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Color name
RGB 145 187 17

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 187 17 it is the complementary color RGB 110 68 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 187 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 187 17 shade: RGB 150 187 12, RGB 167 205 31, RGB 184 223 50, RGB 201 241 69 and RGB 218 255 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 187 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 128 169 0, RGB 111 151 0, RGB 94 133 0 and RGB 77 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 187 183 17, RGB 187 137 17, RGB 187 92 17 and RGB 187 46 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 99 187 17, RGB 54 187 17, RGB 17 187 27 and RGB 17 187 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 187 17 shade matches the following richer shades: RGB 145 187 17 and RGB 153 203 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 136 170 34, RGB 128 154 50, RGB 120 137 67 and RGB 111 121 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 187 17 shade: RGB 187 136 17, RGB 187 181 17, RGB 147 187 17, RGB 102 187 17 and RGB 57 187 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 187 17 shade: RGB 86 111 10, RGB 116 149 14, RGB 145 187 17, RGB 174 224 21 and RGB 190 236 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 17 187 91 and RGB 158 17 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 17 147 187 and RGB 187 17 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 17 187 91, RGB 57 17 187 and RGB 187 17 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 187 17 shade: RGB 145 187 17, RGB 17 187 142, RGB 57 17 187 and RGB 187 17 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

Complementary color

CMYK 54 / 71 / 0 / 7

HEX #6E44EE

RGB 110 68 238

HSL 254.82, 0.83%, 0.6%

LAB 43.69, 58.45, -79.24

 

CMYK 20 / 0 / 94 / 27

HEX #96BB0C

RGB 150 187 12

HSL 72.69, 0.88%, 0.39%

LAB 70.91, -32.6, 70.25

 

CMYK 19 / 0 / 85 / 20

HEX #A7CD1F

RGB 167 205 31

HSL 73.1, 0.74%, 0.46%

LAB 77.27, -33.62, 72.65

 

CMYK 17 / 0 / 78 / 13

HEX #B8DF32

RGB 184 223 50

HSL 73.53, 0.73%, 0.54%

LAB 83.55, -34.44, 73.78

 

CMYK 17 / 0 / 71 / 5

HEX #C9F145

RGB 201 241 69

HSL 73.95, 0.86%, 0.61%

LAB 89.75, -35.11, 74.06

 

CMYK 15 / 0 / 65 / 0

HEX #DAFF58

RGB 218 255 88

HSL 73.29, 1%, 0.67%

LAB 94.79, -33.82, 72.7

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 24 / 0 / 100 / 34

HEX #80A900

RGB 128 169 0

HSL 74.56, 1%, 0.33%

LAB 64.13, -33.42, 65.85

 

CMYK 26 / 0 / 100 / 41

HEX #6F9700

RGB 111 151 0

HSL 75.89, 1%, 0.3%

LAB 57.57, -32.01, 60.39

 

CMYK 29 / 0 / 100 / 48

HEX #5E8500

RGB 94 133 0

HSL 77.59, 1%, 0.26%

LAB 50.87, -30.58, 54.8

 

CMYK 33 / 0 / 100 / 55

HEX #4D7300

RGB 77 115 0

HSL 79.83, 1%, 0.23%

LAB 44, -29.13, 49.09

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 0 / 2 / 91 / 27

HEX #BBB711

RGB 187 183 17

HSL 58.59, 0.83%, 0.4%

LAB 72.54, -14.84, 72.02

 

CMYK 0 / 27 / 91 / 27

HEX #BB8911

RGB 187 137 17

HSL 42.35, 0.83%, 0.4%

LAB 60.33, 9.66, 62.6

 

CMYK 0 / 51 / 91 / 27

HEX #BB5C11

RGB 187 92 17

HSL 26.47, 0.83%, 0.4%

LAB 49.81, 34.21, 54.66

 

CMYK 0 / 75 / 91 / 27

HEX #BB2E11

RGB 187 46 17

HSL 10.24, 0.83%, 0.4%

LAB 42.09, 54.6, 49.04

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 47 / 0 / 91 / 27

HEX #63BB11

RGB 99 187 17

HSL 91.06, 0.83%, 0.4%

LAB 68.19, -51.24, 66.21

 

CMYK 71 / 0 / 91 / 27

HEX #36BB11

RGB 54 187 17

HSL 106.94, 0.83%, 0.4%

LAB 66.8, -62.53, 64.48

 

CMYK 91 / 0 / 86 / 27

HEX #11BB1B

RGB 17 187 27

HSL 123.53, 0.83%, 0.4%

LAB 66.32, -66.64, 61.9

 

