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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63B5EC it is the complementary color #9C4A13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63B5EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #63B5EC: #68B5E7, #79C7FA, #8AD9FF, #9BEBFF and #ACFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63B5EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #63B5EC: #63B5EC, #52A3D9, #4191C6, #307FB3 and #1F6DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

Complementary color

CMYK 0 / 53 / 88 / 39

HEX #9C4A13

RGB 156 74 19

HSL 24.09, 0.78%, 0.34%

LAB 41.24, 30.95, 45.25

 

CMYK 55 / 22 / 0 / 9

HEX #68B5E7

RGB 104 181 231

HSL 203.62, 0.73%, 0.66%

LAB 70.71, -9.78, -32.27

 

CMYK 52 / 20 / 0 / 2

HEX #79C7FA

RGB 121 199 250

HSL 203.72, 0.93%, 0.73%

LAB 77.17, -10.27, -32.49

 

CMYK 46 / 15 / 0 / 0

HEX #8AD9FF

RGB 138 217 255

HSL 199.49, 1%, 0.77%

LAB 83.05, -14.49, -26.08

 

CMYK 39 / 8 / 0 / 0

HEX #9BEBFF

RGB 155 235 255

HSL 192, 1%, 0.8%

LAB 88.74, -19.51, -17.38

 

CMYK 33 / 1 / 0 / 0

HEX #ACFDFF

RGB 172 253 255

HSL 181.45, 1%, 0.84%

LAB 94.42, -23.99, -8.81

 

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

CMYK 62 / 25 / 0 / 15

HEX #52A3D9

RGB 82 163 217

HSL 204, 0.64%, 0.59%

LAB 64.16, -8.52, -34.8

 

CMYK 67 / 27 / 0 / 22

HEX #4191C6

RGB 65 145 198

HSL 203.91, 0.54%, 0.52%

LAB 57.51, -7.57, -34.59

 

CMYK 73 / 29 / 0 / 30

HEX #307FB3

RGB 48 127 179

HSL 203.82, 0.58%, 0.45%

LAB 50.76, -6.35, -34.35

 

CMYK 81 / 32 / 0 / 37

HEX #1F6DA0

RGB 31 109 160

HSL 203.72, 0.68%, 0.37%

LAB 43.9, -4.73, -34.08

 

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

CMYK 57 / 32 / 0 / 8

HEX #649FEB

RGB 100 159 235

HSL 213.78, 0.77%, 0.66%

LAB 64.57, 2.9, -44.04

 

CMYK 57 / 42 / 0 / 8

HEX #6488EB

RGB 100 136 235

HSL 224, 0.77%, 0.66%

LAB 58.34, 16.41, -53.9

 

CMYK 57 / 51 / 0 / 8

HEX #6472EB

RGB 100 114 235

HSL 233.78, 0.77%, 0.66%

LAB 52.67, 29.71, -62.99

 

CMYK 54 / 57 / 0 / 8

HEX #6D64EB

RGB 109 100 235

HSL 244, 0.77%, 0.66%

LAB 49.93, 39.79, -67.37

 

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

CMYK 59 / 22 / 0 / 87

HEX #0D1920

RGB 13 25 32

HSL 202.11, 0.42%, 0.09%

LAB 8, -2.74, -6.54

 

CMYK 58 / 23 / 0 / 67

HEX #234053

RGB 35 64 83

HSL 203.75, 0.41%, 0.23%

LAB 25.71, -4.6, -14.77

 

CMYK 58 / 23 / 0 / 47

HEX #386786

RGB 56 103 134

HSL 203.85, 0.41%, 0.37%

LAB 41.63, -6.35, -22.04

 

CMYK 58 / 23 / 0 / 27

HEX #4E8EB9

RGB 78 142 185

HSL 204.11, 0.43%, 0.52%

LAB 56.55, -7.74, -28.68

 

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

CMYK 23 / 57 / 0 / 8

HEX #B564EB

RGB 181 100 235

HSL 276, 0.77%, 0.66%

LAB 57.01, 55.59, -55.61

 

CMYK 0 / 0 / 57 / 8

HEX #EBEB64

RGB 235 235 100

HSL 60, 0.77%, 0.66%

LAB 90.78, -16.89, 63.93

 

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

CMYK 0 / 57 / 23 / 8

HEX #EB64B5

RGB 235 100 181

HSL 324, 0.77%, 0.66%

LAB 61.75, 60.7, -17.14

 

CMYK 23 / 0 / 57 / 8

HEX #B5EB64

RGB 181 235 100

HSL 84, 0.77%, 0.66%

LAB 87.08, -37.82, 58.77

 

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

CMYK 23 / 57 / 0 / 8

HEX #B564EB

RGB 181 100 235

HSL 276, 0.77%, 0.66%

LAB 57.01, 55.59, -55.61

 

CMYK 0 / 34 / 57 / 8

HEX #EB9A64

RGB 235 154 100

HSL 24, 0.77%, 0.66%

LAB 70.66, 24.96, 40.53

 

CMYK 34 / 0 / 57 / 8

HEX #9AEB64

RGB 154 235 100

HSL 96, 0.77%, 0.66%

LAB 85.61, -47.3, 56.7

 

CMYK 58 / 23 / 0 / 7

HEX #63B5EC

RGB 99 181 236

HSL 204.09, 0.78%, 0.66%

LAB 70.7, -9.26, -35.01

 

CMYK 6 / 57 / 0 / 8

HEX #DE64EB

RGB 222 100 235

HSL 294.22, 0.77%, 0.66%

LAB 62.2, 65.67, -47.05

 

CMYK 0 / 34 / 57 / 8

HEX #EB9A64

RGB 235 154 100

HSL 24, 0.77%, 0.66%

LAB 70.66, 24.96, 40.53

 

CMYK 51 / 0 / 57 / 8

HEX #72EB64

RGB 114 235 100

HSL 113.78, 0.77%, 0.66%

LAB 83.92, -59.31, 54.32

 

Description

Color code: HEX #63B5EC | qconv.com Color code: HEX #63B5EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 181 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 181 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 23 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 23% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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