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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #659BC4 it is the complementary color #9A643B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #659BC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #659BC4 shade: #6A9BBF, #7BADD2, #8CBFE5, #9DD1F8 and #AEE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #659BC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #659BC4 shade: #659BC4, #5489B1, #43779E, #32658B and #215378

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #659BC4 shade: #649BC4, #6481C4, #6467C4, #7B64C4 and #9564C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #659BC4 shade: #649BC4, #6481C4, #6467C4 and #6464C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #659BC4 shade matches the following richer shades: #649BC4, #529DD5, #419FE7 and #30A2F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #659BC4 shade: #649BC4, #7598B3, #8696A1, #989390 and #A9917F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #659BC4 shade: #64C4B9, #64B6C4, #649CC4, #6482C4 and #6469C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #659BC4 shade: #3B719B, #4687B9, #649BC4, #82AECF and #A0C1DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #659BC4 shade: #659BC4, #9F64C4 and #C2C464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #659BC4 shade: #659BC4, #C4649C and #9CC464

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #659BC4 shade: #659BC4, #9F64C4, #C48C64 and #89C464

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #659BC4 shade: #659BC4, #BC64C4, #C48C64 and #6CC464

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 21 / 0 / 23

HEX #659BC4

RGB 101 155 196

HSL 205.89, 0.45%, 0.58%

LAB 61.82, -6.55, -26.66

 

Complementary color

CMYK 0 / 35 / 62 / 40

HEX #9A643B

RGB 154 100 59

HSL 25.89, 0.45%, 0.42%

LAB 47.37, 17.54, 31.9

 

CMYK 45 / 19 / 0 / 25

HEX #6A9BBF

RGB 106 155 191

HSL 205.41, 0.4%, 0.58%

LAB 61.89, -6.75, -23.74

 

CMYK 41 / 18 / 0 / 18

HEX #7BADD2

RGB 123 173 210

HSL 205.52, 0.49%, 0.65%

LAB 68.57, -7.02, -23.98

 

CMYK 39 / 17 / 0 / 10

HEX #8CBFE5

RGB 140 191 229

HSL 205.62, 0.63%, 0.72%

LAB 75.14, -7.24, -24.23

 

CMYK 37 / 16 / 0 / 3

HEX #9DD1F8

RGB 157 209 248

HSL 205.71, 0.87%, 0.79%

LAB 81.59, -7.44, -24.49

 

CMYK 32 / 11 / 0 / 0

HEX #AEE3FF

RGB 174 227 255

HSL 200.74, 1%, 0.84%

LAB 87.56, -10.49, -19.05

 

CMYK 48 / 21 / 0 / 23

HEX #659BC4

RGB 101 155 196

HSL 205.89, 0.45%, 0.58%

LAB 61.82, -6.55, -26.66

 

CMYK 53 / 23 / 0 / 31

HEX #5489B1

RGB 84 137 177

HSL 205.81, 0.37%, 0.51%

LAB 55.02, -6.09, -26.46

 

CMYK 58 / 25 / 0 / 38

HEX #43779E

RGB 67 119 158

HSL 205.71, 0.4%, 0.44%

LAB 48.08, -5.5, -26.27

 

CMYK 64 / 27 / 0 / 45

HEX #32658B

RGB 50 101 139

HSL 205.62, 0.47%, 0.37%

LAB 40.98, -4.69, -26.09

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 49 / 21 / 0 / 23

HEX #649BC4

RGB 100 155 196

HSL 205.63, 0.45%, 0.58%

LAB 61.77, -6.78, -26.74

 

CMYK 49 / 34 / 0 / 23

HEX #6481C4

RGB 100 129 196

HSL 221.88, 0.45%, 0.58%

LAB 54.44, 8.25, -38.15

 

CMYK 49 / 47 / 0 / 23

HEX #6467C4

RGB 100 103 196

HSL 238.13, 0.45%, 0.58%

LAB 47.49, 24.08, -49.17

 

