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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63DC36 it is the complementary color #9C23C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63DC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63DC36 shade: #68DC31, #79EE44, #8AFF57, #9BFF6A and #ACFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63DC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63DC36 shade: #63DC36, #52CA23, #41B810, #30A600 and #1F9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63DC36 shade: #64DC38, #90DC38, #BDDC38, #DCCF38 and #DCA238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63DC36 shade: #64DC38, #38DC38, #38DC64, #38DC90 and #38DCBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63DC36 shade matches the following richer shades: #64DC38 and #5BEF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63DC36 shade: #64DC38, #6DC94B, #75B65E, #7EA371 and #879084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63DC36 shade: #BEDC38, #92DC38, #66DC38, #3ADC38 and #38DC61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63DC36 shade: #42A41D, #50C723, #64DC38, #7FE25B and #9BE87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63DC36 shade: #63DC36, #38DCCE and #DC38A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63DC36 shade: #63DC36, #3866DC and #DC3866

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63DC36 shade: #63DC36, #38DCCE, #AD38DC and #DC3845

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63DC36 shade: #63DC36, #38B8DC, #AD38DC and #DC5B38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 75 / 14

HEX #63DC36

RGB 99 220 54

HSL 103.73, 0.7%, 0.54%

LAB 78.52, -61.76, 66.35

 

Complementary color

CMYK 22 / 83 / 0 / 21

HEX #9C23C9

RGB 156 35 201

HSL 283.73, 0.7%, 0.46%

LAB 41.98, 69.82, -60.62

 

CMYK 53 / 0 / 78 / 14

HEX #68DC31

RGB 104 220 49

HSL 100.7, 0.71%, 0.53%

LAB 78.67, -60.73, 68.09

 

CMYK 49 / 0 / 71 / 7

HEX #79EE44

RGB 121 238 68

HSL 101.29, 0.83%, 0.6%

LAB 84.81, -61.38, 68.15

 

CMYK 46 / 0 / 66 / 0

HEX #8AFF57

RGB 138 255 87

HSL 101.79, 1%, 0.67%

LAB 90.6, -61.43, 67.39

 

CMYK 39 / 0 / 58 / 0

HEX #9BFF6A

RGB 155 255 106

HSL 100.27, 1%, 0.71%

LAB 91.47, -54.62, 60.82

 

CMYK 33 / 0 / 51 / 0

HEX #ACFF7D

RGB 172 255 125

HSL 98.31, 1%, 0.75%

LAB 92.47, -47.21, 53.76

 

CMYK 55 / 0 / 75 / 14

HEX #63DC36

RGB 99 220 54

HSL 103.73, 0.7%, 0.54%

LAB 78.52, -61.76, 66.35

 

CMYK 59 / 0 / 83 / 21

HEX #52CA23

RGB 82 202 35

HSL 103.11, 0.7%, 0.46%

LAB 72.33, -60.8, 65.83

 

CMYK 65 / 0 / 91 / 28

HEX #41B810

RGB 65 184 16

HSL 102.5, 0.84%, 0.39%

LAB 66.09, -59.38, 64.15

 

CMYK 71 / 0 / 100 / 35

HEX #30A600

RGB 48 166 0

HSL 102.65, 1%, 0.33%

LAB 59.8, -57.39, 61.02

 

CMYK 79 / 0 / 100 / 42

HEX #1F9400

RGB 31 148 0

HSL 107.43, 1%, 0.29%

LAB 53.46, -54.6, 55.83

 

CMYK 55 / 0 / 75 / 14

HEX #64DC38

RGB 100 220 56

HSL 103.9, 0.7%, 0.54%

LAB 78.57, -61.37, 65.75

 

CMYK 35 / 0 / 75 / 14

HEX #90DC38

RGB 144 220 56

HSL 87.8, 0.7%, 0.54%

LAB 80.4, -47.81, 68.17

 

