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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62F230 it is the complementary color #9D0DCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62F230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62F230 shade: #67F22B, #78FF3E, #89FF51, #9AFF64 and #ABFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62F230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62F230 shade: #62F230, #51E01D, #40CE0A, #2FBC00 and #1EAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62F230 shade: #63F231, #97F231, #CBF231, #F2E531 and #F2B131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62F230 shade: #63F231, #31F233, #31F267, #31F29B and #31F2CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62F230 shade matches the following richer shades: #63F231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62F230 shade: #63F231, #6BE043, #74CE54, #7CBD66 and #85AB78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62F230 shade: #CBF231, #98F231, #64F231, #31F231 and #31F264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62F230 shade: #3CC40C, #48EA0F, #63F231, #80F458 and #9DF77E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62F230 shade: #62F230, #31F2E5 and #F231B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62F230 shade: #62F230, #3164F2 and #F23164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62F230 shade: #62F230, #31F2E5, #BE31F2 and #F2313E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62F230 shade: #62F230, #31C5F2, #BE31F2 and #F25E31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 80 / 5

HEX #62F230

RGB 98 242 48

HSL 104.54, 0.88%, 0.57%

LAB 85.16, -69.88, 74.36

 

Complementary color

CMYK 24 / 94 / 0 / 19

HEX #9D0DCF

RGB 157 13 207

HSL 284.54, 0.88%, 0.43%

LAB 41.15, 75.33, -65.43

 

CMYK 57 / 0 / 82 / 5

HEX #67F22B

RGB 103 242 43

HSL 101.91, 0.88%, 0.56%

LAB 85.28, -68.93, 75.79

 

CMYK 53 / 0 / 76 / 0

HEX #78FF3E

RGB 120 255 62

HSL 101.97, 1%, 0.62%

LAB 89.79, -68.13, 75

 

CMYK 46 / 0 / 68 / 0

HEX #89FF51

RGB 137 255 81

HSL 100.69, 1%, 0.66%

LAB 90.52, -62.18, 69.54

 

CMYK 40 / 0 / 61 / 0

HEX #9AFF64

RGB 154 255 100

HSL 99.1, 1%, 0.7%

LAB 91.37, -55.5, 63.22

 

CMYK 33 / 0 / 53 / 0

HEX #ABFF77

RGB 171 255 119

HSL 97.06, 1%, 0.73%

LAB 92.36, -48.18, 56.34

 

CMYK 60 / 0 / 80 / 5

HEX #62F230

RGB 98 242 48

HSL 104.54, 0.88%, 0.57%

LAB 85.16, -69.88, 74.36

 

CMYK 64 / 0 / 87 / 12

HEX #51E01D

RGB 81 224 29

HSL 104, 0.77%, 0.5%

LAB 79.13, -68.58, 73.14

 

CMYK 69 / 0 / 95 / 19

HEX #40CE0A

RGB 64 206 10

HSL 103.47, 0.91%, 0.42%

LAB 73.06, -66.79, 70.68

 

CMYK 75 / 0 / 100 / 26

HEX #2FBC00

RGB 47 188 0

HSL 105, 1%, 0.37%

LAB 66.95, -64.41, 66.71

 

CMYK 82 / 0 / 100 / 33

HEX #1EAA00

RGB 30 170 0

HSL 109.41, 1%, 0.33%

LAB 60.8, -61.39, 61.69

 

CMYK 59 / 0 / 80 / 5

HEX #63F231

RGB 99 242 49

HSL 104.46, 0.88%, 0.57%

LAB 85.19, -69.6, 74.14

 

CMYK 38 / 0 / 80 / 5

HEX #97F231

RGB 151 242 49

HSL 88.29, 0.88%, 0.57%

LAB 87.15, -54.7, 76.65

 

CMYK 16 / 0 / 80 / 5

HEX #CBF231

RGB 203 242 49

HSL 72.12, 0.88%, 0.57%

LAB 90.06, -35.65, 80.36

 

CMYK 0 / 5 / 80 / 5

HEX #F2E531

RGB 242 229 49

HSL 55.96, 0.88%, 0.57%

LAB 89.46, -13.61, 80.94

 

CMYK 0 / 27 / 80 / 5

HEX #F2B131

RGB 242 177 49

HSL 39.79, 0.88%, 0.57%

LAB 76.4, 12.99, 69.46

 

CMYK 59 / 0 / 80 / 5

HEX #63F231

RGB 99 242 49

HSL 104.46, 0.88%, 0.57%

LAB 85.19, -69.6, 74.14

 

CMYK 80 / 0 / 79 / 5

HEX #31F233

RGB 49 242 51

HSL 120.62, 0.88%, 0.57%

LAB 84.17, -78.18, 72.27

 

CMYK 80 / 0 / 57 / 5

HEX #31F267

RGB 49 242 103

HSL 136.79, 0.88%, 0.57%

LAB 84.55, -73.45, 53.34

 

CMYK 80 / 0 / 36 / 5

HEX #31F29B

RGB 49 242 155

HSL 152.95, 0.88%, 0.57%

LAB 85.26, -65.14, 29.24

 

CMYK 80 / 0 / 14 / 5

HEX #31F2CF

RGB 49 242 207

HSL 169.12, 0.88%, 0.57%

LAB 86.34, -53.49, 3.87

 

CMYK 59 / 0 / 80 / 5

HEX #63F231

RGB 99 242 49

HSL 104.46, 0.88%, 0.57%

LAB 85.19, -69.6, 74.14

 

CMYK 59 / 0 / 80 / 5

HEX #63F231

RGB 99 242 49

HSL 104.46, 0.88%, 0.57%

LAB 85.19, -69.6, 74.14

 

