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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BB242 it is the complementary color #B44DBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BB242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BB242 shade: #50B23D, #61C450, #72D663, #83E876 and #94FA89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BB242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BB242 shade: #4BB242, #3AA02F, #298E1C, #187C09 and #076A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BB242 shade: #4BB342, #6AB342, #88B342, #A6B342 and #B3A142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BB242 shade: #4BB342, #42B357, #42B376, #42B394 and #42B3B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BB242 shade matches the following richer shades: #4BB342, #3BC72E, #2ADA1A and #19EE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BB242 shade: #4BB342, #5C9F56, #6C8B6A, #7D777E and #8E6391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BB242 shade: #88B342, #6AB342, #4BB342, #42B357 and #42B375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BB242 shade: #32762C, #3E9537, #4BB342, #64C35C and #80CE7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BB242 shade: #4BB242, #42A6B3 and #B34279

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BB242 shade: #4BB242, #424BB3 and #B3424B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BB242 shade: #4BB242, #42A6B3, #A942B3 and #B34F42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BB242 shade: #4BB242, #4284B3, #A942B3 and #B37142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 63 / 30

HEX #4BB242

RGB 75 178 66

HSL 115.18, 0.46%, 0.48%

LAB 64.75, -51.62, 47.15

 

Complementary color

CMYK 5 / 59 / 0 / 26

HEX #B44DBD

RGB 180 77 189

HSL 295.18, 0.46%, 0.52%

LAB 50.32, 57.07, -40.1

 

CMYK 55 / 0 / 66 / 30

HEX #50B23D

RGB 80 178 61

HSL 110.26, 0.49%, 0.47%

LAB 64.87, -50.83, 49.51

 

CMYK 51 / 0 / 59 / 23

HEX #61C450

RGB 97 196 80

HSL 111.21, 0.5%, 0.54%

LAB 71.28, -51.16, 48.51

 

CMYK 47 / 0 / 54 / 16

HEX #72D663

RGB 114 214 99

HSL 112.17, 0.58%, 0.61%

LAB 77.62, -51.28, 47.35

 

CMYK 44 / 0 / 49 / 9

HEX #83E876

RGB 131 232 118

HSL 113.16, 0.71%, 0.69%

LAB 83.89, -51.26, 46.14

 

CMYK 41 / 0 / 45 / 2

HEX #94FA89

RGB 148 250 137

HSL 114.16, 0.92%, 0.76%

LAB 90.08, -51.16, 44.93

 

CMYK 58 / 0 / 63 / 30

HEX #4BB242

RGB 75 178 66

HSL 115.18, 0.46%, 0.48%

LAB 64.75, -51.62, 47.15

 

CMYK 64 / 0 / 71 / 37

HEX #3AA02F

RGB 58 160 47

HSL 114.16, 0.55%, 0.41%

LAB 58.27, -50.96, 48.03

 

CMYK 71 / 0 / 80 / 44

HEX #298E1C

RGB 41 142 28

HSL 113.16, 0.67%, 0.33%

LAB 51.73, -49.77, 48.29

 

CMYK 81 / 0 / 93 / 51

HEX #187C09

RGB 24 124 9

HSL 112.17, 0.86%, 0.26%

LAB 45.12, -47.73, 47.21

 

CMYK 93 / 0 / 100 / 58

HEX #076A00

RGB 7 106 0

HSL 116.04, 1%, 0.21%

LAB 38.47, -44.46, 43.71

 

CMYK 58 / 0 / 63 / 30

HEX #4BB342

RGB 75 179 66

HSL 115.22, 0.46%, 0.48%

LAB 65.07, -52, 47.51

 

CMYK 41 / 0 / 63 / 30

HEX #6AB342

RGB 106 179 66

HSL 98.76, 0.46%, 0.48%

LAB 66.29, -42.9, 49.21

 

CMYK 24 / 0 / 63 / 30

HEX #88B342

RGB 136 179 66

HSL 82.83, 0.46%, 0.48%

LAB 67.92, -32.01, 51.47

 