CMYK 14 / 0 / 75 / 14

HEX #BDDC38

RGB 189 220 56

HSL 71.34, 0.7%, 0.54%

LAB 83.07, -30.81, 71.64

 

CMYK 0 / 6 / 75 / 14

HEX #DCCF38

RGB 220 207 56

HSL 55.24, 0.7%, 0.54%

LAB 81.91, -11.66, 71.4

 

CMYK 0 / 26 / 75 / 14

HEX #DCA238

RGB 220 162 56

HSL 38.78, 0.7%, 0.54%

LAB 70.41, 11.8, 60.45

 

CMYK 55 / 0 / 75 / 14

HEX #64DC38

RGB 100 220 56

HSL 103.9, 0.7%, 0.54%

LAB 78.57, -61.37, 65.75

 

CMYK 75 / 0 / 75 / 14

HEX #38DC38

RGB 56 220 56

HSL 120, 0.7%, 0.54%

LAB 77.47, -70.43, 64.3

 

CMYK 75 / 0 / 55 / 14

HEX #38DC64

RGB 56 220 100

HSL 136.1, 0.7%, 0.54%

LAB 77.84, -65.88, 46.76

 

CMYK 75 / 0 / 35 / 14

HEX #38DC90

RGB 56 220 144

HSL 152.2, 0.7%, 0.54%

LAB 78.49, -58.5, 25.75

 

CMYK 75 / 0 / 15 / 14

HEX #38DCBC

RGB 56 220 188

HSL 168.29, 0.7%, 0.54%

LAB 79.42, -48.52, 3.89

 

CMYK 55 / 0 / 75 / 14

HEX #64DC38

RGB 100 220 56

HSL 103.9, 0.7%, 0.54%

LAB 78.57, -61.37, 65.75

 

CMYK 62 / 0 / 85 / 6

HEX #5BEF25

RGB 91 239 37

HSL 103.96, 0.86%, 0.54%

LAB 84.01, -70.96, 75.89

 

CMYK 55 / 0 / 75 / 14

HEX #64DC38

RGB 100 220 56

HSL 103.9, 0.7%, 0.54%

LAB 78.57, -61.37, 65.75

 

CMYK 46 / 0 / 63 / 21

HEX #6DC94B

RGB 109 201 75

HSL 103.81, 0.54%, 0.54%

LAB 73.24, -50.14, 53.05

 

CMYK 36 / 0 / 48 / 29

HEX #75B65E

RGB 117 182 94

HSL 104.32, 0.38%, 0.54%

LAB 68.05, -37.38, 38.17

 

CMYK 23 / 0 / 31 / 36

HEX #7EA371

RGB 126 163 113

HSL 104.4, 0.21%, 0.54%

LAB 63.2, -22.37, 21.98

 

CMYK 6 / 0 / 8 / 44

HEX #879084

RGB 135 144 132

HSL 105, 0.05%, 0.54%

LAB 58.75, -5.62, 5.25

 

CMYK 14 / 0 / 75 / 14

HEX #BEDC38

RGB 190 220 56

HSL 70.98, 0.7%, 0.54%

LAB 83.14, -30.41, 71.73

 

CMYK 34 / 0 / 75 / 14

HEX #92DC38

RGB 146 220 56

HSL 87.07, 0.7%, 0.54%

LAB 80.51, -47.11, 68.3

 

CMYK 54 / 0 / 75 / 14

HEX #66DC38

RGB 102 220 56

HSL 103.17, 0.7%, 0.54%

LAB 78.63, -60.85, 65.84

 

CMYK 74 / 0 / 75 / 14

HEX #3ADC38

RGB 58 220 56

HSL 119.27, 0.7%, 0.54%

LAB 77.5, -70.13, 64.34

 

CMYK 75 / 0 / 56 / 14

HEX #38DC61

RGB 56 220 97

HSL 135, 0.7%, 0.54%

LAB 77.81, -66.28, 48.11

 