CMYK 52 / 0 / 70 / 12

HEX #6BE043

RGB 107 224 67

HSL 104.71, 0.72%, 0.57%

LAB 80.09, -60.18, 63.53

 

CMYK 44 / 0 / 59 / 19

HEX #74CE54

RGB 116 206 84

HSL 104.26, 0.55%, 0.57%

LAB 75.14, -49.12, 51.33

 

CMYK 34 / 0 / 46 / 26

HEX #7CBD66

RGB 124 189 102

HSL 104.83, 0.4%, 0.57%

LAB 70.62, -37.12, 37.42

 

CMYK 22 / 0 / 30 / 33

HEX #85AB78

RGB 133 171 120

HSL 104.71, 0.23%, 0.57%

LAB 66.11, -22.73, 22.19

 

CMYK 16 / 0 / 80 / 5

HEX #CBF231

RGB 203 242 49

HSL 72.12, 0.88%, 0.57%

LAB 90.06, -35.65, 80.36

 

CMYK 37 / 0 / 80 / 5

HEX #98F231

RGB 152 242 49

HSL 87.98, 0.88%, 0.57%

LAB 87.19, -54.37, 76.71

 

CMYK 59 / 0 / 80 / 5

HEX #64F231

RGB 100 242 49

HSL 104.15, 0.88%, 0.57%

LAB 85.22, -69.36, 74.17

 

CMYK 80 / 0 / 80 / 5

HEX #31F231

RGB 49 242 49

HSL 120, 0.88%, 0.57%

LAB 84.16, -78.29, 72.81

 

CMYK 80 / 0 / 59 / 5

HEX #31F264

RGB 49 242 100

HSL 135.85, 0.88%, 0.57%

LAB 84.52, -73.82, 54.63

 

CMYK 69 / 0 / 94 / 23

HEX #3CC40C

RGB 60 196 12

HSL 104.35, 0.88%, 0.41%

LAB 69.8, -64.38, 67.75

 

CMYK 69 / 0 / 94 / 8

HEX #48EA0F

RGB 72 234 15

HSL 104.38, 0.88%, 0.49%

LAB 81.98, -73.83, 77.54

 

CMYK 59 / 0 / 80 / 5

HEX #63F231

RGB 99 242 49

HSL 104.46, 0.88%, 0.57%

LAB 85.19, -69.6, 74.14

 

CMYK 48 / 0 / 64 / 4

HEX #80F458

RGB 128 244 88

HSL 104.62, 0.88%, 0.65%

LAB 86.99, -60.06, 62.99

 

CMYK 36 / 0 / 49 / 3

HEX #9DF77E

RGB 157 247 126

HSL 104.63, 0.88%, 0.73%

LAB 89.48, -48.56, 49.5

 

CMYK 60 / 0 / 80 / 5

HEX #62F230

RGB 98 242 48

HSL 104.54, 0.88%, 0.57%

LAB 85.16, -69.88, 74.36

 

CMYK 80 / 0 / 5 / 5

HEX #31F2E5

RGB 49 242 229

HSL 175.96, 0.88%, 0.57%

LAB 86.91, -47.72, -6.82

 

CMYK 0 / 80 / 26 / 5

HEX #F231B2

RGB 242 49 178

HSL 319.9, 0.88%, 0.57%

LAB 56.38, 79.89, -23.52

 

CMYK 60 / 0 / 80 / 5

HEX #62F230

RGB 98 242 48

HSL 104.54, 0.88%, 0.57%

LAB 85.16, -69.88, 74.36

 

CMYK 80 / 59 / 0 / 5

HEX #3164F2

RGB 49 100 242

HSL 224.15, 0.88%, 0.57%

LAB 47.21, 33.85, -75.88

 

CMYK 0 / 80 / 59 / 5

HEX #F23164

RGB 242 49 100

HSL 344.15, 0.88%, 0.57%

LAB 54.02, 72.93, 19.32

 

CMYK 60 / 0 / 80 / 5

HEX #62F230

RGB 98 242 48

HSL 104.54, 0.88%, 0.57%

LAB 85.16, -69.88, 74.36

 

CMYK 80 / 0 / 5 / 5

HEX #31F2E5

RGB 49 242 229

HSL 175.96, 0.88%, 0.57%

LAB 86.91, -47.72, -6.82

 

CMYK 21 / 80 / 0 / 5

HEX #BE31F2

RGB 190 49 242

HSL 283.83, 0.88%, 0.57%

LAB 51.33, 79.29, -68.61

 

CMYK 0 / 80 / 74 / 5

HEX #F2313E

RGB 242 49 62

HSL 355.96, 0.88%, 0.57%

LAB 53.41, 71.05, 40.87

 

CMYK 60 / 0 / 80 / 5

HEX #62F230

RGB 98 242 48

HSL 104.54, 0.88%, 0.57%

LAB 85.16, -69.88, 74.36

 

CMYK 80 / 19 / 0 / 5

HEX #31C5F2

RGB 49 197 242

HSL 193.99, 0.88%, 0.57%

LAB 74.19, -22.8, -32.97

 

CMYK 21 / 80 / 0 / 5

HEX #BE31F2

RGB 190 49 242

HSL 283.83, 0.88%, 0.57%

LAB 51.33, 79.29, -68.61

 

CMYK 0 / 61 / 80 / 5

HEX #F25E31

RGB 242 94 49

HSL 13.99, 0.88%, 0.57%

LAB 59.07, 54.75, 53.46

 

Description

Color code: HEX #62F230 | qconv.com Color code: HEX #62F230 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 242 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 242 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 80 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 80% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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