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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #657F5F it is the complementary color #9A80A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #657F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #657F5F: #6A7F5A, #7B916D, #8CA380, #9DB593 and #AEC7A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #657F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #657F5F: #657F5F, #546D4C, #435B39, #324926 and #213713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

Complementary color

CMYK 4 / 20 / 0 / 37

HEX #9A80A0

RGB 154 128 160

HSL 288.75, 0.14%, 0.56%

LAB 56.93, 15.93, -13.34

 

CMYK 17 / 0 / 29 / 50

HEX #6A7F5A

RGB 106 127 90

HSL 94.05, 0.17%, 0.43%

LAB 50.67, -14.89, 17.67

 

CMYK 15 / 0 / 25 / 43

HEX #7B916D

RGB 123 145 109

HSL 96.67, 0.14%, 0.5%

LAB 57.62, -14.81, 16.58

 

CMYK 14 / 0 / 21 / 36

HEX #8CA380

RGB 140 163 128

HSL 99.43, 0.16%, 0.57%

LAB 64.43, -14.73, 15.56

 

CMYK 13 / 0 / 19 / 29

HEX #9DB593

RGB 157 181 147

HSL 102.35, 0.19%, 0.64%

LAB 71.09, -14.66, 14.62

 

CMYK 13 / 0 / 17 / 22

HEX #AEC7A6

RGB 174 199 166

HSL 105.45, 0.23%, 0.72%

LAB 77.64, -14.6, 13.73

 

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

CMYK 23 / 0 / 30 / 57

HEX #546D4C

RGB 84 109 76

HSL 105.45, 0.18%, 0.36%

LAB 43.28, -16.13, 15.52

 

CMYK 26 / 0 / 37 / 64

HEX #435B39

RGB 67 91 57

HSL 102.35, 0.23%, 0.29%

LAB 35.93, -16.32, 16.76

 

CMYK 32 / 0 / 48 / 71

HEX #324926

RGB 50 73 38

HSL 99.43, 0.32%, 0.22%

LAB 28.34, -16.49, 18.13

 

CMYK 40 / 0 / 65 / 78

HEX #213713

RGB 33 55 19

HSL 96.67, 0.49%, 0.15%

LAB 20.45, -16.57, 19.56

 

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

CMYK 24 / 0 / 24 / 50

HEX #617F60

RGB 97 127 96

HSL 118.06, 0.14%, 0.44%

LAB 50.17, -17.27, 13.44

 

CMYK 24 / 0 / 21 / 50

HEX #607F64

RGB 96 127 100

HSL 127.74, 0.14%, 0.44%

LAB 50.2, -16.87, 11.15

 

CMYK 24 / 0 / 17 / 50

HEX #607F69

RGB 96 127 105

HSL 137.42, 0.14%, 0.44%

LAB 50.32, -15.87, 8.4

 

CMYK 24 / 0 / 13 / 50

HEX #607F6F

RGB 96 127 111

HSL 149.03, 0.14%, 0.44%

LAB 50.47, -14.61, 5.11

 

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

CMYK 20 / 0 / 25 / 30

HEX #8EB285

RGB 142 178 133

HSL 108, 0.23%, 0.61%

LAB 68.96, -20.88, 19.11

 

CMYK 21 / 0 / 25 / 10

HEX #B6E5AB

RGB 182 229 171

HSL 108.62, 0.53%, 0.78%

LAB 86.47, -25.87, 23.45

 

CMYK 20 / 0 / 24 / 90

HEX #141913

RGB 20 25 19

HSL 110, 0.14%, 0.09%

LAB 8.05, -3.82, 3.17

 

CMYK 21 / 0 / 25 / 70

HEX #3C4C39

RGB 60 76 57

HSL 110.53, 0.14%, 0.26%

LAB 30.46, -10.61, 9.27

 

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

CMYK 24 / 0 / 0 / 50

HEX #607F7F

RGB 96 127 127

HSL 180, 0.14%, 0.44%

LAB 50.92, -10.97, -3.61

 

CMYK 0 / 24 / 9 / 50

HEX #7F6073

RGB 127 96 115

HSL 323.23, 0.14%, 0.44%

LAB 44.4, 15.91, -5.83

 

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

CMYK 24 / 20 / 0 / 50

HEX #60667F

RGB 96 102 127

HSL 228.39, 0.14%, 0.44%

LAB 43.54, 3.64, -14.67

 

CMYK 0 / 24 / 20 / 50

HEX #7F6066

RGB 127 96 102

HSL 348.39, 0.14%, 0.44%

LAB 44, 13.58, 1.47

 

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

CMYK 24 / 0 / 0 / 50

HEX #607F7F

RGB 96 127 127

HSL 180, 0.14%, 0.44%

LAB 50.92, -10.97, -3.61

 

CMYK 5 / 24 / 0 / 50

HEX #79607F

RGB 121 96 127

HSL 288.39, 0.14%, 0.44%

LAB 44.18, 16.1, -13.49

 

CMYK 0 / 24 / 24 / 50

HEX #7F6060

RGB 127 96 96

HSL 0, 0.14%, 0.44%

LAB 43.83, 12.58, 4.87

 

CMYK 20 / 0 / 25 / 50

HEX #657F5F

RGB 101 127 95

HSL 108.75, 0.14%, 0.44%

LAB 50.42, -15.96, 14.4

 

CMYK 24 / 7 / 0 / 50

HEX #60767F

RGB 96 118 127

HSL 197.42, 0.14%, 0.44%

LAB 48.23, -5.85, -7.6

 

CMYK 5 / 24 / 0 / 50

HEX #79607F

RGB 121 96 127

HSL 288.39, 0.14%, 0.44%

LAB 44.18, 16.1, -13.49

 

CMYK 0 / 17 / 24 / 50

HEX #7F6960

RGB 127 105 96

HSL 17.42, 0.14%, 0.44%

LAB 46.26, 7.24, 8.33

 

Description

Color code: HEX #657F5F | qconv.com Color code: HEX #657F5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 127 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 127 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 25 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 25% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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