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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62D548 it is the complementary color #9D2AB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62D548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #62D548: #67D543, #78E756, #89F969, #9AFF7C and #ABFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62D548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #62D548: #62D548, #51C335, #40B122, #2F9F0F and #1E8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

Complementary color

CMYK 14 / 77 / 0 / 28

HEX #9D2AB7

RGB 157 42 183

HSL 288.94, 0.63%, 0.44%

LAB 41.6, 64.56, -50.69

 

CMYK 52 / 0 / 69 / 16

HEX #67D543

RGB 103 213 67

HSL 105.21, 0.63%, 0.55%

LAB 76.6, -57.22, 59.86

 

CMYK 48 / 0 / 63 / 9

HEX #78E756

RGB 120 231 86

HSL 105.93, 0.75%, 0.62%

LAB 82.82, -57.58, 59.14

 

CMYK 45 / 0 / 58 / 2

HEX #89F969

RGB 137 249 105

HSL 106.67, 0.92%, 0.69%

LAB 88.96, -57.77, 58.18

 

CMYK 40 / 0 / 51 / 0

HEX #9AFF7C

RGB 154 255 124

HSL 106.26, 1%, 0.74%

LAB 91.62, -53.03, 52.99

 

CMYK 33 / 0 / 44 / 0

HEX #ABFF8F

RGB 171 255 143

HSL 105, 1%, 0.78%

LAB 92.65, -45.39, 45.51

 

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

CMYK 58 / 0 / 73 / 24

HEX #51C335

RGB 81 195 53

HSL 108.17, 0.57%, 0.49%

LAB 70.2, -57.51, 58.24

 

CMYK 64 / 0 / 81 / 31

HEX #40B122

RGB 64 177 34

HSL 107.41, 0.68%, 0.41%

LAB 63.88, -56.5, 58.13

 

CMYK 70 / 0 / 91 / 38

HEX #2F9F0F

RGB 47 159 15

HSL 106.67, 0.83%, 0.34%

LAB 57.5, -54.92, 56.85

 

CMYK 79 / 0 / 100 / 45

HEX #1E8D00

RGB 30 141 0

HSL 107.23, 1%, 0.28%

LAB 51.07, -52.56, 53.91

 

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

CMYK 64 / 0 / 66 / 16

HEX #4CD548

RGB 76 213 72

HSL 118.3, 0.63%, 0.56%

LAB 75.82, -63.3, 56.81

 

CMYK 66 / 0 / 58 / 16

HEX #48D55A

RGB 72 213 90

HSL 127.66, 0.63%, 0.56%

LAB 75.89, -62.14, 49.12

 

CMYK 66 / 0 / 46 / 16

HEX #48D572

RGB 72 213 114

HSL 137.87, 0.63%, 0.56%

LAB 76.18, -58.78, 38.03

 

CMYK 66 / 0 / 35 / 16

HEX #48D58A

RGB 72 213 138

HSL 148.09, 0.63%, 0.56%

LAB 76.56, -54.58, 26.32

 

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

CMYK 56 / 0 / 67 / 96

HEX #040903

RGB 4 9 3

HSL 110, 0.5%, 0.02%

LAB 2.06, -2.14, 1.81

 

CMYK 53 / 0 / 67 / 76

HEX #1C3C14

RGB 28 60 20

HSL 108, 0.5%, 0.16%

LAB 22.05, -21.06, 20.78

 

CMYK 54 / 0 / 66 / 56

HEX #336F26

RGB 51 111 38

HSL 109.32, 0.49%, 0.29%

LAB 41.55, -34.57, 33.86

 

CMYK 54 / 0 / 66 / 36

HEX #4BA237

RGB 75 162 55

HSL 108.79, 0.49%, 0.43%

LAB 59.54, -46.6, 46.21

 

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

CMYK 66 / 0 / 0 / 16

HEX #48D5D5

RGB 72 213 213

HSL 180, 0.63%, 0.56%

LAB 78.33, -36.71, -11.04

 

CMYK 0 / 66 / 27 / 16

HEX #D5489C

RGB 213 72 156

HSL 324.26, 0.63%, 0.56%

LAB 53.15, 62.91, -16.01

 

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

CMYK 66 / 53 / 0 / 16

HEX #4864D5

RGB 72 100 213

HSL 228.09, 0.63%, 0.56%

LAB 46.04, 26.18, -61.35

 

CMYK 0 / 66 / 53 / 16

HEX #D54864

RGB 213 72 100

HSL 348.09, 0.63%, 0.56%

LAB 51.5, 57.11, 15.02

 

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

CMYK 66 / 0 / 0 / 16

HEX #48D5D5

RGB 72 213 213

HSL 180, 0.63%, 0.56%

LAB 78.33, -36.71, -11.04

 

CMYK 13 / 66 / 0 / 16

HEX #B948D5

RGB 185 72 213

HSL 288.09, 0.63%, 0.56%

LAB 51.56, 64.91, -51.88

 

CMYK 0 / 66 / 66 / 16

HEX #D54848

RGB 213 72 72

HSL 0, 0.63%, 0.56%

LAB 50.98, 55.21, 30.96

 

CMYK 54 / 0 / 66 / 16

HEX #62D548

RGB 98 213 72

HSL 108.94, 0.63%, 0.56%

LAB 76.47, -58.13, 57.7

 

CMYK 66 / 20 / 0 / 16

HEX #48ABD5

RGB 72 171 213

HSL 197.87, 0.63%, 0.56%

LAB 65.99, -15.84, -29.78

 

CMYK 13 / 66 / 0 / 16

HEX #B948D5

RGB 185 72 213

HSL 288.09, 0.63%, 0.56%

LAB 51.56, 64.91, -51.88

 

CMYK 0 / 46 / 66 / 16

HEX #D57248

RGB 213 114 72

HSL 17.87, 0.63%, 0.56%

LAB 58.65, 35.35, 40.15

 

Description

Color code: HEX #62D548 | qconv.com Color code: HEX #62D548 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 213 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 213 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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