CMYK 60 / 0 / 82 / 36

HEX #42A41D

RGB 66 164 29

HSL 103.56, 0.7%, 0.38%

LAB 59.71, -51.72, 55.72

 

CMYK 60 / 0 / 82 / 22

HEX #50C723

RGB 80 199 35

HSL 103.54, 0.7%, 0.46%

LAB 71.33, -60.25, 64.9

 

CMYK 55 / 0 / 75 / 14

HEX #64DC38

RGB 100 220 56

HSL 103.9, 0.7%, 0.54%

LAB 78.57, -61.37, 65.75

 

CMYK 44 / 0 / 60 / 11

HEX #7FE25B

RGB 127 226 91

HSL 104, 0.7%, 0.62%

LAB 81.65, -53.1, 55.79

 

CMYK 33 / 0 / 46 / 9

HEX #9BE87E

RGB 155 232 126

HSL 103.58, 0.7%, 0.7%

LAB 85.09, -42.78, 44.04

 

CMYK 55 / 0 / 75 / 14

HEX #63DC36

RGB 99 220 54

HSL 103.73, 0.7%, 0.54%

LAB 78.52, -61.76, 66.35

 

CMYK 75 / 0 / 6 / 14

HEX #38DCCE

RGB 56 220 206

HSL 174.88, 0.7%, 0.54%

LAB 79.89, -43.79, -5.02

 

CMYK 0 / 75 / 24 / 14

HEX #DC38A8

RGB 220 56 168

HSL 319.02, 0.7%, 0.54%

LAB 52.81, 71.75, -23.49

 

CMYK 55 / 0 / 75 / 14

HEX #63DC36

RGB 99 220 54

HSL 103.73, 0.7%, 0.54%

LAB 78.52, -61.76, 66.35

 

CMYK 75 / 54 / 0 / 14

HEX #3866DC

RGB 56 102 220

HSL 223.17, 0.7%, 0.54%

LAB 46.33, 25.24, -64.9

 

CMYK 0 / 75 / 54 / 14

HEX #DC3866

RGB 220 56 102

HSL 343.17, 0.7%, 0.54%

LAB 50.69, 65.12, 12.89

 

CMYK 55 / 0 / 75 / 14

HEX #63DC36

RGB 99 220 54

HSL 103.73, 0.7%, 0.54%

LAB 78.52, -61.76, 66.35

 

CMYK 75 / 0 / 6 / 14

HEX #38DCCE

RGB 56 220 206

HSL 174.88, 0.7%, 0.54%

LAB 79.89, -43.79, -5.02

 

CMYK 21 / 75 / 0 / 14

HEX #AD38DC

RGB 173 56 220

HSL 282.8, 0.7%, 0.54%

LAB 48.11, 69.93, -61.51

 

CMYK 0 / 75 / 69 / 14

HEX #DC3845

RGB 220 56 69

HSL 355.24, 0.7%, 0.54%

LAB 50.07, 63.08, 31.89

 

CMYK 55 / 0 / 75 / 14

HEX #63DC36

RGB 99 220 54

HSL 103.73, 0.7%, 0.54%

LAB 78.52, -61.76, 66.35

 

CMYK 75 / 16 / 0 / 14

HEX #38B8DC

RGB 56 184 220

HSL 193.17, 0.7%, 0.54%

LAB 69.67, -22.58, -27.98

 

CMYK 21 / 75 / 0 / 14

HEX #AD38DC

RGB 173 56 220

HSL 282.8, 0.7%, 0.54%

LAB 48.11, 69.93, -61.51

 

CMYK 0 / 59 / 75 / 14

HEX #DC5B38

RGB 220 91 56

HSL 12.8, 0.7%, 0.54%

LAB 55.06, 48.56, 44.8

 

Description

Color code: HEX #63DC36 | qconv.com Color code: HEX #63DC36 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 220 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 220 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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