CMYK 91 / 0 / 61 / 27

HEX #11BB48

RGB 17 187 72

HSL 139.41, 0.83%, 0.4%

LAB 66.62, -62.88, 46.31

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 25 / 0 / 100 / 20

HEX #99CB01

RGB 153 203 1

HSL 74.85, 0.99%, 0.4%

LAB 75.75, -38.83, 75.27

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 20 / 0 / 80 / 33

HEX #88AA22

RGB 136 170 34

HSL 75, 0.67%, 0.4%

LAB 65.04, -29.74, 60.43

 

CMYK 17 / 0 / 68 / 40

HEX #809A32

RGB 128 154 50

HSL 75, 0.51%, 0.4%

LAB 59.83, -24.4, 49.48

 

CMYK 12 / 0 / 51 / 46

HEX #788943

RGB 120 137 67

HSL 74.57, 0.34%, 0.4%

LAB 54.33, -17.61, 35.19

 

CMYK 8 / 0 / 31 / 53

HEX #6F7953

RGB 111 121 83

HSL 75.79, 0.19%, 0.4%

LAB 49.1, -10.69, 19.65

 

CMYK 0 / 27 / 91 / 27

HEX #BB8811

RGB 187 136 17

HSL 42, 0.83%, 0.4%

LAB 60.08, 10.21, 62.4

 

CMYK 0 / 3 / 91 / 27

HEX #BBB511

RGB 187 181 17

HSL 57.88, 0.83%, 0.4%

LAB 72, -13.82, 71.6

 

CMYK 21 / 0 / 91 / 27

HEX #93BB11

RGB 147 187 17

HSL 74.12, 0.83%, 0.4%

LAB 70.72, -33.73, 69.33

 

CMYK 45 / 0 / 91 / 27

HEX #66BB11

RGB 102 187 17

HSL 90, 0.83%, 0.4%

LAB 68.32, -50.29, 66.37

 

CMYK 70 / 0 / 91 / 27

HEX #39BB11

RGB 57 187 17

HSL 105.88, 0.83%, 0.4%

LAB 66.86, -61.98, 64.56

 

CMYK 23 / 0 / 91 / 56

HEX #566F0A

RGB 86 111 10

HSL 74.85, 0.83%, 0.24%

LAB 43.31, -23, 46.48

 

CMYK 22 / 0 / 91 / 42

HEX #74950E

RGB 116 149 14

HSL 74.67, 0.83%, 0.32%

LAB 57.31, -28.7, 58.09

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 22 / 0 / 91 / 12

HEX #AEE015

RGB 174 224 21

HSL 74.78, 0.83%, 0.48%

LAB 83.11, -39.67, 79.41

 

CMYK 19 / 0 / 78 / 7

HEX #BEEC33

RGB 190 236 51

HSL 74.92, 0.83%, 0.56%

LAB 87.57, -37.94, 77.29

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 91 / 0 / 51 / 27

HEX #11BB5B

RGB 17 187 91

HSL 146.12, 0.83%, 0.4%

LAB 66.84, -60.2, 37.55

 

CMYK 16 / 91 / 0 / 27

HEX #9E11BB

RGB 158 17 187

HSL 289.76, 0.83%, 0.4%

LAB 40.01, 71.37, -55.6

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 91 / 21 / 0 / 27

HEX #1193BB

RGB 17 147 187

HSL 194.12, 0.83%, 0.4%

LAB 56.66, -17.61, -29.77

 

CMYK 0 / 91 / 21 / 27

HEX #BB1193

RGB 187 17 147

HSL 314.12, 0.83%, 0.4%

LAB 42.87, 70.65, -26.82

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 91 / 0 / 51 / 27

HEX #11BB5B

RGB 17 187 91

HSL 146.12, 0.83%, 0.4%

LAB 66.84, -60.2, 37.55

 

CMYK 70 / 91 / 0 / 27

HEX #3911BB

RGB 57 17 187

HSL 254.12, 0.83%, 0.4%

LAB 26.33, 60.16, -78.58

 

CMYK 0 / 91 / 40 / 27

HEX #BB1171

RGB 187 17 113

HSL 326.12, 0.83%, 0.4%

LAB 41.47, 66.9, -8.02

 

CMYK 22 / 0 / 91 / 27

HEX #91BB11

RGB 145 187 17

HSL 74.82, 0.83%, 0.4%

LAB 70.59, -34.54, 69.17

 

CMYK 91 / 0 / 24 / 27

HEX #11BB8E

RGB 17 187 142

HSL 164.12, 0.83%, 0.4%

LAB 67.73, -49.87, 11.89

 

CMYK 70 / 91 / 0 / 27

HEX #3911BB

RGB 57 17 187

HSL 254.12, 0.83%, 0.4%

LAB 26.33, 60.16, -78.58

 

CMYK 0 / 91 / 67 / 27

HEX #BB113E

RGB 187 17 62

HSL 344.12, 0.83%, 0.4%

LAB 40.1, 63.13, 22.33

 

Description

Color code: RGB 145 187 17 | qconv.com Color code: RGB 145 187 17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 187 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 187 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 91 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 91% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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