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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #637BCB it is the complementary color #9C8434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #637BCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #637BCB shade: #687BC6, #798DD9, #8A9FEC, #9BB1FF and #ACC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #637BCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #637BCB shade: #637BCB, #5269B8, #4157A5, #304592 and #1F337F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #637BCB shade: #627ACB, #6662CB, #8262CB, #9F62CB and #BB62CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #637BCB shade: #627ACB and #6262CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #637BCB shade matches the following richer shades: #627ACB, #5171DC, #4068ED and #2F5FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #637BCB shade: #627ACB, #7383BA, #848DA9, #959698 and #A69F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #637BCB shade: #62B2CB, #6296CB, #627BCB, #6662CB and #8262CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #637BCB shade: #3750A4, #4360C0, #627ACB, #8194D5 and #A0AFDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #637BCB shade: #637BCB, #C762CB and #A4CB62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #637BCB shade: #637BCB, #CB627B and #7BCB62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #637BCB shade: #637BCB, #C762CB, #CBB262 and #66CB62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #637BCB shade: #637BCB, #CB62AF, #CBB262 and #62CB7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 39 / 0 / 20

HEX #637BCB

RGB 99 123 203

HSL 226.15, 0.5%, 0.59%

LAB 53.09, 13.8, -44.26

 

Complementary color

CMYK 0 / 15 / 67 / 39

HEX #9C8434

RGB 156 132 52

HSL 46.15, 0.5%, 0.41%

LAB 55.91, -0.26, 45.19

 

CMYK 47 / 38 / 0 / 22

HEX #687BC6

RGB 104 123 198

HSL 227.87, 0.45%, 0.59%

LAB 53.15, 13.44, -41.3

 

CMYK 44 / 35 / 0 / 15

HEX #798DD9

RGB 121 141 217

HSL 227.5, 0.56%, 0.66%

LAB 60, 12.59, -41.16

 

CMYK 42 / 33 / 0 / 7

HEX #8A9FEC

RGB 138 159 236

HSL 227.14, 0.72%, 0.73%

LAB 66.71, 11.88, -41.07

 

CMYK 39 / 31 / 0 / 0

HEX #9BB1FF

RGB 155 177 255

HSL 226.8, 1%, 0.8%

LAB 73.31, 11.26, -41.03

 

CMYK 33 / 24 / 0 / 0

HEX #ACC3FF

RGB 172 195 255

HSL 223.37, 1%, 0.84%

LAB 79.05, 5.88, -32.03

 

CMYK 51 / 39 / 0 / 20

HEX #637BCB

RGB 99 123 203

HSL 226.15, 0.5%, 0.59%

LAB 53.09, 13.8, -44.26

 

CMYK 55 / 43 / 0 / 28

HEX #5269B8

RGB 82 105 184

HSL 226.47, 0.42%, 0.52%

LAB 46.12, 14.96, -44.48

 

CMYK 61 / 47 / 0 / 35

HEX #4157A5

RGB 65 87 165

HSL 226.8, 0.43%, 0.45%

LAB 39, 16.4, -44.75

 

CMYK 67 / 53 / 0 / 43

HEX #304592

RGB 48 69 146

HSL 227.14, 0.51%, 0.38%

LAB 31.72, 18.23, -45.05

 

CMYK 76 / 60 / 0 / 50

HEX #1F337F

RGB 31 51 127

HSL 227.5, 0.61%, 0.31%

LAB 24.29, 20.64, -45.33

 

CMYK 52 / 40 / 0 / 20

HEX #627ACB

RGB 98 122 203

HSL 226.29, 0.5%, 0.59%

LAB 52.76, 14.18, -44.79

 

CMYK 50 / 52 / 0 / 20

HEX #6662CB

RGB 102 98 203

HSL 242.29, 0.5%, 0.59%

LAB 46.81, 29.75, -54.28

 

CMYK 36 / 52 / 0 / 20

HEX #8262CB

RGB 130 98 203

HSL 258.29, 0.5%, 0.59%

LAB 49.24, 36.35, -50.24

 

CMYK 22 / 52 / 0 / 20

HEX #9F62CB

RGB 159 98 203

HSL 274.86, 0.5%, 0.59%

LAB 52.31, 43.9, -45.18

 

CMYK 8 / 52 / 0 / 20

HEX #BB62CB

RGB 187 98 203

HSL 290.86, 0.5%, 0.59%

LAB 55.7, 51.52, -39.6

 

CMYK 52 / 40 / 0 / 20

HEX #627ACB

RGB 98 122 203

HSL 226.29, 0.5%, 0.59%

LAB 52.76, 14.18, -44.79

 

CMYK 52 / 52 / 0 / 20

HEX #6262CB

RGB 98 98 203

HSL 240, 0.5%, 0.59%

LAB 46.5, 28.89, -54.78

 

CMYK 52 / 40 / 0 / 20

HEX #627ACB

RGB 98 122 203

HSL 226.29, 0.5%, 0.59%

LAB 52.76, 14.18, -44.79

 

CMYK 63 / 49 / 0 / 14

HEX #5171DC

RGB 81 113 220

HSL 226.19, 0.67%, 0.59%

LAB 50.37, 21.94, -58.32

 

CMYK 73 / 56 / 0 / 7

HEX #4068ED

RGB 64 104 237

HSL 226.13, 0.83%, 0.59%

LAB 48.39, 31.07, -71.12

 

CMYK 81 / 62 / 0 / 1

HEX #2F5FFD

RGB 47 95 253

HSL 226.02, 0.98%, 0.59%

LAB 46.82, 40.79, -82.66

 

CMYK 52 / 40 / 0 / 20

HEX #627ACB

RGB 98 122 203

HSL 226.29, 0.5%, 0.59%

LAB 52.76, 14.18, -44.79

 

