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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64C25C it is the complementary color #9B3DA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64C25C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64C25C shade: #69C257, #7AD46A, #8BE67D, #9CF890 and #ADFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64C25C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64C25C shade: #64C25C, #53B049, #429E36, #318C23 and #207A10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64C25C shade: #63C25B, #7FC25B, #9BC25B, #B7C25B and #C2B25B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64C25C shade: #63C25B, #5BC26F, #5BC28B, #5BC2A7 and #5BC2C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64C25C shade matches the following richer shades: #63C25B, #54D549, #45E737 and #35F925

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64C25C shade: #63C25B, #73B06D, #829E7F, #918C92 and #A17AA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64C25C shade: #9BC25B, #7FC25B, #64C25B, #5BC26E and #5BC28A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64C25C shade: #3E9437, #4BB242, #63C25B, #80CE79 and #9DD997

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64C25C shade: #64C25C, #5BB6C2 and #C25B8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64C25C shade: #64C25C, #5B64C2 and #C25B64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64C25C shade: #64C25C, #5BB6C2, #BA5BC2 and #C2675B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64C25C shade: #64C25C, #5B97C2, #BA5BC2 and #C2865B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 53 / 24

HEX #64C25C

RGB 100 194 92

HSL 115.29, 0.46%, 0.56%

LAB 70.92, -48.08, 42.48

 

Complementary color

CMYK 5 / 63 / 0 / 36

HEX #9B3DA3

RGB 155 61 163

HSL 295.29, 0.46%, 0.44%

LAB 42.69, 53.08, -37.11

 

CMYK 46 / 0 / 55 / 24

HEX #69C257

RGB 105 194 87

HSL 109.91, 0.47%, 0.55%

LAB 71.06, -47.23, 45.09

 

CMYK 42 / 0 / 50 / 17

HEX #7AD46A

RGB 122 212 106

HSL 110.94, 0.55%, 0.62%

LAB 77.44, -47.22, 43.88

 

CMYK 40 / 0 / 46 / 10

HEX #8BE67D

RGB 139 230 125

HSL 112, 0.68%, 0.7%

LAB 83.74, -47.12, 42.66

 

CMYK 37 / 0 / 42 / 3

HEX #9CF890

RGB 156 248 144

HSL 113.08, 0.88%, 0.77%

LAB 89.96, -46.97, 41.46

 

CMYK 32 / 0 / 36 / 0

HEX #ADFFA3

RGB 173 255 163

HSL 113.48, 1%, 0.82%

LAB 93.04, -42.01, 36.27

 

CMYK 48 / 0 / 53 / 24

HEX #64C25C

RGB 100 194 92

HSL 115.29, 0.46%, 0.56%

LAB 70.92, -48.08, 42.48

 

CMYK 53 / 0 / 59 / 31

HEX #53B049

RGB 83 176 73

HSL 114.17, 0.41%, 0.49%

LAB 64.46, -47.96, 43.71

 

CMYK 58 / 0 / 66 / 38

HEX #429E36

RGB 66 158 54

HSL 113.08, 0.49%, 0.42%

LAB 57.92, -47.59, 44.79

 

CMYK 65 / 0 / 75 / 45

HEX #318C23

RGB 49 140 35

HSL 112, 0.6%, 0.34%

LAB 51.3, -46.82, 45.47

 

CMYK 74 / 0 / 87 / 52

HEX #207A10

RGB 32 122 16

HSL 110.94, 0.77%, 0.27%

LAB 44.61, -45.38, 45.18

 

CMYK 49 / 0 / 53 / 24

HEX #63C25B

RGB 99 194 91

HSL 115.34, 0.46%, 0.56%

LAB 70.87, -48.49, 42.89

 

CMYK 35 / 0 / 53 / 24

HEX #7FC25B

RGB 127 194 91

HSL 99.03, 0.46%, 0.56%

LAB 72.13, -39.69, 44.71

 

CMYK 20 / 0 / 53 / 24

HEX #9BC25B

RGB 155 194 91

HSL 82.72, 0.46%, 0.56%

LAB 73.74, -29.48, 47.02

 

