.79%, 0.45%

LAB 65.95, -25.67, -25.5

 

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

CMYK 0 / 56 / 88 / 20

HEX #CD5A18

RGB 205 90 24

HSL 21.88, 0.79%, 0.45%

LAB 52.24, 42.47, 55.52

 

CMYK 88 / 0 / 74 / 20

HEX #18CD36

RGB 24 205 54

HSL 129.94, 0.79%, 0.45%

LAB 72.31, -69.64, 59.68

 

CMYK 88 / 33 / 0 / 20

HEX #188ACD

RGB 24 138 205

HSL 202.21, 0.79%, 0.45%

LAB 54.84, -5.58, -42.8

 

CMYK 0 / 88 / 15 / 20

HEX #CC18AD

RGB 204 24 173

HSL 310.33, 0.79%, 0.45%

LAB 47.63, 76.32, -34.7

 

CMYK 0 / 30 / 88 / 20

HEX #CD9018

RGB 205 144 24

HSL 39.78, 0.79%, 0.45%

LAB 64.15, 13.96, 64.85

 

CMYK 88 / 0 / 74 / 20

HEX #18CD36

RGB 24 205 54

HSL 129.94, 0.79%, 0.45%

LAB 72.31, -69.64, 59.68

 

CMYK 88 / 59 / 0 / 20

HEX #1854CD

RGB 24 84 205

HSL 220.11, 0.79%, 0.45%

LAB 39.48, 28.42, -67.48

 

Description

Color code: CMYK 0 / 88 / 15 / 20 | qconv.com Color code: CMYK 0 / 88 / 15 / 20 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 24 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 24 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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