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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62BA55 it is the complementary color #9D45AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62BA55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #62BA55: #67BA50, #78CC63, #89DE76, #9AF089 and #ABFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62BA55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #62BA55: #62BA55, #51A842, #40962F, #2F841C and #1E7209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

Complementary color

CMYK 8 / 59 / 0 / 33

HEX #9D45AA

RGB 157 69 170

HSL 292.28, 0.42%, 0.47%

LAB 44.7, 51.25, -38.07

 

CMYK 45 / 0 / 57 / 27

HEX #67BA50

RGB 103 186 80

HSL 106.98, 0.43%, 0.52%

LAB 68.45, -45.35, 45.28

 

CMYK 41 / 0 / 51 / 20

HEX #78CC63

RGB 120 204 99

HSL 108, 0.51%, 0.59%

LAB 74.88, -45.36, 44.1

 

CMYK 38 / 0 / 47 / 13

HEX #89DE76

RGB 137 222 118

HSL 109.04, 0.61%, 0.67%

LAB 81.22, -45.27, 42.89

 

CMYK 36 / 0 / 43 / 6

HEX #9AF089

RGB 154 240 137

HSL 110.1, 0.77%, 0.74%

LAB 87.48, -45.12, 41.69

 

CMYK 33 / 0 / 39 / 0

HEX #ABFF9C

RGB 171 255 156

HSL 110.91, 1%, 0.81%

LAB 92.83, -43.64, 39.43

 

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

CMYK 52 / 0 / 61 / 34

HEX #51A842

RGB 81 168 66

HSL 111.18, 0.44%, 0.46%

LAB 61.78, -46.13, 43.86

 

CMYK 57 / 0 / 69 / 41

HEX #40962F

RGB 64 150 47

HSL 110.1, 0.52%, 0.39%

LAB 55.18, -45.73, 44.82

 

CMYK 64 / 0 / 79 / 48

HEX #2F841C

RGB 47 132 28

HSL 109.04, 0.65%, 0.31%

LAB 48.5, -44.89, 45.23

 

CMYK 74 / 0 / 92 / 55

HEX #1E7209

RGB 30 114 9

HSL 108, 0.85%, 0.24%

LAB 41.74, -43.33, 44.34

 

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

CMYK 55 / 0 / 52 / 27

HEX #54B958

RGB 84 185 88

HSL 122.38, 0.42%, 0.53%

LAB 67.49, -49.36, 40.13

 

CMYK 55 / 0 / 44 / 27

HEX #54B968

RGB 84 185 104

HSL 131.88, 0.42%, 0.53%

LAB 67.71, -46.99, 32.35

 

CMYK 55 / 0 / 35 / 27

HEX #54B979

RGB 84 185 121

HSL 141.98, 0.42%, 0.53%

LAB 67.99, -44.02, 23.79

 

CMYK 55 / 0 / 25 / 27

HEX #54B98A

RGB 84 185 138

HSL 152.08, 0.42%, 0.53%

LAB 68.33, -40.61, 15.09

 

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

CMYK 47 / 0 / 54 / 7

HEX #7DED6C

RGB 125 237 108

HSL 112.09, 0.78%, 0.68%

LAB 85, -56.19, 52.09

 

CMYK 48 / 0 / 55 / 87

HEX #11210F

RGB 17 33 15

HSL 113.33, 0.38%, 0.09%

LAB 10.86, -11.53, 9.48

 

CMYK 48 / 0 / 55 / 67

HEX #2C5426

RGB 44 84 38

HSL 112.17, 0.38%, 0.24%

LAB 31.84, -24.55, 22.44

 

CMYK 47 / 0 / 54 / 47

HEX #47873E

RGB 71 135 62

HSL 112.6, 0.37%, 0.39%

LAB 50.71, -35.77, 32.7

 

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

CMYK 55 / 4 / 0 / 27

HEX #54B2B9

RGB 84 178 185

HSL 184.16, 0.42%, 0.53%

LAB 67.45, -25.68, -12.04

 

CMYK 0 / 55 / 25 / 27

HEX #B9548A

RGB 185 84 138

HSL 327.92, 0.42%, 0.53%

LAB 50.09, 46.91, -10.38

 

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

CMYK 55 / 47 / 0 / 27

HEX #5462B9

RGB 84 98 185

HSL 231.68, 0.42%, 0.53%

LAB 44.41, 20.11, -47.79

 

CMYK 0 / 55 / 47 / 27

HEX #B95462

RGB 185 84 98

HSL 351.68, 0.42%, 0.53%

LAB 48.93, 42.12, 11.97

 

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

CMYK 55 / 4 / 0 / 27

HEX #54B2B9

RGB 84 178 185

HSL 184.16, 0.42%, 0.53%

LAB 67.45, -25.68, -12.04

 

CMYK 7 / 55 / 0 / 27

HEX #AC54B9

RGB 172 84 185

HSL 292.28, 0.42%, 0.53%

LAB 50.23, 50.89, -37.99

 

CMYK 0 / 51 / 55 / 27

HEX #B95B54

RGB 185 91 84

HSL 4.16, 0.42%, 0.53%

LAB 50.02, 37.27, 21.8

 

CMYK 47 / 0 / 54 / 27

HEX #62BA55

RGB 98 186 85

HSL 112.28, 0.42%, 0.53%

LAB 68.29, -46.27, 42.68

 

CMYK 55 / 20 / 0 / 27

HEX #5494B9

RGB 84 148 185

HSL 201.98, 0.42%, 0.53%

LAB 58.57, -9.84, -25.54

 

CMYK 7 / 55 / 0 / 27

HEX #AC54B9

RGB 172 84 185

HSL 292.28, 0.42%, 0.53%

LAB 50.23, 50.89, -37.99

 

CMYK 0 / 35 / 55 / 27

HEX #B97954

RGB 185 121 84

HSL 21.98, 0.42%, 0.53%

LAB 56.71, 21.03, 30.44

 

Description

Color code: HEX #62BA55 | qconv.com Color code: HEX #62BA55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 186 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 186 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 54 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 54% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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