CMYK 6 / 0 / 53 / 24

HEX #B7C25B

RGB 183 194 91

HSL 66.41, 0.46%, 0.56%

LAB 75.7, -18.38, 49.81

 

CMYK 0 / 8 / 53 / 24

HEX #C2B25B

RGB 194 178 91

HSL 50.68, 0.46%, 0.56%

LAB 72.27, -5.61, 46.02

 

CMYK 49 / 0 / 53 / 24

HEX #63C25B

RGB 99 194 91

HSL 115.34, 0.46%, 0.56%

LAB 70.87, -48.49, 42.89

 

CMYK 53 / 0 / 43 / 24

HEX #5BC26F

RGB 91 194 111

HSL 131.65, 0.46%, 0.56%

LAB 70.84, -47.77, 32.83

 

CMYK 53 / 0 / 28 / 24

HEX #5BC28B

RGB 91 194 139

HSL 147.96, 0.46%, 0.56%

LAB 71.33, -42.69, 18.76

 

CMYK 53 / 0 / 14 / 24

HEX #5BC2A7

RGB 91 194 167

HSL 164.27, 0.46%, 0.56%

LAB 71.96, -36.52, 4.51

 

CMYK 53 / 0 / 0 / 24

HEX #5BC2C2

RGB 91 194 194

HSL 180, 0.46%, 0.56%

LAB 72.7, -29.67, -9.12

 

CMYK 49 / 0 / 53 / 24

HEX #63C25B

RGB 99 194 91

HSL 115.34, 0.46%, 0.56%

LAB 70.87, -48.49, 42.89

 

CMYK 61 / 0 / 66 / 16

HEX #54D549

RGB 84 213 73

HSL 115.29, 0.63%, 0.56%

LAB 76.04, -61.47, 56.71

 

CMYK 70 / 0 / 76 / 9

HEX #45E737

RGB 69 231 55

HSL 115.23, 0.79%, 0.56%

LAB 81.12, -71.81, 68.29

 

CMYK 79 / 0 / 85 / 2

HEX #35F925

RGB 53 249 37

HSL 115.47, 0.95%, 0.56%

LAB 86.33, -80.38, 77.64

 

CMYK 49 / 0 / 53 / 24

HEX #63C25B

RGB 99 194 91

HSL 115.34, 0.46%, 0.56%

LAB 70.87, -48.49, 42.89

 

CMYK 35 / 0 / 38 / 31

HEX #73B06D

RGB 115 176 109

HSL 114.63, 0.3%, 0.56%

LAB 66.37, -33.16, 28.24

 

CMYK 18 / 0 / 20 / 38

HEX #829E7F

RGB 130 158 127

HSL 114.19, 0.14%, 0.56%

LAB 62.28, -15.94, 13.02

 

CMYK 1 / 4 / 0 / 43

HEX #918C92

RGB 145 140 146

HSL 290, 0.03%, 0.56%

LAB 58.84, 3.01, -2.54

 

CMYK 2 / 26 / 0 / 36

HEX #A17AA4

RGB 161 122 164

HSL 295.71, 0.19%, 0.56%

LAB 56.26, 22.62, -16.58

 

CMYK 20 / 0 / 53 / 24

HEX #9BC25B

RGB 155 194 91

HSL 82.72, 0.46%, 0.56%

LAB 73.74, -29.48, 47.02

 

CMYK 35 / 0 / 53 / 24

HEX #7FC25B

RGB 127 194 91

HSL 99.03, 0.46%, 0.56%

LAB 72.13, -39.69, 44.71

 

CMYK 48 / 0 / 53 / 24

HEX #64C25B

RGB 100 194 91

HSL 114.76, 0.46%, 0.56%

LAB 70.9, -48.21, 42.95

 

CMYK 53 / 0 / 43 / 24

HEX #5BC26E

RGB 91 194 110

HSL 131.07, 0.46%, 0.56%

LAB 70.83, -47.93, 33.32

 

