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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #215378 it is the complementary color #DEAC87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #215378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #215378 shade: #265373, #376586, #487799, #5989AC and #6A9BBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #215378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #215378 shade: #215378, #104165, #002F52, #001D3F and #000B2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #215378 shade: #215378, #213B78, #212478, #352178 and #4D2178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #215378 shade: #215378, #213B78, #212478 and #212178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #215378 shade matches the following richer shades: #215378, #155584 and #085791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #215378 shade: #215378, #2D516C, #3A4F5F, #464D53 and #524C47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #215378 shade: #21786E, #216B78, #215478, #213D78 and #212578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #215378 shade: #0F2637, #183D58, #215378, #2A6998 and #3380B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #215378 shade: #215378, #572178 and #777821

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #215378 shade: #215378, #782154 and #547821

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #215378 shade: #215378, #572178, #784521 and #427821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #215378 shade: #215378, #712178, #784521 and #287821

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

Complementary color

CMYK 0 / 23 / 39 / 13

HEX #DEAC87

RGB 222 172 135

HSL 25.52, 0.57%, 0.7%

LAB 74.05, 13.45, 26.06

 

CMYK 67 / 28 / 0 / 55

HEX #265373

RGB 38 83 115

HSL 204.94, 0.5%, 0.3%

LAB 33.64, -4.51, -22.87

 

CMYK 59 / 25 / 0 / 47

HEX #376586

RGB 55 101 134

HSL 205.06, 0.42%, 0.37%

LAB 40.96, -5.37, -23.08

 

CMYK 53 / 22 / 0 / 40

HEX #487799

RGB 72 119 153

HSL 205.19, 0.36%, 0.44%

LAB 48.1, -5.97, -23.29

 

CMYK 48 / 20 / 0 / 33

HEX #5989AC

RGB 89 137 172

HSL 205.3, 0.33%, 0.51%

LAB 55.07, -6.41, -23.51

 

CMYK 45 / 19 / 0 / 25

HEX #6A9BBF

RGB 106 155 191

HSL 205.41, 0.4%, 0.58%

LAB 61.89, -6.75, -23.74

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 84 / 36 / 0 / 60

HEX #104165

RGB 16 65 101

HSL 205.41, 0.73%, 0.23%

LAB 26.25, -1.85, -25.67

 

CMYK 100 / 43 / 0 / 68

HEX #002F52

RGB 0 47 82

HSL 205.61, 1%, 0.16%

LAB 18.55, 0.55, -25.43

 

CMYK 100 / 54 / 0 / 75

HEX #001D3F

RGB 0 29 63

HSL 212.38, 1%, 0.12%

LAB 10.83, 5.03, -24.74

 

CMYK 100 / 75 / 0 / 83

HEX #000B2C

RGB 0 11 44

HSL 225, 1%, 0.09%

LAB 3.8, 7.13, -22.19

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 73 / 51 / 0 / 53

HEX #213B78

RGB 33 59 120

HSL 222.07, 0.57%, 0.3%

LAB 26.18, 12.54, -37.86

 

CMYK 73 / 70 / 0 / 53

HEX #212478

RGB 33 36 120

HSL 237.93, 0.57%, 0.3%

LAB 19.81, 28.51, -48.22

 

CMYK 56 / 73 / 0 / 53

HEX #352178

RGB 53 33 120

HSL 253.79, 0.57%, 0.3%

LAB 20.83, 33.49, -46.47

 

CMYK 36 / 73 / 0 / 53

HEX #4D2178

RGB 77 33 120

HSL 270.34, 0.57%, 0.3%

LAB 23.74, 38.22, -41.6

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 73 / 51 / 0 / 53

HEX #213B78

RGB 33 59 120

HSL 222.07, 0.57%, 0.3%

LAB 26.18, 12.54, -37.86

 

CMYK 73 / 70 / 0 / 53

HEX #212478

RGB 33 36 120

HSL 237.93, 0.57%, 0.3%

LAB 19.81, 28.51, -48.22

 

CMYK 73 / 73 / 0 / 53

HEX #212178

RGB 33 33 120

HSL 240, 0.57%, 0.3%

LAB 19.09, 30.47, -49.4

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 84 / 36 / 0 / 48

HEX #155584

RGB 21 85 132

HSL 205.41, 0.73%, 0.3%

LAB 34.65, -1.74, -31.84

 

CMYK 94 / 40 / 0 / 43

HEX #085791

RGB 8 87 145

HSL 205.4, 0.9%, 0.3%

LAB 35.81, 1.3, -37.93

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 58 / 25 / 0 / 58

HEX #2D516C

RGB 45 81 108

HSL 205.71, 0.41%, 0.3%

LAB 32.97, -4.23, -19.51

 

