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Color name
HEX #64BC11

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64BC11 it is the complementary color #9B43EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64BC11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64BC11 shade: #69BC0C, #7ACE1F, #8BE032, #9CF245 and #ADFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64BC11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64BC11 shade: #64BC11, #53AA00, #429800, #318600 and #207400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64BC11 shade: #64BB11, #91BB11, #BBB611, #BB8911 and #BB5B11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64BC11 shade: #64BB11, #36BB11, #11BB1A, #11BB48 and #11BB76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64BC11 shade matches the following richer shades: #64BB11 and #63CB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64BC11 shade: #64BB11, #64AA22, #649A32, #658943 and #657953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64BC11 shade: #BBB511, #93BB11, #66BB11, #39BB11 and #11BB17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64BC11 shade: #3B6F0A, #4F950E, #64BB11, #78E015 and #8DEC33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64BC11 shade: #64BC11, #11BB88 and #BB11AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64BC11 shade: #64BC11, #1166BB and #BB1166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64BC11 shade: #64BC11, #11BB88, #6611BB and #BB1144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64BC11 shade: #64BC11, #11BBBB, #6611BB and #BB1111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 91 / 26

HEX #64BC11

RGB 100 188 17

HSL 90.88, 0.83%, 0.4%

LAB 68.55, -51.31, 66.52

 

Complementary color

CMYK 35 / 72 / 0 / 7

HEX #9B43EE

RGB 155 67 238

HSL 270.88, 0.83%, 0.6%

LAB 48.46, 66.19, -71.25

 

CMYK 44 / 0 / 94 / 26

HEX #69BC0C

RGB 105 188 12

HSL 88.3, 0.88%, 0.39%

LAB 68.75, -49.81, 67.49

 

CMYK 41 / 0 / 85 / 19

HEX #7ACE1F

RGB 122 206 31

HSL 88.8, 0.74%, 0.46%

LAB 75.06, -50.78, 69.77

 

CMYK 38 / 0 / 78 / 12

HEX #8BE032

RGB 139 224 50

HSL 89.31, 0.74%, 0.54%

LAB 81.31, -51.48, 70.79

 

CMYK 36 / 0 / 71 / 5

HEX #9CF245

RGB 156 242 69

HSL 89.83, 0.87%, 0.61%

LAB 87.49, -51.98, 70.98

 

CMYK 32 / 0 / 65 / 0

HEX #ADFF58

RGB 173 255 88

HSL 89.46, 1%, 0.67%

LAB 92.18, -50.26, 69.15

 

CMYK 47 / 0 / 91 / 26

HEX #64BC11

RGB 100 188 17

HSL 90.88, 0.83%, 0.4%

LAB 68.55, -51.31, 66.52

 

CMYK 51 / 0 / 100 / 33

HEX #53AA00

RGB 83 170 0

HSL 90.71, 1%, 0.33%

LAB 62.16, -50.07, 63.34

 

CMYK 57 / 0 / 100 / 40

HEX #429800

RGB 66 152 0

HSL 93.95, 1%, 0.3%

LAB 55.7, -48.34, 57.99

 

CMYK 63 / 0 / 100 / 47

HEX #318600

RGB 49 134 0

HSL 98.06, 1%, 0.26%

LAB 49.13, -46.36, 52.57

 

CMYK 72 / 0 / 100 / 55

HEX #207400

RGB 32 116 0

HSL 103.45, 1%, 0.23%

LAB 42.46, -43.99, 47.07

 

CMYK 47 / 0 / 91 / 27

HEX #64BB11

RGB 100 187 17

HSL 90.71, 0.83%, 0.4%

LAB 68.23, -50.93, 66.26

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 0 / 3 / 91 / 27

HEX #BBB611

RGB 187 182 17

HSL 58.24, 0.83%, 0.4%

LAB 72.27, -14.33, 71.81

 

CMYK 0 / 27 / 91 / 27

HEX #BB8911

RGB 187 137 17

HSL 42.35, 0.83%, 0.4%

LAB 60.33, 9.66, 62.6

 

CMYK 0 / 51 / 91 / 27

HEX #BB5B11

RGB 187 91 17

HSL 26.12, 0.83%, 0.4%

LAB 49.6, 34.73, 54.51

 

CMYK 47 / 0 / 91 / 27

HEX #64BB11

RGB 100 187 17

HSL 90.71, 0.83%, 0.4%

LAB 68.23, -50.93, 66.26

 

CMYK 71 / 0 / 91 / 27

HEX #36BB11

RGB 54 187 17

HSL 106.94, 0.83%, 0.4%

LAB 66.8, -62.53, 64.48

 

CMYK 91 / 0 / 86 / 27

HEX #11BB1A

RGB 17 187 26

HSL 123.18, 0.83%, 0.4%

LAB 66.32, -66.68, 62.13

 

CMYK 91 / 0 / 61 / 27

HEX #11BB48

RGB 17 187 72

HSL 139.41, 0.83%, 0.4%

LAB 66.62, -62.88, 46.31

 

CMYK 91 / 0 / 37 / 27

HEX #11BB76

RGB 17 187 118

HSL 155.65, 0.83%, 0.4%

LAB 67.25, -55.28, 24.16

 

CMYK 47 / 0 / 91 / 27

HEX #64BB11

RGB 100 187 17

HSL 90.71, 0.83%, 0.4%

LAB 68.23, -50.93, 66.26

 

CMYK 51 / 0 / 100 / 20

HEX #63CB01

RGB 99 203 1

HSL 90.89, 0.99%, 0.4%

LAB 73.13, -57.52, 72.1

 

