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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FF47E it is the complementary color #D00B81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FF47E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FF47E shade: #34F479, #45FF8C, #56FF9F, #67FFB2 and #78FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FF47E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FF47E shade: #2FF47E, #1EE26B, #0DD058, #00BE45 and #00AC32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FF47E shade: #2EF47D, #2EF448, #49F42E, #7FF42E and #B4F42E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FF47E shade: #2EF47D, #2EF4B3, #2EF4E8, #2ECAF4 and #2E95F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FF47E shade matches the following richer shades: #2EF47D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FF47E shade: #2EF47D, #40E281, #52D084, #63BE88 and #75AD8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FF47E shade: #48F42E, #2EF448, #2EF47D, #2EF4B2 and #2EF4E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FF47E shade: #0AC555, #0CEC66, #2EF47D, #55F696 and #7DF8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FF47E shade: #2FF47E, #2E7DF4 and #F42E2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FF47E shade: #2FF47E, #7D2EF4 and #F47D2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FF47E shade: #2FF47E, #2E7DF4, #F42EA5 and #F4A52E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FF47E shade: #2FF47E, #2E42F4, #F42EA5 and #F4E02E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 48 / 4

HEX #2FF47E

RGB 47 244 126

HSL 144.06, 0.9%, 0.57%

LAB 85.41, -71.08, 43.74

 

Complementary color

CMYK 0 / 95 / 38 / 18

HEX #D00B81

RGB 208 11 129

HSL 324.06, 0.9%, 0.43%

LAB 45.95, 73.75, -10.76

 

CMYK 79 / 0 / 50 / 4

HEX #34F479

RGB 52 244 121

HSL 141.56, 0.9%, 0.58%

LAB 85.41, -71.31, 46.13

 

CMYK 73 / 0 / 45 / 0

HEX #45FF8C

RGB 69 255 140

HSL 142.9, 1%, 0.64%

LAB 89.24, -69.95, 41.94

 

CMYK 66 / 0 / 38 / 0

HEX #56FF9F

RGB 86 255 159

HSL 145.92, 1%, 0.67%

LAB 89.86, -64.14, 33.48

 

CMYK 60 / 0 / 30 / 0

HEX #67FFB2

RGB 103 255 178

HSL 149.61, 1%, 0.7%

LAB 90.61, -57.53, 25.01

 

CMYK 53 / 0 / 23 / 0

HEX #78FFC5

RGB 120 255 197

HSL 154.22, 1%, 0.74%

LAB 91.48, -50.23, 16.6

 

CMYK 81 / 0 / 48 / 4

HEX #2FF47E

RGB 47 244 126

HSL 144.06, 0.9%, 0.57%

LAB 85.41, -71.08, 43.74

 

CMYK 87 / 0 / 53 / 11

HEX #1EE26B

RGB 30 226 107

HSL 143.57, 0.77%, 0.5%

LAB 79.46, -69.58, 45.36

 

CMYK 94 / 0 / 58 / 18

HEX #0DD058

RGB 13 208 88

HSL 143.08, 0.88%, 0.43%

LAB 73.48, -67.56, 47

 

CMYK 100 / 0 / 64 / 25

HEX #00BE45

RGB 0 190 69

HSL 141.79, 1%, 0.37%

LAB 67.47, -64.95, 48.57

 

CMYK 100 / 0 / 71 / 33

HEX #00AC32

RGB 0 172 50

HSL 137.44, 1%, 0.34%

LAB 61.43, -61.57, 49.9

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

CMYK 81 / 0 / 70 / 4

HEX #2EF448

RGB 46 244 72

HSL 127.88, 0.9%, 0.57%

LAB 84.87, -77.61, 66.23

 

CMYK 70 / 0 / 81 / 4

HEX #49F42E

RGB 73 244 46

HSL 111.82, 0.9%, 0.57%

LAB 85.16, -75.63, 74.66

 

CMYK 48 / 0 / 81 / 4

HEX #7FF42E

RGB 127 244 46

HSL 95.45, 0.9%, 0.57%

LAB 86.71, -63.09, 76.64

 

CMYK 26 / 0 / 81 / 4

HEX #B4F42E

RGB 180 244 46

HSL 79.39, 0.9%, 0.57%

LAB 89.21, -45.41, 79.82

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

CMYK 81 / 0 / 27 / 4

HEX #2EF4B3

RGB 46 244 179

HSL 160.3, 0.9%, 0.57%

LAB 86.27, -61.17, 18.33

 

CMYK 81 / 0 / 5 / 4

HEX #2EF4E8

RGB 46 244 232

HSL 176.36, 0.9%, 0.57%

LAB 87.54, -47.99, -7.46

 

CMYK 81 / 17 / 0 / 4

HEX #2ECAF4

RGB 46 202 244

HSL 192.73, 0.9%, 0.57%

LAB 75.67, -24.94, -31.76

 

