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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65A88A it is the complementary color #9A5775. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65A88A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #65A88A: #6AA885, #7BBA98, #8CCCAB, #9DDEBE and #AEF0D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65A88A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #65A88A: #65A88A, #549677, #438464, #327251 and #21603E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

Complementary color

CMYK 0 / 44 / 24 / 40

HEX #9A5775

RGB 154 87 117

HSL 333.13, 0.28%, 0.47%

LAB 45.59, 31.63, -4.91

 

CMYK 37 / 0 / 21 / 34

HEX #6AA885

RGB 106 168 133

HSL 146.13, 0.26%, 0.54%

LAB 63.97, -27.87, 11.86

 

CMYK 34 / 0 / 18 / 27

HEX #7BBA98

RGB 123 186 152

HSL 147.62, 0.31%, 0.61%

LAB 70.59, -27.61, 10.9

 

CMYK 31 / 0 / 16 / 20

HEX #8CCCAB

RGB 140 204 171

HSL 149.06, 0.39%, 0.67%

LAB 77.1, -27.36, 10

 

CMYK 29 / 0 / 14 / 13

HEX #9DDEBE

RGB 157 222 190

HSL 150.46, 0.5%, 0.74%

LAB 83.51, -27.13, 9.16

 

CMYK 28 / 0 / 13 / 6

HEX #AEF0D1

RGB 174 240 209

HSL 151.82, 0.69%, 0.81%

LAB 89.82, -26.92, 8.37

 

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

CMYK 44 / 0 / 21 / 41

HEX #549677

RGB 84 150 119

HSL 151.82, 0.28%, 0.46%

LAB 57.1, -28.55, 9.87

 

CMYK 49 / 0 / 24 / 48

HEX #438464

RGB 67 132 100

HSL 150.46, 0.33%, 0.39%

LAB 50.23, -28.77, 10.97

 

CMYK 56 / 0 / 29 / 55

HEX #327251

RGB 50 114 81

HSL 149.06, 0.39%, 0.32%

LAB 43.22, -28.92, 12.21

 

CMYK 66 / 0 / 35 / 62

HEX #21603E

RGB 33 96 62

HSL 147.62, 0.49%, 0.25%

LAB 36.06, -28.9, 13.63

 

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

CMYK 40 / 0 / 11 / 34

HEX #65A895

RGB 101 168 149

HSL 162.99, 0.28%, 0.53%

LAB 64.11, -25.84, 3.13

 

CMYK 40 / 0 / 5 / 34

HEX #65A8A0

RGB 101 168 160

HSL 172.84, 0.28%, 0.53%

LAB 64.41, -23.22, -2.58

 

CMYK 40 / 2 / 0 / 34

HEX #65A5A8

RGB 101 165 168

HSL 182.69, 0.28%, 0.53%

LAB 63.76, -19.67, -8.02

 

CMYK 40 / 8 / 0 / 34

HEX #659AA8

RGB 101 154 168

HSL 192.54, 0.28%, 0.53%

LAB 60.52, -13.84, -12.87

 

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

CMYK 40 / 0 / 18 / 14

HEX #84DBB4

RGB 132 219 180

HSL 153.1, 0.55%, 0.69%

LAB 81.22, -34.95, 11.01

 

CMYK 40 / 0 / 20 / 94

HEX #090F0C

RGB 9 15 12

HSL 150, 0.25%, 0.05%

LAB 3.85, -2.27, 0.75

 

CMYK 39 / 0 / 18 / 74

HEX #284236

RGB 40 66 54

HSL 152.31, 0.25%, 0.21%

LAB 25.61, -13.16, 4.17

 

CMYK 40 / 0 / 18 / 54

HEX #467560

RGB 70 117 96

HSL 153.19, 0.25%, 0.37%

LAB 45.45, -21.24, 6.58

 

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

CMYK 40 / 30 / 0 / 34

HEX #6576A8

RGB 101 118 168

HSL 224.78, 0.28%, 0.53%

LAB 50.16, 6.75, -28.73

 

CMYK 0 / 34 / 40 / 34

HEX #A86F65

RGB 168 111 101

HSL 8.96, 0.28%, 0.53%

LAB 52.55, 21.37, 14.84

 

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

CMYK 18 / 40 / 0 / 34

HEX #8A65A8

RGB 138 101 168

HSL 273.13, 0.28%, 0.53%

LAB 48.93, 28.06, -30.4

 

CMYK 0 / 18 / 40 / 34

HEX #A88A65

RGB 168 138 101

HSL 33.13, 0.28%, 0.53%

LAB 59.38, 6.13, 24.09

 

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

CMYK 40 / 30 / 0 / 34

HEX #6576A8

RGB 101 118 168

HSL 224.78, 0.28%, 0.53%

LAB 50.16, 6.75, -28.73

 

CMYK 0 / 40 / 22 / 34

HEX #A86583

RGB 168 101 131

HSL 333.13, 0.28%, 0.53%

LAB 51, 31.12, -5.09

 

CMYK 0 / 10 / 40 / 34

HEX #A89765

RGB 168 151 101

HSL 44.78, 0.28%, 0.53%

LAB 62.84, -1.06, 28.63

 

CMYK 40 / 0 / 18 / 34

HEX #65A88A

RGB 101 168 138

HSL 153.13, 0.28%, 0.53%

LAB 63.84, -28.3, 8.87

 

CMYK 38 / 40 / 0 / 34

HEX #6865A8

RGB 104 101 168

HSL 242.69, 0.28%, 0.53%

LAB 45.74, 17.95, -35.63

 

CMYK 0 / 40 / 22 / 34

HEX #A86583

RGB 168 101 131

HSL 333.13, 0.28%, 0.53%

LAB 51, 31.12, -5.09

 

CMYK 2 / 0 / 40 / 34

HEX #A5A865

RGB 165 168 101

HSL 62.69, 0.28%, 0.53%

LAB 67.24, -11.41, 34.23

 

Description

Color code: HEX #65A88A | qconv.com Color code: HEX #65A88A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 168 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 168 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 18 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 18% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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