CMYK 37 / 49 / 0 / 23

HEX #7B64C4

RGB 123 100 196

HSL 254.38, 0.45%, 0.58%

LAB 48.65, 31.51, -47.21

 

CMYK 24 / 49 / 0 / 23

HEX #9564C4

RGB 149 100 196

HSL 270.63, 0.45%, 0.58%

LAB 51.25, 38.45, -42.91

 

CMYK 49 / 21 / 0 / 23

HEX #649BC4

RGB 100 155 196

HSL 205.63, 0.45%, 0.58%

LAB 61.77, -6.78, -26.74

 

CMYK 49 / 34 / 0 / 23

HEX #6481C4

RGB 100 129 196

HSL 221.88, 0.45%, 0.58%

LAB 54.44, 8.25, -38.15

 

CMYK 49 / 47 / 0 / 23

HEX #6467C4

RGB 100 103 196

HSL 238.13, 0.45%, 0.58%

LAB 47.49, 24.08, -49.17

 

CMYK 49 / 49 / 0 / 23

HEX #6464C4

RGB 100 100 196

HSL 240, 0.45%, 0.58%

LAB 46.72, 25.92, -50.39

 

CMYK 49 / 21 / 0 / 23

HEX #649BC4

RGB 100 155 196

HSL 205.63, 0.45%, 0.58%

LAB 61.77, -6.78, -26.74

 

CMYK 62 / 26 / 0 / 16

HEX #529DD5

RGB 82 157 213

HSL 205.65, 0.61%, 0.58%

LAB 62.26, -6.46, -35.54

 

CMYK 72 / 31 / 0 / 9

HEX #419FE7

RGB 65 159 231

HSL 206.02, 0.78%, 0.58%

LAB 63.09, -4.27, -44.26

 

CMYK 81 / 35 / 0 / 3

HEX #30A2F8

RGB 48 162 248

HSL 205.8, 0.93%, 0.58%

LAB 64.36, -1.9, -51.61

 

CMYK 49 / 21 / 0 / 23

HEX #649BC4

RGB 100 155 196

HSL 205.63, 0.45%, 0.58%

LAB 61.77, -6.78, -26.74

 

CMYK 35 / 15 / 0 / 30

HEX #7598B3

RGB 117 152 179

HSL 206.13, 0.29%, 0.58%

LAB 61.21, -5.35, -17.95

 

CMYK 17 / 7 / 0 / 37

HEX #8696A1

RGB 134 150 161

HSL 204.44, 0.13%, 0.58%

LAB 61.18, -3.3, -7.71

 

CMYK 0 / 3 / 5 / 40

HEX #989390

RGB 152 147 144

HSL 22.5, 0.04%, 0.58%

LAB 61.27, 1.28, 2.23

 

CMYK 0 / 14 / 25 / 34

HEX #A9917F

RGB 169 145 127

HSL 25.71, 0.2%, 0.58%

LAB 61.84, 6.11, 12.87

 

CMYK 49 / 0 / 6 / 23

HEX #64C4B9

RGB 100 196 185

HSL 173.13, 0.45%, 0.58%

LAB 73.35, -31.04, -3.22

 

CMYK 49 / 7 / 0 / 23

HEX #64B6C4

RGB 100 182 196

HSL 188.75, 0.45%, 0.58%

LAB 69.58, -21.22, -14.85

 

CMYK 49 / 20 / 0 / 23

HEX #649CC4

RGB 100 156 196

HSL 205, 0.45%, 0.58%

LAB 62.06, -7.34, -26.3

 

CMYK 49 / 34 / 0 / 23

HEX #6482C4

RGB 100 130 196

HSL 221.25, 0.45%, 0.58%

LAB 54.72, 7.66, -37.71

 

CMYK 49 / 46 / 0 / 23

HEX #6469C4

RGB 100 105 196

HSL 236.88, 0.45%, 0.58%

LAB 48, 22.85, -48.35

 