CMYK 81 / 39 / 0 / 4

HEX #2E95F4

RGB 46 149 244

HSL 208.79, 0.9%, 0.57%

LAB 60.43, 4.04, -55.65

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

CMYK 72 / 0 / 43 / 11

HEX #40E281

RGB 64 226 129

HSL 144.07, 0.74%, 0.57%

LAB 80.22, -62.34, 35.71

 

CMYK 61 / 0 / 37 / 18

HEX #52D084

RGB 82 208 132

HSL 143.81, 0.57%, 0.57%

LAB 75.18, -51.85, 27.63

 

CMYK 48 / 0 / 28 / 25

HEX #63BE88

RGB 99 190 136

HSL 144.4, 0.41%, 0.57%

LAB 70.36, -39.52, 19.07

 

CMYK 32 / 0 / 20 / 32

HEX #75AD8B

RGB 117 173 139

HSL 143.57, 0.25%, 0.57%

LAB 66.16, -25.71, 11.71

 

CMYK 70 / 0 / 81 / 4

HEX #48F42E

RGB 72 244 46

HSL 112.12, 0.9%, 0.57%

LAB 85.14, -75.8, 74.63

 

CMYK 81 / 0 / 70 / 4

HEX #2EF448

RGB 46 244 72

HSL 127.88, 0.9%, 0.57%

LAB 84.87, -77.61, 66.23

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

CMYK 81 / 0 / 27 / 4

HEX #2EF4B2

RGB 46 244 178

HSL 160, 0.9%, 0.57%

LAB 86.25, -61.39, 18.82

 

CMYK 81 / 0 / 6 / 4

HEX #2EF4E6

RGB 46 244 230

HSL 175.76, 0.9%, 0.57%

LAB 87.48, -48.54, -6.49

 

CMYK 95 / 0 / 57 / 23

HEX #0AC555

RGB 10 197 85

HSL 144.06, 0.9%, 0.41%

LAB 69.93, -64.66, 44.19

 

CMYK 95 / 0 / 57 / 7

HEX #0CEC66

RGB 12 236 102

HSL 144.11, 0.9%, 0.49%

LAB 82.39, -74.31, 51.17

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

CMYK 65 / 0 / 39 / 4

HEX #55F696

RGB 85 246 150

HSL 144.22, 0.9%, 0.65%

LAB 87.02, -62.58, 34.2

 

CMYK 50 / 0 / 30 / 3

HEX #7DF8AE

RGB 125 248 174

HSL 143.9, 0.9%, 0.73%

LAB 89.18, -50.65, 25.2

 

CMYK 81 / 0 / 48 / 4

HEX #2FF47E

RGB 47 244 126

HSL 144.06, 0.9%, 0.57%

LAB 85.41, -71.08, 43.74

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 0 / 81 / 81 / 4

HEX #F42E2E

RGB 244 46 46

HSL 0, 0.9%, 0.57%

LAB 53.37, 71.84, 49.6

 

CMYK 81 / 0 / 48 / 4

HEX #2FF47E

RGB 47 244 126

HSL 144.06, 0.9%, 0.57%

LAB 85.41, -71.08, 43.74

 

CMYK 49 / 81 / 0 / 4

HEX #7D2EF4

RGB 125 46 244

HSL 263.94, 0.9%, 0.57%

LAB 42.53, 71.3, -84.47

 

CMYK 0 / 49 / 81 / 4

HEX #F47D2E

RGB 244 125 46

HSL 23.94, 0.9%, 0.57%

LAB 65.04, 40.78, 60.42

 

CMYK 81 / 0 / 48 / 4

HEX #2FF47E

RGB 47 244 126

HSL 144.06, 0.9%, 0.57%

LAB 85.41, -71.08, 43.74

 

CMYK 81 / 49 / 0 / 4

HEX #2E7DF4

RGB 46 125 244

HSL 216.06, 0.9%, 0.57%

LAB 53.79, 18.63, -66.31

 

CMYK 0 / 81 / 32 / 4

HEX #F42EA5

RGB 244 46 165

HSL 323.94, 0.9%, 0.57%

LAB 55.99, 79.61, -16.48

 

CMYK 0 / 32 / 81 / 4

HEX #F4A52E

RGB 244 165 46

HSL 36.06, 0.9%, 0.57%

LAB 73.77, 20.06, 68.21

 

CMYK 81 / 0 / 48 / 4

HEX #2FF47E

RGB 47 244 126

HSL 144.06, 0.9%, 0.57%

LAB 85.41, -71.08, 43.74

 

CMYK 81 / 73 / 0 / 4

HEX #2E42F4

RGB 46 66 244

HSL 233.94, 0.9%, 0.57%

LAB 39.6, 54.78, -89.51

 

CMYK 0 / 81 / 32 / 4

HEX #F42EA5

RGB 244 46 165

HSL 323.94, 0.9%, 0.57%

LAB 55.99, 79.61, -16.48

 

CMYK 0 / 8 / 81 / 4

HEX #F4E02E

RGB 244 224 46

HSL 53.94, 0.9%, 0.57%

LAB 88.32, -10.39, 80.81

 

Description

Color code: HEX #2FF47E | qconv.com Color code: HEX #2FF47E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 244 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 244 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 48 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 48% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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