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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64BE88 it is the complementary color #9B4177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64BE88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64BE88 shade: #69BE83, #7AD096, #8BE2A9, #9CF4BC and #ADFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64BE88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64BE88 shade: #64BE88, #53AC75, #429A62, #31884F and #20763C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64BE88 shade: #64BE88, #64BE70, #71BE64, #89BE64 and #A1BE64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64BE88 shade: #64BE88, #64BEA1, #64BEB9, #64ACBE and #6493BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64BE88 shade matches the following richer shades: #64BE88, #53D085, #41E281 and #2FF47E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64BE88 shade: #64BE88, #76AD8C, #889B8F, #9A8993 and #AB7797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64BE88 shade: #70BE64, #64BE70, #64BE88, #64BEA0 and #64BEB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64BE88 shade: #3D9360, #4AB072, #64BE88, #81CA9F and #9FD7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64BE88 shade: #64BE88, #6488BE and #BE6464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64BE88 shade: #64BE88, #8864BE and #BE8864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64BE88 shade: #64BE88, #6488BE, #BE649A and #BE9A64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64BE88 shade: #64BE88, #646DBE, #BE649A and #BEB564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

Complementary color

CMYK 0 / 58 / 23 / 39

HEX #9B4177

RGB 155 65 119

HSL 324, 0.41%, 0.43%

LAB 41.34, 43.83, -12.49

 

CMYK 45 / 0 / 31 / 25

HEX #69BE83

RGB 105 190 131

HSL 138.35, 0.4%, 0.58%

LAB 70.5, -38.84, 21.99

 

CMYK 41 / 0 / 28 / 18

HEX #7AD096

RGB 122 208 150

HSL 139.53, 0.48%, 0.65%

LAB 76.95, -38.6, 20.84

 

CMYK 38 / 0 / 25 / 11

HEX #8BE2A9

RGB 139 226 169

HSL 140.69, 0.6%, 0.72%

LAB 83.31, -38.34, 19.78

 

CMYK 36 / 0 / 23 / 4

HEX #9CF4BC

RGB 156 244 188

HSL 141.82, 0.8%, 0.78%

LAB 89.58, -38.08, 18.78

 

CMYK 32 / 0 / 19 / 0

HEX #ADFFCF

RGB 173 255 207

HSL 144.88, 1%, 0.84%

LAB 93.84, -34.64, 15.12

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 52 / 0 / 32 / 33

HEX #53AC75

RGB 83 172 117

HSL 142.92, 0.35%, 0.5%

LAB 63.86, -39.42, 20.34

 

CMYK 57 / 0 / 36 / 40

HEX #429A62

RGB 66 154 98

HSL 141.82, 0.4%, 0.43%

LAB 57.22, -39.5, 21.67

 

CMYK 64 / 0 / 42 / 47

HEX #31884F

RGB 49 136 79

HSL 140.69, 0.47%, 0.36%

LAB 50.48, -39.39, 23.13

 

CMYK 73 / 0 / 49 / 54

HEX #20763C

RGB 32 118 60

HSL 139.53, 0.57%, 0.29%

LAB 43.64, -38.96, 24.73

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 47 / 0 / 41 / 25

HEX #64BE70

RGB 100 190 112

HSL 128, 0.41%, 0.57%

LAB 69.97, -43.53, 31.25

 

CMYK 41 / 0 / 47 / 25

HEX #71BE64

RGB 113 190 100

HSL 111.33, 0.41%, 0.57%

LAB 70.36, -41.43, 37.98

 

CMYK 28 / 0 / 47 / 25

HEX #89BE64

RGB 137 190 100

HSL 95.33, 0.41%, 0.57%

LAB 71.6, -33.3, 39.8

 

CMYK 15 / 0 / 47 / 25

HEX #A1BE64

RGB 161 190 100

HSL 79.33, 0.41%, 0.57%

LAB 73.1, -24.29, 41.99

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 47 / 0 / 15 / 25

HEX #64BEA1

RGB 100 190 161

HSL 160.67, 0.41%, 0.57%

LAB 70.95, -33.95, 6.36

 

CMYK 47 / 0 / 3 / 25

HEX #64BEB9

RGB 100 190 185

HSL 176.67, 0.41%, 0.57%

LAB 71.58, -28.13, -5.83

 

CMYK 47 / 9 / 0 / 25

HEX #64ACBE

RGB 100 172 190

HSL 192, 0.41%, 0.57%

LAB 66.47, -17.69, -16.23

 

CMYK 47 / 23 / 0 / 25

HEX #6493BE

RGB 100 147 190

HSL 208.67, 0.41%, 0.57%

LAB 59.25, -4.05, -27.26

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 60 / 0 / 36 / 18

HEX #53D085

RGB 83 208 133

HSL 144, 0.57%, 0.57%

LAB 75.23, -51.45, 27.18

 