CMYK 38 / 30 / 0 / 27

HEX #7383BA

RGB 115 131 186

HSL 226.48, 0.34%, 0.59%

LAB 55.5, 8.04, -30.71

 

CMYK 22 / 17 / 0 / 34

HEX #848DA9

RGB 132 141 169

HSL 225.41, 0.18%, 0.59%

LAB 58.81, 2.97, -15.83

 

CMYK 2 / 1 / 0 / 40

HEX #959698

RGB 149 150 152

HSL 220, 0.01%, 0.59%

LAB 62.06, 0.03, -1.19

 

CMYK 0 / 4 / 19 / 35

HEX #A69F87

RGB 166 159 135

HSL 46.45, 0.15%, 0.59%

LAB 65.48, -1.57, 13.45

 

CMYK 52 / 12 / 0 / 20

HEX #62B2CB

RGB 98 178 203

HSL 194.29, 0.5%, 0.59%

LAB 68.57, -17.64, -20.23

 

CMYK 52 / 26 / 0 / 20

HEX #6296CB

RGB 98 150 203

HSL 210.29, 0.5%, 0.59%

LAB 60.53, -2.34, -32.59

 

CMYK 52 / 39 / 0 / 20

HEX #627BCB

RGB 98 123 203

HSL 225.71, 0.5%, 0.59%

LAB 53.03, 13.58, -44.37

 

CMYK 50 / 52 / 0 / 20

HEX #6662CB

RGB 102 98 203

HSL 242.29, 0.5%, 0.59%

LAB 46.81, 29.75, -54.28

 

CMYK 36 / 52 / 0 / 20

HEX #8262CB

RGB 130 98 203

HSL 258.29, 0.5%, 0.59%

LAB 49.24, 36.35, -50.24

 

CMYK 66 / 51 / 0 / 36

HEX #3750A4

RGB 55 80 164

HSL 226.24, 0.5%, 0.43%

LAB 36.42, 18.77, -48.32

 

CMYK 65 / 50 / 0 / 25

HEX #4360C0

RGB 67 96 192

HSL 226.08, 0.5%, 0.51%

LAB 43.31, 20.51, -53.68

 

CMYK 52 / 40 / 0 / 20

HEX #627ACB

RGB 98 122 203

HSL 226.29, 0.5%, 0.59%

LAB 52.76, 14.18, -44.79

 

CMYK 39 / 31 / 0 / 16

HEX #8194D5

RGB 129 148 213

HSL 226.43, 0.5%, 0.67%

LAB 62.21, 9.45, -35.43

 

CMYK 28 / 22 / 0 / 13

HEX #A0AFDF

RGB 160 175 223

HSL 225.71, 0.5%, 0.75%

LAB 71.87, 5.54, -25.86

 

CMYK 51 / 39 / 0 / 20

HEX #637BCB

RGB 99 123 203

HSL 226.15, 0.5%, 0.59%

LAB 53.09, 13.8, -44.26

 

CMYK 2 / 52 / 0 / 20

HEX #C762CB

RGB 199 98 203

HSL 297.71, 0.5%, 0.59%

LAB 57.26, 54.82, -37.04

 

CMYK 19 / 0 / 52 / 20

HEX #A4CB62

RGB 164 203 98

HSL 82.29, 0.5%, 0.59%

LAB 76.97, -29.61, 47.67

 

CMYK 51 / 39 / 0 / 20

HEX #637BCB

RGB 99 123 203

HSL 226.15, 0.5%, 0.59%

LAB 53.09, 13.8, -44.26

 

CMYK 0 / 52 / 39 / 20

HEX #CB627B

RGB 203 98 123

HSL 345.71, 0.5%, 0.59%

LAB 54.93, 44.16, 5.95

 

CMYK 39 / 0 / 52 / 20

HEX #7BCB62

RGB 123 203 98

HSL 105.71, 0.5%, 0.59%

LAB 74.7, -44.1, 44.4

 

CMYK 51 / 39 / 0 / 20

HEX #637BCB

RGB 99 123 203

HSL 226.15, 0.5%, 0.59%

LAB 53.09, 13.8, -44.26

 

CMYK 2 / 52 / 0 / 20

HEX #C762CB

RGB 199 98 203

HSL 297.71, 0.5%, 0.59%

LAB 57.26, 54.82, -37.04

 

CMYK 0 / 12 / 52 / 20

HEX #CBB262

RGB 203 178 98

HSL 45.71, 0.5%, 0.59%

LAB 73.17, -1.24, 43.83

 

CMYK 50 / 0 / 52 / 20

HEX #66CB62

RGB 102 203 98

HSL 117.71, 0.5%, 0.59%

LAB 73.82, -50.38, 43.12

 

CMYK 51 / 39 / 0 / 20

HEX #637BCB

RGB 99 123 203

HSL 226.15, 0.5%, 0.59%

LAB 53.09, 13.8, -44.26

 

CMYK 0 / 52 / 14 / 20

HEX #CB62AF

RGB 203 98 175

HSL 316, 0.5%, 0.59%

LAB 56.61, 51.22, -21.95

 

CMYK 0 / 12 / 52 / 20

HEX #CBB262

RGB 203 178 98

HSL 45.71, 0.5%, 0.59%

LAB 73.17, -1.24, 43.83

 

CMYK 52 / 0 / 38 / 20

HEX #62CB7E

RGB 98 203 126

HSL 136, 0.5%, 0.59%

LAB 74.07, -47.21, 29.36

 

Description

Color code: HEX #637BCB | qconv.com Color code: HEX #637BCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 123 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 123 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 39 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 39% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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