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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #687BC6 it is the complementary color #978439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #687BC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #687BC6 shade: #6D7BC1, #7E8DD4, #8F9FE7, #A0B1FA and #B1C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #687BC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #687BC6 shade: #687BC6, #5769B3, #4657A0, #35458D and #24337A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #687BC6 shade: #677AC5, #6D67C5, #8767C5, #A067C5 and #B967C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #687BC6 shade: #677AC5 and #6767C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #687BC6 shade matches the following richer shades: #677AC5, #5670D6, #4566E7 and #345CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #687BC6 shade: #677AC5, #7884B4, #898EA3, #9A9892 and #ABA281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #687BC6 shade: #67ADC5, #6794C5, #677BC5, #6C67C5 and #8567C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #687BC6 shade: #3C4F9E, #4960BA, #677AC5, #8594D0 and #A3AEDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #687BC6 shade: #687BC6, #C367C5 and #A1C567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #687BC6 shade: #687BC6, #C5677B and #7BC567

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #687BC6 shade: #687BC6, #C367C5, #C5B167 and #68C567

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #687BC6 shade: #687BC6, #C567AA, #C5B167 and #67C582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 38 / 0 / 22

HEX #687BC6

RGB 104 123 198

HSL 227.87, 0.45%, 0.59%

LAB 53.15, 13.44, -41.3

 

Complementary color

CMYK 0 / 13 / 62 / 41

HEX #978439

RGB 151 132 57

HSL 47.87, 0.45%, 0.41%

LAB 55.46, -2.17, 42.19

 

CMYK 44 / 36 / 0 / 24

HEX #6D7BC1

RGB 109 123 193

HSL 230, 0.4%, 0.59%

LAB 53.24, 13.19, -38.29

 

CMYK 41 / 33 / 0 / 17

HEX #7E8DD4

RGB 126 141 212

HSL 229.53, 0.5%, 0.66%

LAB 60.1, 12.45, -38.18

 

CMYK 38 / 31 / 0 / 9

HEX #8F9FE7

RGB 143 159 231

HSL 229.09, 0.65%, 0.73%

LAB 66.83, 11.81, -38.13

 

CMYK 36 / 29 / 0 / 2

HEX #A0B1FA

RGB 160 177 250

HSL 228.67, 0.9%, 0.8%

LAB 73.43, 11.25, -38.11

 

CMYK 31 / 24 / 0 / 0

HEX #B1C3FF

RGB 177 195 255

HSL 226.15, 1%, 0.85%

LAB 79.38, 7.27, -31.5

 

CMYK 47 / 38 / 0 / 22

HEX #687BC6

RGB 104 123 198

HSL 227.87, 0.45%, 0.59%

LAB 53.15, 13.44, -41.3

 

CMYK 51 / 41 / 0 / 30

HEX #5769B3

RGB 87 105 179

HSL 228.26, 0.38%, 0.52%

LAB 46.16, 14.45, -41.49

 

CMYK 56 / 46 / 0 / 37

HEX #4657A0

RGB 70 87 160

HSL 228.67, 0.39%, 0.45%

LAB 39, 15.71, -41.75

 

CMYK 62 / 51 / 0 / 45

HEX #35458D

RGB 53 69 141

HSL 229.09, 0.45%, 0.38%

LAB 31.66, 17.31, -42.06

 

CMYK 70 / 58 / 0 / 52

HEX #24337A

RGB 36 51 122

HSL 229.53, 0.54%, 0.31%

LAB 24.15, 19.42, -42.39

 

CMYK 48 / 38 / 0 / 23

HEX #677AC5

RGB 103 122 197

HSL 227.87, 0.45%, 0.59%

LAB 52.77, 13.49, -41.34

 

CMYK 45 / 48 / 0 / 23

HEX #6D67C5

RGB 109 103 197

HSL 243.83, 0.45%, 0.59%

LAB 48.24, 26.5, -48.51

 

CMYK 31 / 48 / 0 / 23

HEX #8767C5

RGB 135 103 197

HSL 260.43, 0.45%, 0.59%

LAB 50.55, 33.17, -44.69

 

CMYK 19 / 48 / 0 / 23

HEX #A067C5

RGB 160 103 197

HSL 276.38, 0.45%, 0.59%

LAB 53.17, 40.08, -40.37

 

CMYK 6 / 48 / 0 / 23

HEX #B967C5

RGB 185 103 197

HSL 292.34, 0.45%, 0.59%

LAB 56.13, 47.24, -35.51

 

CMYK 48 / 38 / 0 / 23

HEX #677AC5

RGB 103 122 197

HSL 227.87, 0.45%, 0.59%

LAB 52.77, 13.49, -41.34

 

CMYK 48 / 48 / 0 / 23

HEX #6767C5

RGB 103 103 197

HSL 240, 0.45%, 0.59%

LAB 47.77, 25.08, -49.28

 

CMYK 48 / 38 / 0 / 23

HEX #677AC5

RGB 103 122 197

HSL 227.87, 0.45%, 0.59%

LAB 52.77, 13.49, -41.34

 

CMYK 60 / 48 / 0 / 16

HEX #5670D6

RGB 86 112 214

HSL 227.81, 0.61%, 0.59%

LAB 50, 21.42, -55.48

 

CMYK 70 / 56 / 0 / 9

HEX #4566E7

RGB 69 102 231

HSL 227.78, 0.77%, 0.59%

LAB 47.67, 30.81, -68.91

 

CMYK 79 / 63 / 0 / 3

HEX #345CF8

RGB 52 92 248

HSL 227.76, 0.93%, 0.59%

LAB 45.85, 41.24, -81.44

 