CMYK 71 / 0 / 43 / 11

HEX #41E281

RGB 65 226 129

HSL 143.85, 0.74%, 0.57%

LAB 80.24, -62.19, 35.74

 

CMYK 81 / 0 / 48 / 4

HEX #2FF47E

RGB 47 244 126

HSL 144.06, 0.9%, 0.57%

LAB 85.41, -71.08, 43.74

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 32 / 0 / 19 / 32

HEX #76AD8C

RGB 118 173 140

HSL 144, 0.25%, 0.57%

LAB 66.24, -25.19, 11.28

 

CMYK 12 / 0 / 8 / 39

HEX #889B8F

RGB 136 155 143

HSL 142.11, 0.09%, 0.57%

LAB 62.22, -9.15, 4.01

 

CMYK 0 / 11 / 5 / 40

HEX #9A8993

RGB 154 137 147

HSL 324.71, 0.08%, 0.57%

LAB 58.85, 8.22, -2.99

 

CMYK 0 / 30 / 12 / 33

HEX #AB7797

RGB 171 119 151

HSL 323.08, 0.24%, 0.57%

LAB 56.17, 25.43, -9.09

 

CMYK 41 / 0 / 47 / 25

HEX #70BE64

RGB 112 190 100

HSL 112, 0.41%, 0.57%

LAB 70.31, -41.74, 37.91

 

CMYK 47 / 0 / 41 / 25

HEX #64BE70

RGB 100 190 112

HSL 128, 0.41%, 0.57%

LAB 69.97, -43.53, 31.25

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 47 / 0 / 16 / 25

HEX #64BEA0

RGB 100 190 160

HSL 160, 0.41%, 0.57%

LAB 70.92, -34.18, 6.87

 

CMYK 47 / 0 / 3 / 25

HEX #64BEB8

RGB 100 190 184

HSL 176, 0.41%, 0.57%

LAB 71.55, -28.39, -5.32

 

CMYK 59 / 0 / 35 / 42

HEX #3D9360

RGB 61 147 96

HSL 144.42, 0.41%, 0.41%

LAB 54.77, -38.05, 19.44

 

CMYK 58 / 0 / 35 / 31

HEX #4AB072

RGB 74 176 114

HSL 143.53, 0.41%, 0.49%

LAB 64.74, -43.91, 23.1

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 36 / 0 / 21 / 21

HEX #81CA9F

RGB 129 202 159

HSL 144.66, 0.41%, 0.65%

LAB 75.71, -32.08, 14.38

 

CMYK 26 / 0 / 16 / 16

HEX #9FD7B5

RGB 159 215 181

HSL 143.57, 0.41%, 0.73%

LAB 81.46, -24.87, 11.02

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 47 / 28 / 0 / 25

HEX #6488BE

RGB 100 136 190

HSL 216, 0.41%, 0.57%

LAB 56.12, 2.29, -32.1

 

CMYK 0 / 47 / 47 / 25

HEX #BE6464

RGB 190 100 100

HSL 0, 0.41%, 0.57%

LAB 52.93, 35.95, 16.42

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 28 / 47 / 0 / 25

HEX #8864BE

RGB 136 100 190

HSL 264, 0.41%, 0.57%

LAB 49.58, 33.39, -42.2

 

CMYK 0 / 28 / 47 / 25

HEX #BE8864

RGB 190 136 100

HSL 24, 0.41%, 0.57%

LAB 61.2, 16.31, 27.47

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 47 / 28 / 0 / 25

HEX #6488BE

RGB 100 136 190

HSL 216, 0.41%, 0.57%

LAB 56.12, 2.29, -32.1

 

CMYK 0 / 47 / 19 / 25

HEX #BE649A

RGB 190 100 154

HSL 324, 0.41%, 0.57%

LAB 54.44, 42.84, -13.2

 

CMYK 0 / 19 / 47 / 25

HEX #BE9A64

RGB 190 154 100

HSL 36, 0.41%, 0.57%

LAB 65.73, 6.4, 33.31

 

CMYK 47 / 0 / 28 / 25

HEX #64BE88

RGB 100 190 136

HSL 144, 0.41%, 0.57%

LAB 70.4, -39.25, 19.13

 

CMYK 47 / 43 / 0 / 25

HEX #646DBE

RGB 100 109 190

HSL 234, 0.41%, 0.57%

LAB 48.72, 18.54, -43.76

 

CMYK 0 / 47 / 19 / 25

HEX #BE649A

RGB 190 100 154

HSL 324, 0.41%, 0.57%

LAB 54.44, 42.84, -13.2

 

CMYK 0 / 5 / 47 / 25

HEX #BEB564

RGB 190 181 100

HSL 54, 0.41%, 0.57%

LAB 72.84, -8.03, 42.16

 

Description

Color code: HEX #64BE88 | qconv.com Color code: HEX #64BE88 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 190 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 190 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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