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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6488D3 it is the complementary color #9B772C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6488D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6488D3: #6988CE, #7A9AE1, #8BACF4, #9CBEFF and #ADD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6488D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6488D3: #6488D3, #5376C0, #4264AD, #31529A and #204087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

Complementary color

CMYK 0 / 23 / 72 / 39

HEX #9B772C

RGB 155 119 44

HSL 40.54, 0.56%, 0.39%

LAB 52.22, 6.12, 44.95

 

CMYK 49 / 34 / 0 / 19

HEX #6988CE

RGB 105 136 206

HSL 221.58, 0.51%, 0.61%

LAB 57.14, 8.35, -39.55

 

CMYK 46 / 32 / 0 / 12

HEX #7A9AE1

RGB 122 154 225

HSL 221.36, 0.63%, 0.68%

LAB 63.91, 7.61, -39.48

 

CMYK 43 / 30 / 0 / 4

HEX #8BACF4

RGB 139 172 244

HSL 221.14, 0.83%, 0.75%

LAB 70.54, 6.99, -39.46

 

CMYK 39 / 25 / 0 / 0

HEX #9CBEFF

RGB 156 190 255

HSL 219.39, 1%, 0.81%

LAB 76.75, 4.32, -35.67

 

CMYK 32 / 18 / 0 / 0

HEX #ADD0FF

RGB 173 208 255

HSL 214.39, 1%, 0.84%

LAB 82.49, -0.84, -26.75

 

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

CMYK 57 / 39 / 0 / 25

HEX #5376C0

RGB 83 118 192

HSL 220.73, 0.46%, 0.54%

LAB 50.22, 9.78, -42.59

 

CMYK 62 / 42 / 0 / 32

HEX #4264AD

RGB 66 100 173

HSL 220.93, 0.45%, 0.47%

LAB 43.2, 11.06, -42.76

 

CMYK 68 / 47 / 0 / 40

HEX #31529A

RGB 49 82 154

HSL 221.14, 0.52%, 0.4%

LAB 36.02, 12.72, -42.97

 

CMYK 76 / 53 / 0 / 47

HEX #204087

RGB 32 64 135

HSL 221.36, 0.62%, 0.33%

LAB 28.7, 14.91, -43.18

 

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

CMYK 53 / 44 / 0 / 17

HEX #6376D3

RGB 99 118 211

HSL 229.82, 0.56%, 0.61%

LAB 52.19, 19.38, -50.24

 

CMYK 53 / 53 / 0 / 17

HEX #6363D3

RGB 99 99 211

HSL 240, 0.56%, 0.61%

LAB 47.34, 31, -58.02

 

CMYK 44 / 53 / 0 / 17

HEX #7663D3

RGB 118 99 211

HSL 250.18, 0.56%, 0.61%

LAB 48.86, 35.11, -55.5

 

CMYK 36 / 53 / 0 / 17

HEX #8863D3

RGB 136 99 211

HSL 259.82, 0.56%, 0.61%

LAB 50.52, 39.38, -52.73

 

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

CMYK 57 / 29 / 0 / 97

HEX #030507

RGB 3 5 7

HSL 210, 0.4%, 0.02%

LAB 1.29, -0.24, -0.94

 

CMYK 53 / 36 / 0 / 77

HEX #1B253A

RGB 27 37 58

HSL 220.65, 0.36%, 0.17%

LAB 14.74, 2.64, -14.91

 

CMYK 52 / 36 / 0 / 57

HEX #34466D

RGB 52 70 109

HSL 221.05, 0.35%, 0.32%

LAB 29.95, 5.01, -24.83

 

CMYK 53 / 36 / 0 / 37

HEX #4C67A0

RGB 76 103 160

HSL 220.71, 0.36%, 0.46%

LAB 43.91, 6.93, -33.93

 

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

CMYK 7 / 53 / 0 / 17

HEX #C463D3

RGB 196 99 211

HSL 291.96, 0.56%, 0.61%

LAB 57.43, 55, -41.34

 

CMYK 14 / 0 / 53 / 17

HEX #B5D363

RGB 181 211 99

HSL 76.07, 0.56%, 0.61%

LAB 80.36, -26.78, 51.47

 

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

CMYK 0 / 53 / 36 / 17

HEX #D36388

RGB 211 99 136

HSL 340.18, 0.56%, 0.61%

LAB 56.63, 47.91, 0.92

 

CMYK 36 / 0 / 53 / 17

HEX #88D363

RGB 136 211 99

HSL 100.18, 0.56%, 0.61%

LAB 77.71, -43.17, 47.69

 

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

CMYK 7 / 53 / 0 / 17

HEX #C463D3

RGB 196 99 211

HSL 291.96, 0.56%, 0.61%

LAB 57.43, 55, -41.34

 

CMYK 0 / 18 / 53 / 17

HEX #D3AE63

RGB 211 174 99

HSL 40.18, 0.56%, 0.61%

LAB 72.91, 4.31, 43.19

 

CMYK 46 / 0 / 53 / 17

HEX #72D363

RGB 114 211 99

HSL 111.96, 0.56%, 0.61%

LAB 76.72, -50.07, 46.27

 

CMYK 53 / 36 / 0 / 17

HEX #6488D3

RGB 100 136 211

HSL 220.54, 0.56%, 0.61%

LAB 57.1, 8.75, -42.46

 

CMYK 0 / 53 / 9 / 17

HEX #D363C0

RGB 211 99 192

HSL 310.18, 0.56%, 0.61%

LAB 58.58, 55.83, -28.59

 

CMYK 0 / 18 / 53 / 17

HEX #D3AE63

RGB 211 174 99

HSL 40.18, 0.56%, 0.61%

LAB 72.91, 4.31, 43.19

 

CMYK 53 / 0 / 44 / 17

HEX #63D376

RGB 99 211 118

HSL 130.18, 0.56%, 0.61%

LAB 76.41, -51.52, 36.48

 

Description

Color code: HEX #6488D3 | qconv.com Color code: HEX #6488D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 136 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 136 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 36 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 36% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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