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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65AAEC it is the complementary color #9A5513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65AAEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65AAEC shade: #6AAAE7, #7BBCFA, #8CCEFF, #9DE0FF and #AEF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65AAEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65AAEC shade: #65AAEC, #5498D9, #4386C6, #3274B3 and #2162A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65AAEC shade: #65AAEC, #6585EC, #6865EC, #8D65EC and #B165EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65AAEC shade: #65AAEC, #6585EC and #6565EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65AAEC shade matches the following richer shades: #65AAEC and #57AAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65AAEC shade: #65AAEC, #73A9DE, #81A9D0, #8FA9C2 and #9DA9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65AAEC shade: #65ECE5, #65CFEC, #65ABEC, #6586EC and #6765EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65AAEC shade: #1C81E2, #4096E7, #65AAEC, #89BEF0 and #AED2F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65AAEC shade: #65AAEC, #C165EC and #E1EC65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65AAEC shade: #65AAEC, #EC65AB and #ABEC65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65AAEC shade: #65AAEC, #C165EC, #ECA665 and #90EC65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65AAEC shade: #65AAEC, #EA65EC, #ECA665 and #67EC65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

Complementary color

CMYK 0 / 45 / 88 / 40

HEX #9A5513

RGB 154 85 19

HSL 29.33, 0.78%, 0.34%

LAB 43.38, 24.05, 46.89

 

CMYK 54 / 26 / 0 / 9

HEX #6AAAE7

RGB 106 170 231

HSL 209.28, 0.72%, 0.66%

LAB 67.71, -3.33, -36.91

 

CMYK 51 / 25 / 0 / 2

HEX #7BBCFA

RGB 123 188 250

HSL 209.29, 0.93%, 0.73%

LAB 74.24, -3.92, -37.01

 

CMYK 45 / 19 / 0 / 0

HEX #8CCEFF

RGB 140 206 255

HSL 205.57, 1%, 0.77%

LAB 80.14, -8.29, -30.51

 

CMYK 38 / 12 / 0 / 0

HEX #9DE0FF

RGB 157 224 255

HSL 198.98, 1%, 0.81%

LAB 85.86, -13.45, -21.72

 

CMYK 32 / 5 / 0 / 0

HEX #AEF2FF

RGB 174 242 255

HSL 189.63, 1%, 0.84%

LAB 91.56, -18.06, -13.05

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 61 / 30 / 0 / 15

HEX #5498D9

RGB 84 152 217

HSL 209.32, 0.64%, 0.59%

LAB 61.09, -1.95, -39.59

 

CMYK 66 / 32 / 0 / 22

HEX #4386C6

RGB 67 134 198

HSL 209.31, 0.53%, 0.52%

LAB 54.37, -0.87, -39.52

 

CMYK 72 / 35 / 0 / 30

HEX #3274B3

RGB 50 116 179

HSL 209.3, 0.56%, 0.45%

LAB 47.53, 0.51, -39.44

 

CMYK 79 / 39 / 0 / 37

HEX #2162A0

RGB 33 98 160

HSL 209.29, 0.66%, 0.38%

LAB 40.57, 2.32, -39.34

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 57 / 44 / 0 / 7

HEX #6585EC

RGB 101 133 236

HSL 225.78, 0.78%, 0.66%

LAB 57.65, 18.73, -55.54

 

CMYK 56 / 57 / 0 / 7

HEX #6865EC

RGB 104 101 236

HSL 241.33, 0.78%, 0.66%

LAB 49.87, 38.59, -68.06

 

CMYK 40 / 57 / 0 / 7

HEX #8D65EC

RGB 141 101 236

HSL 257.78, 0.78%, 0.66%

LAB 52.98, 46.03, -62.88

 

CMYK 25 / 57 / 0 / 7

HEX #B165EC

RGB 177 101 236

HSL 273.78, 0.78%, 0.66%

LAB 56.79, 54.34, -56.55

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 57 / 44 / 0 / 7

HEX #6585EC

RGB 101 133 236

HSL 225.78, 0.78%, 0.66%

LAB 57.65, 18.73, -55.54

 

CMYK 57 / 57 / 0 / 7

HEX #6565EC

RGB 101 101 236

HSL 240, 0.78%, 0.66%

LAB 49.65, 38.05, -68.42

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 65 / 32 / 0 / 2

HEX #57AAFA

RGB 87 170 250

HSL 209.45, 0.94%, 0.66%

LAB 67.78, -0.85, -47.22

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 48 / 24 / 0 / 13

HEX #73A9DE

RGB 115 169 222

HSL 209.72, 0.62%, 0.66%

LAB 67.5, -3.43, -32.27

 

