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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65ABEC it is the complementary color #9A5413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65ABEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #65ABEC: #6AABE7, #7BBDFA, #8CCFFF, #9DE1FF and #AEF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65ABEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #65ABEC: #65ABEC, #5499D9, #4387C6, #3275B3 and #2163A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

Complementary color

CMYK 0 / 45 / 88 / 40

HEX #9A5413

RGB 154 84 19

HSL 28.89, 0.78%, 0.34%

LAB 43.15, 24.61, 46.7

 

CMYK 54 / 26 / 0 / 9

HEX #6AABE7

RGB 106 171 231

HSL 208.8, 0.72%, 0.66%

LAB 67.99, -3.88, -36.47

 

CMYK 51 / 24 / 0 / 2

HEX #7BBDFA

RGB 123 189 250

HSL 208.82, 0.93%, 0.73%

LAB 74.51, -4.47, -36.59

 

CMYK 45 / 19 / 0 / 0

HEX #8CCFFF

RGB 140 207 255

HSL 205.04, 1%, 0.77%

LAB 80.42, -8.81, -30.09

 

CMYK 38 / 12 / 0 / 0

HEX #9DE1FF

RGB 157 225 255

HSL 198.37, 1%, 0.81%

LAB 86.13, -13.96, -21.31

 

CMYK 32 / 5 / 0 / 0

HEX #AEF3FF

RGB 174 243 255

HSL 188.89, 1%, 0.84%

LAB 91.83, -18.56, -12.65

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 61 / 29 / 0 / 15

HEX #5499D9

RGB 84 153 217

HSL 208.87, 0.64%, 0.59%

LAB 61.37, -2.52, -39.14

 

CMYK 66 / 32 / 0 / 22

HEX #4387C6

RGB 67 135 198

HSL 208.85, 0.53%, 0.52%

LAB 54.66, -1.46, -39.06

 

CMYK 72 / 35 / 0 / 30

HEX #3275B3

RGB 50 117 179

HSL 208.84, 0.56%, 0.45%

LAB 47.82, -0.1, -38.97

 

CMYK 79 / 38 / 0 / 37

HEX #2163A0

RGB 33 99 160

HSL 208.82, 0.66%, 0.38%

LAB 40.87, 1.69, -38.86

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 57 / 36 / 0 / 8

HEX #6496EB

RGB 100 150 235

HSL 217.78, 0.77%, 0.66%

LAB 62.1, 8.11, -47.93

 

CMYK 57 / 46 / 0 / 8

HEX #647FEB

RGB 100 127 235

HSL 228, 0.77%, 0.66%

LAB 55.97, 21.83, -57.68

 

CMYK 57 / 55 / 0 / 8

HEX #6469EB

RGB 100 105 235

HSL 237.78, 0.77%, 0.66%

LAB 50.46, 35.16, -66.55

 

CMYK 50 / 57 / 0 / 8

HEX #7664EB

RGB 118 100 235

HSL 248, 0.77%, 0.66%

LAB 50.65, 41.52, -66.19

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 56 / 28 / 0 / 87

HEX #0E1720

RGB 14 23 32

HSL 210, 0.39%, 0.09%

LAB 7.32, -0.9, -7.56

 

CMYK 57 / 28 / 0 / 67

HEX #243C53

RGB 36 60 83

HSL 209.36, 0.39%, 0.23%

LAB 24.42, -1.71, -16.76

 

CMYK 57 / 28 / 0 / 47

HEX #396186

RGB 57 97 134

HSL 208.83, 0.4%, 0.37%

LAB 39.82, -2.48, -24.85

 

CMYK 57 / 28 / 0 / 27

HEX #4F86B9

RGB 79 134 185

HSL 208.87, 0.43%, 0.52%

LAB 54.25, -2.94, -32.25

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 19 / 57 / 0 / 8

HEX #BE64EB

RGB 190 100 235

HSL 280, 0.77%, 0.66%

LAB 58.09, 57.77, -53.83

 

CMYK 4 / 0 / 57 / 8

HEX #E2EB64

RGB 226 235 100

HSL 64, 0.77%, 0.66%

LAB 90.09, -20.49, 62.98

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 0 / 57 / 27 / 8

HEX #EB64AC

RGB 235 100 172

HSL 328, 0.77%, 0.66%

LAB 61.44, 59.51, -12.45

 

CMYK 27 / 0 / 57 / 8

HEX #ACEB64

RGB 172 235 100

HSL 88, 0.77%, 0.66%

LAB 86.56, -41.08, 58.04

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 19 / 57 / 0 / 8

HEX #BE64EB

RGB 190 100 235

HSL 280, 0.77%, 0.66%

LAB 58.09, 57.77, -53.83

 

CMYK 0 / 31 / 57 / 8

HEX #EBA364

RGB 235 163 100

HSL 28, 0.77%, 0.66%

LAB 72.74, 20.19, 43.08

 

CMYK 38 / 0 / 57 / 8

HEX #91EB64

RGB 145 235 100

HSL 100, 0.77%, 0.66%

LAB 85.18, -50.25, 56.09

 

CMYK 57 / 28 / 0 / 7

HEX #65ABEC

RGB 101 171 236

HSL 208.89, 0.78%, 0.66%

LAB 67.98, -3.37, -39.24

 

CMYK 2 / 57 / 0 / 8

HEX #E764EB

RGB 231 100 235

HSL 298.22, 0.77%, 0.66%

LAB 63.43, 67.91, -45.04

 

CMYK 0 / 31 / 57 / 8

HEX #EBA364

RGB 235 163 100

HSL 28, 0.77%, 0.66%

LAB 72.74, 20.19, 43.08

 

CMYK 55 / 0 / 57 / 8

HEX #69EB64

RGB 105 235 100

HSL 117.78, 0.77%, 0.66%

LAB 83.62, -61.59, 53.89

 

Description

Color code: HEX #65ABEC | qconv.com Color code: HEX #65ABEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 171 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 171 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 28 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 28% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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