CMYK 39 / 17 / 0 / 63

HEX #3A4F5F

RGB 58 79 95

HSL 205.95, 0.24%, 0.3%

LAB 32.52, -3.56, -11.94

 

CMYK 16 / 7 / 0 / 67

HEX #464D53

RGB 70 77 83

HSL 207.69, 0.08%, 0.3%

LAB 32.33, -1.37, -4.5

 

CMYK 0 / 7 / 13 / 68

HEX #524C47

RGB 82 76 71

HSL 27.27, 0.07%, 0.3%

LAB 32.74, 1.49, 3.86

 

CMYK 73 / 0 / 8 / 53

HEX #21786E

RGB 33 120 110

HSL 173.1, 0.57%, 0.3%

LAB 45.47, -27.69, -1.9

 

CMYK 73 / 11 / 0 / 53

HEX #216B78

RGB 33 107 120

HSL 188.97, 0.57%, 0.3%

LAB 41.52, -17.75, -13.81

 

CMYK 73 / 30 / 0 / 53

HEX #215478

RGB 33 84 120

HSL 204.83, 0.57%, 0.3%

LAB 34.02, -4.18, -25.39

 

CMYK 73 / 49 / 0 / 53

HEX #213D78

RGB 33 61 120

HSL 220.69, 0.57%, 0.3%

LAB 26.78, 11.14, -36.89

 

CMYK 73 / 69 / 0 / 53

HEX #212578

RGB 33 37 120

HSL 237.24, 0.57%, 0.3%

LAB 20.05, 27.84, -47.81

 

CMYK 73 / 31 / 0 / 78

HEX #0F2637

RGB 15 38 55

HSL 205.5, 0.57%, 0.14%

LAB 14.19, -2.55, -13.71

 

CMYK 73 / 31 / 0 / 65

HEX #183D58

RGB 24 61 88

HSL 205.31, 0.57%, 0.22%

LAB 24.44, -3.23, -20.06

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 72 / 31 / 0 / 40

HEX #2A6998

RGB 42 105 152

HSL 205.64, 0.57%, 0.38%

LAB 42.56, -3.85, -31.42

 

CMYK 72 / 31 / 0 / 27

HEX #3380B9

RGB 51 128 185

HSL 205.52, 0.57%, 0.46%

LAB 51.43, -4.38, -36.74

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 28 / 73 / 0 / 53

HEX #572178

RGB 87 33 120

HSL 277.24, 0.57%, 0.3%

LAB 25.17, 40.43, -39.23

 

CMYK 1 / 0 / 73 / 53

HEX #777821

RGB 119 120 33

HSL 60.69, 0.57%, 0.3%

LAB 48.84, -11.71, 45.08

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 0 / 73 / 30 / 53

HEX #782154

RGB 120 33 84

HSL 324.83, 0.57%, 0.3%

LAB 28.7, 42.51, -9.96

 

CMYK 30 / 0 / 73 / 53

HEX #547821

RGB 84 120 33

HSL 84.83, 0.57%, 0.3%

LAB 46.21, -27.14, 41.59

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 28 / 73 / 0 / 53

HEX #572178

RGB 87 33 120

HSL 277.24, 0.57%, 0.3%

LAB 25.17, 40.43, -39.23

 

CMYK 0 / 43 / 73 / 53

HEX #784521

RGB 120 69 33

HSL 24.83, 0.57%, 0.3%

LAB 34.72, 18.58, 30.47

 

CMYK 45 / 0 / 73 / 53

HEX #427821

RGB 66 120 33

HSL 97.24, 0.57%, 0.3%

LAB 45.22, -34, 40.26

 

CMYK 73 / 31 / 0 / 53

HEX #215378

RGB 33 83 120

HSL 205.52, 0.57%, 0.3%

LAB 33.7, -3.55, -25.9

 

CMYK 6 / 73 / 0 / 53

HEX #712178

RGB 113 33 120

HSL 295.17, 0.57%, 0.3%

LAB 29.3, 46.51, -32.38

 

CMYK 0 / 43 / 73 / 53

HEX #784521

RGB 120 69 33

HSL 24.83, 0.57%, 0.3%

LAB 34.72, 18.58, 30.47

 

CMYK 67 / 0 / 73 / 53

HEX #287821

RGB 40 120 33

HSL 115.17, 0.57%, 0.3%

LAB 44.22, -41.69, 38.91

 

Description

Color code: HEX #215378 | qconv.com Color code: HEX #215378 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 83 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 83 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 31 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 31% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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