CMYK 53 / 0 / 29 / 24

HEX #5BC28A

RGB 91 194 138

HSL 147.38, 0.46%, 0.56%

LAB 71.31, -42.89, 19.26

 

CMYK 58 / 0 / 63 / 42

HEX #3E9437

RGB 62 148 55

HSL 115.48, 0.46%, 0.4%

LAB 54.53, -44.66, 40.53

 

CMYK 58 / 0 / 63 / 30

HEX #4BB242

RGB 75 178 66

HSL 115.18, 0.46%, 0.48%

LAB 64.75, -51.62, 47.15

 

CMYK 49 / 0 / 53 / 24

HEX #63C25B

RGB 99 194 91

HSL 115.34, 0.46%, 0.56%

LAB 70.87, -48.49, 42.89

 

CMYK 38 / 0 / 41 / 19

HEX #80CE79

RGB 128 206 121

HSL 115.06, 0.46%, 0.64%

LAB 76.14, -40.74, 34.86

 

CMYK 28 / 0 / 30 / 15

HEX #9DD997

RGB 157 217 151

HSL 114.55, 0.46%, 0.72%

LAB 81.31, -31.75, 26.54

 

CMYK 48 / 0 / 53 / 24

HEX #64C25C

RGB 100 194 92

HSL 115.29, 0.46%, 0.56%

LAB 70.92, -48.08, 42.48

 

CMYK 53 / 6 / 0 / 24

HEX #5BB6C2

RGB 91 182 194

HSL 186.99, 0.46%, 0.56%

LAB 69.17, -23.74, -14.4

 

CMYK 0 / 53 / 27 / 24

HEX #C25B8D

RGB 194 91 141

HSL 330.87, 0.46%, 0.56%

LAB 52.81, 46.82, -7.94

 

CMYK 48 / 0 / 53 / 24

HEX #64C25C

RGB 100 194 92

HSL 115.29, 0.46%, 0.56%

LAB 70.92, -48.08, 42.48

 

CMYK 53 / 48 / 0 / 24

HEX #5B64C2

RGB 91 100 194

HSL 234.76, 0.46%, 0.56%

LAB 45.95, 23.3, -50.51

 

CMYK 0 / 53 / 48 / 24

HEX #C25B64

RGB 194 91 100

HSL 354.76, 0.46%, 0.56%

LAB 51.69, 42.06, 14.81

 

CMYK 48 / 0 / 53 / 24

HEX #64C25C

RGB 100 194 92

HSL 115.29, 0.46%, 0.56%

LAB 70.92, -48.08, 42.48

 

CMYK 53 / 6 / 0 / 24

HEX #5BB6C2

RGB 91 182 194

HSL 186.99, 0.46%, 0.56%

LAB 69.17, -23.74, -14.4

 

CMYK 4 / 53 / 0 / 24

HEX #BA5BC2

RGB 186 91 194

HSL 295.34, 0.46%, 0.56%

LAB 53.83, 52.99, -37.39

 

CMYK 0 / 47 / 53 / 24

HEX #C2675B

RGB 194 103 91

HSL 6.99, 0.46%, 0.56%

LAB 53.95, 35.06, 23.13

 

CMYK 48 / 0 / 53 / 24

HEX #64C25C

RGB 100 194 92

HSL 115.29, 0.46%, 0.56%

LAB 70.92, -48.08, 42.48

 

CMYK 53 / 22 / 0 / 24

HEX #5B97C2

RGB 91 151 194

HSL 205.05, 0.46%, 0.56%

LAB 60.12, -7.22, -28.21

 

CMYK 4 / 53 / 0 / 24

HEX #BA5BC2

RGB 186 91 194

HSL 295.34, 0.46%, 0.56%

LAB 53.83, 52.99, -37.39

 

CMYK 0 / 31 / 53 / 24

HEX #C2865B

RGB 194 134 91

HSL 25.05, 0.46%, 0.56%

LAB 61.02, 18.22, 32.27

 

Description

Color code: HEX #64C25C | qconv.com Color code: HEX #64C25C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 194 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 194 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 53 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 53% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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