CMYK 7 / 0 / 63 / 30

HEX #A6B342

RGB 166 179 66

HSL 66.9, 0.46%, 0.48%

LAB 69.99, -19.85, 54.31

 

CMYK 0 / 10 / 63 / 30

HEX #B3A142

RGB 179 161 66

HSL 50.44, 0.46%, 0.48%

LAB 66.11, -4.94, 50.45

 

CMYK 58 / 0 / 63 / 30

HEX #4BB342

RGB 75 179 66

HSL 115.22, 0.46%, 0.48%

LAB 65.07, -52, 47.51

 

CMYK 63 / 0 / 51 / 30

HEX #42B357

RGB 66 179 87

HSL 131.15, 0.46%, 0.48%

LAB 65.03, -51.45, 37.49

 

CMYK 63 / 0 / 34 / 30

HEX #42B376

RGB 66 179 118

HSL 147.61, 0.46%, 0.48%

LAB 65.52, -46.08, 21.96

 

CMYK 63 / 0 / 17 / 30

HEX #42B394

RGB 66 179 148

HSL 163.54, 0.46%, 0.48%

LAB 66.16, -39.4, 6.47

 

CMYK 63 / 0 / 0 / 30

HEX #42B3B3

RGB 66 179 179

HSL 180, 0.46%, 0.48%

LAB 67.02, -31.17, -9.43

 

CMYK 58 / 0 / 63 / 30

HEX #4BB342

RGB 75 179 66

HSL 115.22, 0.46%, 0.48%

LAB 65.07, -52, 47.51

 

CMYK 70 / 0 / 77 / 22

HEX #3BC72E

RGB 59 199 46

HSL 114.9, 0.62%, 0.48%

LAB 70.85, -64.06, 61.07

 

CMYK 81 / 0 / 88 / 15

HEX #2ADA1A

RGB 42 218 26

HSL 115, 0.79%, 0.48%

LAB 76.5, -73.26, 71.15

 

CMYK 89 / 0 / 97 / 7

HEX #19EE07

RGB 25 238 7

HSL 115.32, 0.94%, 0.48%

LAB 82.58, -80.68, 78.5

 

CMYK 58 / 0 / 63 / 30

HEX #4BB342

RGB 75 179 66

HSL 115.22, 0.46%, 0.48%

LAB 65.07, -52, 47.51

 

CMYK 42 / 0 / 46 / 38

HEX #5C9F56

RGB 92 159 86

HSL 115.07, 0.3%, 0.48%

LAB 59.66, -36.38, 31.5

 

CMYK 22 / 0 / 24 / 45

HEX #6C8B6A

RGB 108 139 106

HSL 116.36, 0.13%, 0.48%

LAB 54.76, -17.75, 14.16

 

CMYK 1 / 6 / 0 / 51

HEX #7D777E

RGB 125 119 126

HSL 291.43, 0.03%, 0.48%

LAB 50.76, 3.68, -3.01

 

CMYK 2 / 32 / 0 / 43

HEX #8E6391

RGB 142 99 145

HSL 296.09, 0.19%, 0.48%

LAB 47.9, 25.51, -18.39

 

CMYK 24 / 0 / 63 / 30

HEX #88B342

RGB 136 179 66

HSL 82.83, 0.46%, 0.48%

LAB 67.92, -32.01, 51.47

 

CMYK 41 / 0 / 63 / 30

HEX #6AB342

RGB 106 179 66

HSL 98.76, 0.46%, 0.48%

LAB 66.29, -42.9, 49.21

 

CMYK 58 / 0 / 63 / 30

HEX #4BB342

RGB 75 179 66

HSL 115.22, 0.46%, 0.48%

LAB 65.07, -52, 47.51

 

CMYK 63 / 0 / 51 / 30

HEX #42B357

RGB 66 179 87

HSL 131.15, 0.46%, 0.48%

LAB 65.03, -51.45, 37.49

 