CMYK 47 / 0 / 91 / 27

HEX #64BB11

RGB 100 187 17

HSL 90.71, 0.83%, 0.4%

LAB 68.23, -50.93, 66.26

 

CMYK 41 / 0 / 80 / 33

HEX #64AA22

RGB 100 170 34

HSL 90.88, 0.67%, 0.4%

LAB 62.99, -43.48, 57.79

 

CMYK 35 / 0 / 68 / 40

HEX #649A32

RGB 100 154 50

HSL 91.15, 0.51%, 0.4%

LAB 58.09, -35.5, 47.12

 

CMYK 26 / 0 / 51 / 46

HEX #658943

RGB 101 137 67

HSL 90.86, 0.34%, 0.4%

LAB 53.02, -25.35, 33.29

 

CMYK 17 / 0 / 31 / 53

HEX #657953

RGB 101 121 83

HSL 91.58, 0.19%, 0.4%

LAB 48.34, -14.76, 18.49

 

CMYK 0 / 3 / 91 / 27

HEX #BBB511

RGB 187 181 17

HSL 57.88, 0.83%, 0.4%

LAB 72, -13.82, 71.6

 

CMYK 21 / 0 / 91 / 27

HEX #93BB11

RGB 147 187 17

HSL 74.12, 0.83%, 0.4%

LAB 70.72, -33.73, 69.33

 

CMYK 45 / 0 / 91 / 27

HEX #66BB11

RGB 102 187 17

HSL 90, 0.83%, 0.4%

LAB 68.32, -50.29, 66.37

 

CMYK 70 / 0 / 91 / 27

HEX #39BB11

RGB 57 187 17

HSL 105.88, 0.83%, 0.4%

LAB 66.86, -61.98, 64.56

 

CMYK 91 / 0 / 88 / 27

HEX #11BB17

RGB 17 187 23

HSL 122.12, 0.83%, 0.4%

LAB 66.31, -66.81, 62.76

 

CMYK 47 / 0 / 91 / 56

HEX #3B6F0A

RGB 59 111 10

HSL 90.89, 0.83%, 0.24%

LAB 41.72, -33.93, 44.49

 

CMYK 47 / 0 / 91 / 42

HEX #4F950E

RGB 79 149 14

HSL 91.11, 0.83%, 0.32%

LAB 55.27, -42.8, 55.56

 

CMYK 47 / 0 / 91 / 27

HEX #64BB11

RGB 100 187 17

HSL 90.71, 0.83%, 0.4%

LAB 68.23, -50.93, 66.26

 

CMYK 46 / 0 / 91 / 12

HEX #78E015

RGB 120 224 21

HSL 90.74, 0.83%, 0.48%

LAB 80.38, -58.64, 76.06

 

CMYK 40 / 0 / 78 / 7

HEX #8DEC33

RGB 141 236 51

HSL 90.81, 0.83%, 0.56%

LAB 84.94, -55.54, 73.92

 

CMYK 47 / 0 / 91 / 26

HEX #64BC11

RGB 100 188 17

HSL 90.88, 0.83%, 0.4%

LAB 68.55, -51.31, 66.52

 

CMYK 91 / 0 / 27 / 27

HEX #11BB88

RGB 17 187 136

HSL 162, 0.83%, 0.4%

LAB 67.6, -51.31, 14.97

 

CMYK 0 / 91 / 9 / 27

HEX #BB11AA

RGB 187 17 170

HSL 306, 0.83%, 0.4%

LAB 44.04, 73.69, -38.8

 

CMYK 47 / 0 / 91 / 26

HEX #64BC11

RGB 100 188 17

HSL 90.88, 0.83%, 0.4%

LAB 68.55, -51.31, 66.52

 

CMYK 91 / 45 / 0 / 27

HEX #1166BB

RGB 17 102 187

HSL 210, 0.83%, 0.4%

LAB 43.08, 9.11, -51.23

 

CMYK 0 / 91 / 45 / 27

HEX #BB1166

RGB 187 17 102

HSL 330, 0.83%, 0.4%

LAB 41.1, 65.89, -1.67

 

CMYK 47 / 0 / 91 / 26

HEX #64BC11

RGB 100 188 17

HSL 90.88, 0.83%, 0.4%

LAB 68.55, -51.31, 66.52

 

CMYK 91 / 0 / 27 / 27

HEX #11BB88

RGB 17 187 136

HSL 162, 0.83%, 0.4%

LAB 67.6, -51.31, 14.97

 

CMYK 45 / 91 / 0 / 27

HEX #6611BB

RGB 102 17 187

HSL 270, 0.83%, 0.4%

LAB 31.38, 63.86, -70.06

 

CMYK 0 / 91 / 64 / 27

HEX #BB1144

RGB 187 17 68

HSL 342, 0.83%, 0.4%

LAB 40.22, 63.45, 18.68

 

CMYK 47 / 0 / 91 / 26

HEX #64BC11

RGB 100 188 17

HSL 90.88, 0.83%, 0.4%

LAB 68.55, -51.31, 66.52

 

CMYK 91 / 0 / 0 / 27

HEX #11BBBB

RGB 17 187 187

HSL 180, 0.83%, 0.4%

LAB 68.93, -37.51, -11.06

 

CMYK 45 / 91 / 0 / 27

HEX #6611BB

RGB 102 17 187

HSL 270, 0.83%, 0.4%

LAB 31.38, 63.86, -70.06

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

Description

Color code: HEX #64BC11 | qconv.com Color code: HEX #64BC11 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 188 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 188 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 91 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 91% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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