CMYK 48 / 38 / 0 / 23

HEX #677AC5

RGB 103 122 197

HSL 227.87, 0.45%, 0.59%

LAB 52.77, 13.49, -41.34

 

CMYK 33 / 27 / 0 / 29

HEX #7884B4

RGB 120 132 180

HSL 228, 0.29%, 0.59%

LAB 55.88, 7.24, -26.68

 

CMYK 16 / 13 / 0 / 36

HEX #898EA3

RGB 137 142 163

HSL 228.46, 0.12%, 0.59%

LAB 59.26, 2.66, -11.69

 

CMYK 0 / 1 / 5 / 40

HEX #9A9892

RGB 154 152 146

HSL 45, 0.04%, 0.59%

LAB 62.85, -0.39, 3.4

 

CMYK 0 / 5 / 25 / 33

HEX #ABA281

RGB 171 162 129

HSL 47.14, 0.2%, 0.59%

LAB 66.58, -2.15, 18.37

 

CMYK 48 / 12 / 0 / 23

HEX #67ADC5

RGB 103 173 197

HSL 195.32, 0.45%, 0.59%

LAB 67.13, -15.57, -19.09

 

CMYK 48 / 25 / 0 / 23

HEX #6794C5

RGB 103 148 197

HSL 211.28, 0.45%, 0.59%

LAB 59.97, -1.82, -30.07

 

CMYK 48 / 38 / 0 / 23

HEX #677BC5

RGB 103 123 197

HSL 227.23, 0.45%, 0.59%

LAB 53.04, 12.89, -40.92

 

CMYK 45 / 48 / 0 / 23

HEX #6C67C5

RGB 108 103 197

HSL 243.19, 0.45%, 0.59%

LAB 48.16, 26.26, -48.64

 

CMYK 32 / 48 / 0 / 23

HEX #8567C5

RGB 133 103 197

HSL 259.15, 0.45%, 0.59%

LAB 50.36, 32.63, -45.01

 

CMYK 62 / 50 / 0 / 38

HEX #3C4F9E

RGB 60 79 158

HSL 228.37, 0.45%, 0.43%

LAB 36.03, 18.16, -45.34

 

CMYK 61 / 48 / 0 / 27

HEX #4960BA

RGB 73 96 186

HSL 227.79, 0.45%, 0.51%

LAB 43.25, 19.49, -50.26

 

CMYK 48 / 38 / 0 / 23

HEX #677AC5

RGB 103 122 197

HSL 227.87, 0.45%, 0.59%

LAB 52.77, 13.49, -41.34

 

CMYK 36 / 29 / 0 / 18

HEX #8594D0

RGB 133 148 208

HSL 228, 0.44%, 0.67%

LAB 62.27, 9.18, -32.53

 

CMYK 26 / 21 / 0 / 14

HEX #A3AEDC

RGB 163 174 220

HSL 228.42, 0.45%, 0.75%

LAB 71.71, 6.26, -24.45

 

CMYK 47 / 38 / 0 / 22

HEX #687BC6

RGB 104 123 198

HSL 227.87, 0.45%, 0.59%

LAB 53.15, 13.44, -41.3

 

CMYK 1 / 48 / 0 / 23

HEX #C367C5

RGB 195 103 197

HSL 298.72, 0.45%, 0.59%

LAB 57.4, 50.13, -33.44

 

CMYK 18 / 0 / 48 / 23

HEX #A1C567

RGB 161 197 103

HSL 82.98, 0.45%, 0.59%

LAB 75.13, -27.36, 42.99

 

CMYK 47 / 38 / 0 / 22

HEX #687BC6

RGB 104 123 198

HSL 227.87, 0.45%, 0.59%

LAB 53.15, 13.44, -41.3

 

CMYK 0 / 48 / 38 / 23

HEX #C5677B

RGB 197 103 123

HSL 347.23, 0.45%, 0.59%

LAB 55.07, 39.49, 6.04

 

CMYK 38 / 0 / 48 / 23

HEX #7BC567

RGB 123 197 103

HSL 107.23, 0.45%, 0.59%

LAB 72.97, -40.88, 39.85

 

CMYK 47 / 38 / 0 / 22

HEX #687BC6

RGB 104 123 198

HSL 227.87, 0.45%, 0.59%

LAB 53.15, 13.44, -41.3

 

CMYK 1 / 48 / 0 / 23

HEX #C367C5

RGB 195 103 197

HSL 298.72, 0.45%, 0.59%

LAB 57.4, 50.13, -33.44

 

CMYK 0 / 10 / 48 / 23

HEX #C5B167

RGB 197 177 103

HSL 47.23, 0.45%, 0.59%

LAB 72.42, -2.75, 40.28

 

CMYK 47 / 0 / 48 / 23

HEX #68C567

RGB 104 197 103

HSL 119.36, 0.45%, 0.59%

LAB 72.13, -46.7, 38.61

 

CMYK 47 / 38 / 0 / 22

HEX #687BC6

RGB 104 123 198

HSL 227.87, 0.45%, 0.59%

LAB 53.15, 13.44, -41.3

 

CMYK 0 / 48 / 14 / 23

HEX #C567AA

RGB 197 103 170

HSL 317.23, 0.45%, 0.59%

LAB 56.56, 46.08, -19.21

 

CMYK 0 / 10 / 48 / 23

HEX #C5B167

RGB 197 177 103

HSL 47.23, 0.45%, 0.59%

LAB 72.42, -2.75, 40.28

 

CMYK 48 / 0 / 34 / 23

HEX #67C582

RGB 103 197 130

HSL 137.23, 0.45%, 0.59%

LAB 72.51, -42.65, 25.22

 

Description

Color code: HEX #687BC6 | qconv.com Color code: HEX #687BC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 123 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 123 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 38 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 38% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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