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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64A2FF it is the complementary color #9B5D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64A2FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #64A2FF: #69A2FA, #7AB4FF, #8BC6FF, #9CD8FF and #ADEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64A2FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #64A2FF: #64A2FF, #5390EC, #427ED9, #316CC6 and #205AB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

Complementary color

CMYK 0 / 40 / 100 / 39

HEX #9B5D00

RGB 155 93 0

HSL 36, 1%, 0.3%

LAB 45.36, 19.62, 53.57

 

CMYK 58 / 35 / 0 / 2

HEX #69A2FA

RGB 105 162 250

HSL 216.41, 0.94%, 0.7%

LAB 66.33, 6.92, -49.47

 

CMYK 52 / 29 / 0 / 0

HEX #7AB4FF

RGB 122 180 255

HSL 213.83, 1%, 0.74%

LAB 72.23, 1.74, -42.85

 

CMYK 45 / 22 / 0 / 0

HEX #8BC6FF

RGB 139 198 255

HSL 209.48, 1%, 0.77%

LAB 77.93, -4.26, -33.92

 

CMYK 39 / 15 / 0 / 0

HEX #9CD8FF

RGB 156 216 255

HSL 203.64, 1%, 0.81%

LAB 83.65, -9.58, -25.07

 

CMYK 32 / 8 / 0 / 0

HEX #ADEAFF

RGB 173 234 255

HSL 195.37, 1%, 0.84%

LAB 89.37, -14.33, -16.34

 

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

CMYK 65 / 39 / 0 / 7

HEX #5390EC

RGB 83 144 236

HSL 216.08, 0.8%, 0.63%

LAB 59.75, 8.88, -52.26

 

CMYK 70 / 42 / 0 / 15

HEX #427ED9

RGB 66 126 217

HSL 216.16, 0.67%, 0.55%

LAB 53.05, 10.45, -52.36

 

CMYK 75 / 45 / 0 / 22

HEX #316CC6

RGB 49 108 198

HSL 216.24, 0.6%, 0.48%

LAB 46.25, 12.4, -52.45

 

CMYK 82 / 50 / 0 / 30

HEX #205AB3

RGB 32 90 179

HSL 216.33, 0.7%, 0.41%

LAB 39.37, 14.86, -52.51

 

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

CMYK 60 / 46 / 0 / 0

HEX #6589FF

RGB 101 137 255

HSL 225.97, 1%, 0.7%

LAB 59.78, 22.51, -62.63

 

CMYK 60 / 56 / 0 / 0

HEX #6570FF

RGB 101 112 255

HSL 235.71, 1%, 0.7%

LAB 53.57, 37.54, -72.64

 

CMYK 54 / 60 / 0 / 0

HEX #7565FF

RGB 117 101 255

HSL 246.23, 1%, 0.7%

LAB 52.19, 46.68, -74.85

 

CMYK 44 / 60 / 0 / 0

HEX #8E65FF

RGB 142 101 255

HSL 255.97, 1%, 0.7%

LAB 54.32, 51.34, -71.28

 

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

CMYK 61 / 37 / 0 / 80

HEX #142033

RGB 20 32 51

HSL 216.77, 0.44%, 0.14%

LAB 12.1, 1.54, -14.12

 

CMYK 61 / 36 / 0 / 60

HEX #284166

RGB 40 65 102

HSL 215.81, 0.44%, 0.28%

LAB 27.27, 2.85, -24.63

 

CMYK 61 / 37 / 0 / 40

HEX #3C6199

RGB 60 97 153

HSL 216.13, 0.44%, 0.42%

LAB 40.91, 4.74, -34.56

 

CMYK 61 / 36 / 0 / 20

HEX #5082CC

RGB 80 130 204

HSL 215.81, 0.55%, 0.56%

LAB 54.06, 5.9, -43.37

 

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

CMYK 12 / 60 / 0 / 0

HEX #E065FF

RGB 224 101 255

HSL 287.92, 1%, 0.7%

LAB 63.65, 69.37, -55.8

 

CMYK 12 / 0 / 60 / 0

HEX #E0FF65

RGB 224 255 101

HSL 72.08, 1%, 0.7%

LAB 95.29, -30.65, 68.23

 

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

CMYK 0 / 60 / 36 / 0

HEX #FF65A3

RGB 255 101 163

HSL 335.84, 1%, 0.7%

LAB 64.33, 64, -2.67

 

CMYK 36 / 0 / 60 / 0

HEX #A3FF65

RGB 163 255 101

HSL 95.84, 1%, 0.7%

LAB 91.8, -52.54, 63.39

 

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

CMYK 12 / 60 / 0 / 0

HEX #E065FF

RGB 224 101 255

HSL 287.92, 1%, 0.7%

LAB 63.65, 69.37, -55.8

 

CMYK 0 / 24 / 60 / 0

HEX #FFC165

RGB 255 193 101

HSL 35.84, 1%, 0.7%

LAB 82.02, 12.65, 54.08

 

CMYK 48 / 0 / 60 / 0

HEX #84FF65

RGB 132 255 101

HSL 107.92, 1%, 0.7%

LAB 90.49, -61.87, 61.57

 

CMYK 61 / 36 / 0 / 0

HEX #64A2FF

RGB 100 162 255

HSL 216, 1%, 0.7%

LAB 66.34, 7.59, -52.18

 

CMYK 0 / 60 / 6 / 0

HEX #FF65EF

RGB 255 101 239

HSL 306.23, 1%, 0.7%

LAB 67.13, 74.1, -41.21

 

CMYK 0 / 24 / 60 / 0

HEX #FFC165

RGB 255 193 101

HSL 35.84, 1%, 0.7%

LAB 82.02, 12.65, 54.08

 

CMYK 60 / 0 / 54 / 0

HEX #65FF75

RGB 101 255 117

HSL 126.23, 1%, 0.7%

LAB 89.66, -67.65, 53.38

 

Description

Color code: HEX #64A2FF | qconv.com Color code: HEX #64A2FF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 162 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 162 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 36 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 36% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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