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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63687F it is the complementary color #9C9780. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63687F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #63687F: #68687A, #797A8D, #8A8CA0, #9B9EB3 and #ACB0C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63687F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #63687F: #63687F, #52566C, #414459, #303246 and #1F2033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

Complementary color

CMYK 0 / 3 / 18 / 39

HEX #9C9780

RGB 156 151 128

HSL 49.29, 0.12%, 0.56%

LAB 62.3, -2.18, 12.79

 

CMYK 15 / 15 / 0 / 52

HEX #68687A

RGB 104 104 122

HSL 240, 0.08%, 0.44%

LAB 44.59, 3.98, -10.01

 

CMYK 14 / 13 / 0 / 45

HEX #797A8D

RGB 121 122 141

HSL 237, 0.08%, 0.51%

LAB 51.73, 3.71, -10.41

 

CMYK 14 / 13 / 0 / 37

HEX #8A8CA0

RGB 138 140 160

HSL 234.55, 0.1%, 0.58%

LAB 58.69, 3.47, -10.82

 

CMYK 13 / 12 / 0 / 30

HEX #9B9EB3

RGB 155 158 179

HSL 232.5, 0.14%, 0.65%

LAB 65.5, 3.24, -11.23

 

CMYK 13 / 11 / 0 / 22

HEX #ACB0C6

RGB 172 176 198

HSL 230.77, 0.19%, 0.73%

LAB 72.16, 3.03, -11.65

 

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

CMYK 24 / 20 / 0 / 58

HEX #52566C

RGB 82 86 108

HSL 230.77, 0.14%, 0.37%

LAB 36.99, 3.76, -13.13

 

CMYK 27 / 24 / 0 / 65

HEX #414459

RGB 65 68 89

HSL 232.5, 0.16%, 0.3%

LAB 29.36, 4.12, -12.88

 

CMYK 31 / 29 / 0 / 73

HEX #303246

RGB 48 50 70

HSL 234.55, 0.19%, 0.23%

LAB 21.4, 4.58, -12.7

 

CMYK 39 / 37 / 0 / 80

HEX #1F2033

RGB 31 32 51

HSL 237, 0.24%, 0.16%

LAB 13.01, 5.2, -12.63

 

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

CMYK 22 / 21 / 0 / 51

HEX #62637D

RGB 98 99 125

HSL 237.78, 0.12%, 0.44%

LAB 42.76, 5.64, -14.63

 

CMYK 18 / 22 / 0 / 51

HEX #66627D

RGB 102 98 125

HSL 248.89, 0.12%, 0.44%

LAB 42.82, 7.64, -14.51

 

CMYK 14 / 22 / 0 / 51

HEX #6B627D

RGB 107 98 125

HSL 260, 0.12%, 0.44%

LAB 43.27, 9.4, -13.78

 

CMYK 11 / 22 / 0 / 51

HEX #6F627D

RGB 111 98 125

HSL 268.89, 0.12%, 0.44%

LAB 43.65, 10.83, -13.18

 

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

CMYK 22 / 18 / 0 / 30

HEX #8B92B2

RGB 139 146 178

HSL 229.23, 0.2%, 0.62%

LAB 61.01, 4.52, -17.55

 

CMYK 22 / 18 / 0 / 10

HEX #B3BCE5

RGB 179 188 229

HSL 229.2, 0.49%, 0.8%

LAB 76.8, 5.53, -21.46

 

CMYK 24 / 20 / 0 / 90

HEX #131419

RGB 19 20 25

HSL 230, 0.14%, 0.09%

LAB 6.4, 0.83, -3.53

 

CMYK 22 / 18 / 0 / 70

HEX #3B3E4C

RGB 59 62 76

HSL 229.41, 0.13%, 0.26%

LAB 26.44, 2.28, -8.92

 

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

CMYK 0 / 22 / 0 / 51

HEX #7D627D

RGB 125 98 125

HSL 300, 0.12%, 0.44%

LAB 45.05, 15.94, -10.93

 

CMYK 9 / 0 / 22 / 51

HEX #727D62

RGB 114 125 98

HSL 84.44, 0.12%, 0.44%

LAB 50.83, -9.28, 13.39

 

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

CMYK 0 / 22 / 18 / 51

HEX #7D6267

RGB 125 98 103

HSL 348.89, 0.12%, 0.44%

LAB 44.34, 11.75, 1.33

 

CMYK 18 / 0 / 22 / 51

HEX #677D62

RGB 103 125 98

HSL 108.89, 0.12%, 0.44%

LAB 50.02, -13.56, 12.12

 

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

CMYK 0 / 22 / 0 / 51

HEX #7D627D

RGB 125 98 125

HSL 300, 0.12%, 0.44%

LAB 45.05, 15.94, -10.93

 

CMYK 0 / 4 / 22 / 51

HEX #7D7862

RGB 125 120 98

HSL 48.89, 0.12%, 0.44%

LAB 50.3, -2.01, 12.79

 

CMYK 22 / 0 / 21 / 51

HEX #627D63

RGB 98 125 99

HSL 122.22, 0.12%, 0.44%

LAB 49.7, -15.25, 11.04

 

CMYK 22 / 18 / 0 / 50

HEX #63687F

RGB 99 104 127

HSL 229.29, 0.12%, 0.44%

LAB 44.36, 3.44, -13.41

 

CMYK 0 / 22 / 6 / 51

HEX #7D6275

RGB 125 98 117

HSL 317.78, 0.12%, 0.44%

LAB 44.77, 14.33, -6.51

 

CMYK 0 / 4 / 22 / 51

HEX #7D7862

RGB 125 120 98

HSL 48.89, 0.12%, 0.44%

LAB 50.3, -2.01, 12.79

 

CMYK 22 / 0 / 14 / 51

HEX #627D6B

RGB 98 125 107

HSL 140, 0.12%, 0.44%

LAB 49.89, -13.65, 6.64

 

Description

Color code: HEX #63687F | qconv.com Color code: HEX #63687F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 104 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 104 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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