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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #637325 it is the complementary color #9C8CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #637325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #637325: #687320, #798533, #8A9746, #9BA959 and #ACBB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #637325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #637325: #637325, #526112, #414F00, #303D00 and #1F2B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

Complementary color

CMYK 28 / 36 / 0 / 15

HEX #9C8CDA

RGB 156 140 218

HSL 252.31, 0.51%, 0.7%

LAB 62.41, 22.92, -37.76

 

CMYK 10 / 0 / 72 / 55

HEX #687320

RGB 104 115 32

HSL 67.95, 0.56%, 0.29%

LAB 46.05, -15.95, 42.31

 

CMYK 9 / 0 / 62 / 48

HEX #798533

RGB 121 133 51

HSL 68.78, 0.45%, 0.36%

LAB 53.04, -16.57, 41.63

 

CMYK 9 / 0 / 54 / 41

HEX #8A9746

RGB 138 151 70

HSL 69.63, 0.37%, 0.43%

LAB 59.87, -17.02, 40.57

 

CMYK 8 / 0 / 47 / 34

HEX #9BA959

RGB 155 169 89

HSL 70.5, 0.32%, 0.51%

LAB 66.57, -17.34, 39.4

 

CMYK 8 / 0 / 42 / 27

HEX #ACBB6C

RGB 172 187 108

HSL 71.39, 0.37%, 0.58%

LAB 73.15, -17.58, 38.2

 

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

CMYK 15 / 0 / 81 / 62

HEX #526112

RGB 82 97 18

HSL 71.39, 0.69%, 0.23%

LAB 38.53, -17.17, 39.85

 

CMYK 18 / 0 / 100 / 69

HEX #414F00

RGB 65 79 0

HSL 70.63, 1%, 0.15%

LAB 31.15, -16.19, 38.94

 

CMYK 21 / 0 / 100 / 76

HEX #303D00

RGB 48 61 0

HSL 72.79, 1%, 0.12%

LAB 23.56, -14.49, 31.85

 

CMYK 28 / 0 / 100 / 83

HEX #1F2B00

RGB 31 43 0

HSL 76.74, 1%, 0.08%

LAB 15.59, -12.75, 22.38

 

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

CMYK 25 / 0 / 68 / 55

HEX #567325

RGB 86 115 37

HSL 82.31, 0.51%, 0.3%

LAB 44.76, -23.51, 38.38

 

CMYK 37 / 0 / 68 / 55

HEX #497325

RGB 73 115 37

HSL 92.31, 0.51%, 0.3%

LAB 43.96, -28.78, 37.28

 

CMYK 48 / 0 / 68 / 55

HEX #3C7325

RGB 60 115 37

HSL 102.31, 0.51%, 0.3%

LAB 43.29, -33.5, 36.37

 

CMYK 59 / 0 / 68 / 55

HEX #2F7325

RGB 47 115 37

HSL 112.31, 0.51%, 0.3%

LAB 42.76, -37.53, 35.63

 

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

CMYK 14 / 0 / 68 / 35

HEX #8FA635

RGB 143 166 53

HSL 72.21, 0.52%, 0.43%

LAB 64.46, -23.88, 53.38

 

CMYK 14 / 0 / 68 / 15

HEX #BBD946

RGB 187 217 70

HSL 72.24, 0.66%, 0.56%

LAB 82.18, -29.46, 65.87

 

CMYK 15 / 0 / 69 / 95

HEX #0B0D04

RGB 11 13 4

HSL 73.33, 0.53%, 0.03%

LAB 3.32, -1.87, 3.3

 

CMYK 14 / 0 / 67 / 75

HEX #374015

RGB 55 64 21

HSL 72.56, 0.51%, 0.17%

LAB 25.36, -11.24, 24.48

 

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

CMYK 68 / 0 / 41 / 55

HEX #257344

RGB 37 115 68

HSL 143.85, 0.51%, 0.3%

LAB 42.87, -35.21, 19.25

 

CMYK 14 / 68 / 0 / 55

HEX #632573

RGB 99 37 115

HSL 287.69, 0.51%, 0.3%

LAB 27.33, 40.28, -32.46

 

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

CMYK 68 / 14 / 0 / 55

HEX #256373

RGB 37 99 115

HSL 192.31, 0.51%, 0.3%

LAB 38.82, -14.29, -14.88

 

CMYK 0 / 68 / 14 / 55

HEX #732563

RGB 115 37 99

HSL 312.31, 0.51%, 0.3%

LAB 29.08, 41.61, -19.25

 

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

CMYK 68 / 0 / 41 / 55

HEX #257344

RGB 37 115 68

HSL 143.85, 0.51%, 0.3%

LAB 42.87, -35.21, 19.25

 

CMYK 54 / 68 / 0 / 55

HEX #352573

RGB 53 37 115

HSL 252.31, 0.51%, 0.3%

LAB 21.27, 29.44, -42.54

 

CMYK 0 / 68 / 27 / 55

HEX #732554

RGB 115 37 84

HSL 323.85, 0.51%, 0.3%

LAB 28.4, 39.28, -10.5

 

CMYK 14 / 0 / 68 / 55

HEX #637325

RGB 99 115 37

HSL 72.31, 0.51%, 0.3%

LAB 45.7, -17.86, 39.66

 

CMYK 68 / 0 / 20 / 55

HEX #25735C

RGB 37 115 92

HSL 162.31, 0.51%, 0.3%

LAB 43.4, -29.62, 5.86

 

CMYK 54 / 68 / 0 / 55

HEX #352573

RGB 53 37 115

HSL 252.31, 0.51%, 0.3%

LAB 21.27, 29.44, -42.54

 

CMYK 0 / 68 / 48 / 55

HEX #73253C

RGB 115 37 60

HSL 342.31, 0.51%, 0.3%

LAB 27.56, 36.26, 4.22

 

Description

Color code: HEX #637325 | qconv.com Color code: HEX #637325 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 115 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 115 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 68 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 68% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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