CMYK 62 / 27 / 0 / 39

HEX #3B719B

RGB 59 113 155

HSL 206.25, 0.45%, 0.42%

LAB 45.78, -4.61, -28.11

 

CMYK 62 / 27 / 0 / 27

HEX #4687B9

RGB 70 135 185

HSL 206.09, 0.45%, 0.5%

LAB 54.17, -5.32, -32.41

 

CMYK 49 / 21 / 0 / 23

HEX #649BC4

RGB 100 155 196

HSL 205.63, 0.45%, 0.58%

LAB 61.77, -6.78, -26.74

 

CMYK 37 / 16 / 0 / 19

HEX #82AECF

RGB 130 174 207

HSL 205.71, 0.45%, 0.66%

LAB 69.13, -6.5, -21.44

 

CMYK 27 / 12 / 0 / 14

HEX #A0C1DB

RGB 160 193 219

HSL 206.44, 0.45%, 0.74%

LAB 76.51, -5.2, -16.62

 

CMYK 48 / 21 / 0 / 23

HEX #659BC4

RGB 101 155 196

HSL 205.89, 0.45%, 0.58%

LAB 61.82, -6.55, -26.66

 

CMYK 19 / 49 / 0 / 23

HEX #9F64C4

RGB 159 100 196

HSL 276.88, 0.45%, 0.58%

LAB 52.37, 41.23, -41.08

 

CMYK 1 / 0 / 49 / 23

HEX #C2C464

RGB 194 196 100

HSL 61.25, 0.45%, 0.58%

LAB 77.2, -14.1, 47.51

 

CMYK 48 / 21 / 0 / 23

HEX #659BC4

RGB 101 155 196

HSL 205.89, 0.45%, 0.58%

LAB 61.82, -6.55, -26.66

 

CMYK 0 / 49 / 20 / 23

HEX #C4649C

RGB 196 100 156

HSL 325, 0.45%, 0.58%

LAB 55.33, 45.11, -12.95

 

CMYK 20 / 0 / 49 / 23

HEX #9CC464

RGB 156 196 100

HSL 85, 0.45%, 0.58%

LAB 74.49, -29.11, 43.6

 

CMYK 48 / 21 / 0 / 23

HEX #659BC4

RGB 101 155 196

HSL 205.89, 0.45%, 0.58%

LAB 61.82, -6.55, -26.66

 

CMYK 19 / 49 / 0 / 23

HEX #9F64C4

RGB 159 100 196

HSL 276.88, 0.45%, 0.58%

LAB 52.37, 41.23, -41.08

 

CMYK 0 / 29 / 49 / 23

HEX #C48C64

RGB 196 140 100

HSL 25, 0.45%, 0.58%

LAB 62.85, 16.58, 29.75

 

CMYK 30 / 0 / 49 / 23

HEX #89C464

RGB 137 196 100

HSL 96.88, 0.45%, 0.58%

LAB 73.36, -36.06, 41.97

 

CMYK 48 / 21 / 0 / 23

HEX #659BC4

RGB 101 155 196

HSL 205.89, 0.45%, 0.58%

LAB 61.82, -6.55, -26.66

 

CMYK 4 / 49 / 0 / 23

HEX #BC64C4

RGB 188 100 196

HSL 295, 0.45%, 0.58%

LAB 55.88, 49.45, -35.31

 

CMYK 0 / 29 / 49 / 23

HEX #C48C64

RGB 196 140 100

HSL 25, 0.45%, 0.58%

LAB 62.85, 16.58, 29.75

 

CMYK 45 / 0 / 49 / 23

HEX #6CC464

RGB 108 196 100

HSL 115, 0.45%, 0.58%

LAB 71.95, -45.53, 39.91

 

Description

Color code: HEX #659BC4 | qconv.com Color code: HEX #659BC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 155 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 155 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 21 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 21% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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