CMYK 38 / 19 / 0 / 18

HEX #81A9D0

RGB 129 169 208

HSL 209.62, 0.46%, 0.66%

LAB 67.72, -3.77, -24.14

 

CMYK 26 / 13 / 0 / 24

HEX #8FA9C2

RGB 143 169 194

HSL 209.41, 0.29%, 0.66%

LAB 68.1, -3.26, -15.75

 

CMYK 13 / 6 / 0 / 29

HEX #9DA9B4

RGB 157 169 180

HSL 208.7, 0.13%, 0.66%

LAB 68.63, -1.94, -7.09

 

CMYK 57 / 0 / 3 / 7

HEX #65ECE5

RGB 101 236 229

HSL 176.89, 0.78%, 0.66%

LAB 86.21, -38.28, -7.73

 

CMYK 57 / 12 / 0 / 7

HEX #65CFEC

RGB 101 207 236

HSL 192.89, 0.78%, 0.66%

LAB 78.14, -22.47, -23.58

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 57 / 43 / 0 / 7

HEX #6586EC

RGB 101 134 236

HSL 225.33, 0.78%, 0.66%

LAB 57.92, 18.13, -55.13

 

CMYK 56 / 57 / 0 / 7

HEX #6765EC

RGB 103 101 236

HSL 240.89, 0.78%, 0.66%

LAB 49.79, 38.41, -68.18

 

CMYK 88 / 43 / 0 / 11

HEX #1C81E2

RGB 28 129 226

HSL 209.39, 0.78%, 0.5%

LAB 53.43, 8.01, -56.87

 

CMYK 72 / 35 / 0 / 9

HEX #4096E7

RGB 64 150 231

HSL 209.1, 0.78%, 0.58%

LAB 60.49, 0.77, -48.36

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 43 / 21 / 0 / 6

HEX #89BEF0

RGB 137 190 240

HSL 209.13, 0.77%, 0.74%

LAB 75.1, -4.54, -30.24

 

CMYK 29 / 14 / 0 / 4

HEX #AED2F5

RGB 174 210 245

HSL 209.58, 0.78%, 0.82%

LAB 82.75, -4.02, -21.05

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 18 / 57 / 0 / 7

HEX #C165EC

RGB 193 101 236

HSL 280.89, 0.78%, 0.66%

LAB 58.7, 58.22, -53.4

 

CMYK 5 / 0 / 57 / 7

HEX #E1EC65

RGB 225 236 101

HSL 64.89, 0.78%, 0.66%

LAB 90.29, -21.3, 62.75

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 0 / 57 / 28 / 7

HEX #EC65AB

RGB 236 101 171

HSL 328.89, 0.78%, 0.66%

LAB 61.72, 59.24, -11.44

 

CMYK 28 / 0 / 57 / 7

HEX #ABEC65

RGB 171 236 101

HSL 88.89, 0.78%, 0.66%

LAB 86.79, -41.78, 57.86

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 18 / 57 / 0 / 7

HEX #C165EC

RGB 193 101 236

HSL 280.89, 0.78%, 0.66%

LAB 58.7, 58.22, -53.4

 

CMYK 0 / 30 / 57 / 7

HEX #ECA665

RGB 236 166 101

HSL 28.89, 0.78%, 0.66%

LAB 73.57, 19.08, 43.6

 

CMYK 39 / 0 / 57 / 7

HEX #90EC65

RGB 144 236 101

HSL 100.89, 0.78%, 0.66%

LAB 85.43, -50.87, 55.94

 

CMYK 57 / 28 / 0 / 7

HEX #65AAEC

RGB 101 170 236

HSL 209.33, 0.78%, 0.66%

LAB 67.7, -2.82, -39.67

 

CMYK 1 / 57 / 0 / 7

HEX #EA65EC

RGB 234 101 236

HSL 299.11, 0.78%, 0.66%

LAB 64.04, 68.4, -44.59

 

CMYK 0 / 30 / 57 / 7

HEX #ECA665

RGB 236 166 101

HSL 28.89, 0.78%, 0.66%

LAB 73.57, 19.08, 43.6

 

CMYK 56 / 0 / 57 / 7

HEX #67EC65

RGB 103 236 101

HSL 119.11, 0.78%, 0.66%

LAB 83.87, -62.33, 53.72

 

Description

Color code: HEX #65AAEC | qconv.com Color code: HEX #65AAEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 170 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 170 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 28 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 28% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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