CMYK 63 / 0 / 35 / 30

HEX #42B375

RGB 66 179 117

HSL 147.08, 0.46%, 0.48%

LAB 65.5, -46.28, 22.48

 

CMYK 58 / 0 / 63 / 54

HEX #32762C

RGB 50 118 44

HSL 115.14, 0.46%, 0.32%

LAB 43.97, -37.12, 33.66

 

CMYK 58 / 0 / 63 / 42

HEX #3E9537

RGB 62 149 55

HSL 115.53, 0.46%, 0.4%

LAB 54.86, -45.05, 40.9

 

CMYK 58 / 0 / 63 / 30

HEX #4BB342

RGB 75 179 66

HSL 115.22, 0.46%, 0.48%

LAB 65.07, -52, 47.51

 

CMYK 49 / 0 / 53 / 24

HEX #64C35C

RGB 100 195 92

HSL 115.34, 0.46%, 0.56%

LAB 71.22, -48.49, 42.85

 

CMYK 38 / 0 / 41 / 19

HEX #80CE7A

RGB 128 206 122

HSL 115.71, 0.46%, 0.64%

LAB 76.15, -40.59, 34.37

 

CMYK 58 / 0 / 63 / 30

HEX #4BB242

RGB 75 178 66

HSL 115.18, 0.46%, 0.48%

LAB 64.75, -51.62, 47.15

 

CMYK 63 / 7 / 0 / 30

HEX #42A6B3

RGB 66 166 179

HSL 186.9, 0.46%, 0.48%

LAB 63.08, -24.75, -15.33

 

CMYK 0 / 63 / 32 / 30

HEX #B34279

RGB 179 66 121

HSL 330.8, 0.46%, 0.48%

LAB 45.44, 51.15, -7.17

 

CMYK 58 / 0 / 63 / 30

HEX #4BB242

RGB 75 178 66

HSL 115.18, 0.46%, 0.48%

LAB 64.75, -51.62, 47.15

 

CMYK 63 / 58 / 0 / 30

HEX #424BB3

RGB 66 75 179

HSL 235.22, 0.46%, 0.48%

LAB 36.83, 29.25, -56.55

 

CMYK 0 / 63 / 58 / 30

HEX #B3424B

RGB 179 66 75

HSL 355.22, 0.46%, 0.48%

LAB 44.22, 46.55, 19.34

 

CMYK 58 / 0 / 63 / 30

HEX #4BB242

RGB 75 178 66

HSL 115.18, 0.46%, 0.48%

LAB 64.75, -51.62, 47.15

 

CMYK 63 / 7 / 0 / 30

HEX #42A6B3

RGB 66 166 179

HSL 186.9, 0.46%, 0.48%

LAB 63.08, -24.75, -15.33

 

CMYK 6 / 63 / 0 / 30

HEX #A942B3

RGB 169 66 179

HSL 294.69, 0.46%, 0.48%

LAB 46.43, 57.34, -40.52

 

CMYK 0 / 56 / 63 / 30

HEX #B34F42

RGB 179 79 66

HSL 6.9, 0.46%, 0.48%

LAB 46.4, 39.72, 27.55

 

CMYK 58 / 0 / 63 / 30

HEX #4BB242

RGB 75 178 66

HSL 115.18, 0.46%, 0.48%

LAB 64.75, -51.62, 47.15

 

CMYK 63 / 26 / 0 / 30

HEX #4284B3

RGB 66 132 179

HSL 204.96, 0.46%, 0.48%

LAB 52.86, -6.33, -31.03

 

CMYK 6 / 63 / 0 / 30

HEX #A942B3

RGB 169 66 179

HSL 294.69, 0.46%, 0.48%

LAB 46.43, 57.34, -40.52

 

CMYK 0 / 37 / 63 / 30

HEX #B37142

RGB 179 113 66

HSL 24.96, 0.46%, 0.48%

LAB 53.8, 21.53, 36.52

 

Description

Color code: HEX #4BB242 | qconv.com Color code: HEX #4BB242 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 178 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 178 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 63 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 63% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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