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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #624977 it is the complementary color #9DB688. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #624977. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #624977: #674972, #785B85, #896D98, #9A7FAB and #AB91BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #624977. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #624977: #624977, #513764, #402551, #2F133E and #1E012B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

Complementary color

CMYK 14 / 0 / 25 / 29

HEX #9DB688

RGB 157 182 136

HSL 92.61, 0.24%, 0.62%

LAB 71.15, -16.99, 20.65

 

CMYK 10 / 36 / 0 / 55

HEX #674972

RGB 103 73 114

HSL 283.9, 0.22%, 0.37%

LAB 35.72, 20.83, -18.63

 

CMYK 10 / 32 / 0 / 48

HEX #785B85

RGB 120 91 133

HSL 281.43, 0.19%, 0.44%

LAB 43.02, 20.08, -18.9

 

CMYK 10 / 28 / 0 / 40

HEX #896D98

RGB 137 109 152

HSL 279.07, 0.17%, 0.51%

LAB 50.12, 19.41, -19.17

 

CMYK 10 / 26 / 0 / 33

HEX #9A7FAB

RGB 154 127 171

HSL 276.82, 0.21%, 0.58%

LAB 57.06, 18.81, -19.45

 

CMYK 10 / 24 / 0 / 25

HEX #AB91BE

RGB 171 145 190

HSL 274.67, 0.26%, 0.66%

LAB 63.86, 18.27, -19.74

 

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

SW® 6832

CMYK 19 / 45 / 0 / 61

HEX #513764

RGB 81 55 100

HSL 274.67, 0.29%, 0.3%

LAB 27.85, 21.17, -22.18

 

CMYK 21 / 54 / 0 / 68

HEX #402551

RGB 64 37 81

HSL 276.82, 0.37%, 0.23%

LAB 20.07, 22.14, -22.06

 

CMYK 24 / 69 / 0 / 76

HEX #2F133E

RGB 47 19 62

HSL 279.07, 0.53%, 0.16%

LAB 12.08, 23.07, -21.81

 

CMYK 30 / 98 / 0 / 83

HEX #1E012B

RGB 30 1 43

HSL 281.43, 0.95%, 0.09%

LAB 4.26, 21.56, -20.55

 

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

SW® 6832

CMYK 12 / 39 / 0 / 53

HEX #6A4978

RGB 106 73 120

HSL 282.13, 0.24%, 0.38%

LAB 36.34, 23.24, -21.38

 

CMYK 6 / 39 / 0 / 53

HEX #714978

RGB 113 73 120

HSL 291.06, 0.24%, 0.38%

LAB 37.17, 25.63, -20.02

 

CMYK 0 / 39 / 2 / 53

HEX #784976

RGB 120 73 118

HSL 302.55, 0.24%, 0.38%

LAB 37.96, 27.63, -17.49

 

CMYK 0 / 39 / 8 / 53

HEX #78496E

RGB 120 73 110

HSL 312.77, 0.24%, 0.38%

LAB 37.63, 26.06, -13.02

 

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

SW® 6832

CMYK 18 / 39 / 0 / 33

HEX #8C68AA

RGB 140 104 170

HSL 272.73, 0.28%, 0.54%

LAB 49.95, 27.4, -29.96

 

CMYK 18 / 38 / 0 / 13

HEX #B688DD

RGB 182 136 221

HSL 272.47, 0.56%, 0.7%

LAB 63.98, 33.51, -36.8

 

CMYK 18 / 41 / 0 / 93

HEX #0E0A11

RGB 14 10 17

HSL 274.29, 0.26%, 0.05%

LAB 3.17, 2.35, -2.79

 

CMYK 18 / 38 / 0 / 73

HEX #382A44

RGB 56 42 68

HSL 272.31, 0.24%, 0.22%

LAB 19.7, 12.52, -13.91

 

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

SW® 6832

CMYK 0 / 39 / 28 / 53

HEX #784956

RGB 120 73 86

HSL 343.4, 0.24%, 0.38%

LAB 36.8, 21.9, 0.79

 

CMYK 39 / 0 / 34 / 53

HEX #49784F

RGB 73 120 79

HSL 127.66, 0.24%, 0.38%

LAB 46.2, -25.35, 17.61

 

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

SW® 6832

CMYK 0 / 18 / 39 / 53

HEX #786249

RGB 120 98 73

HSL 31.91, 0.24%, 0.38%

LAB 43.08, 5.04, 17.57

 

CMYK 39 / 0 / 18 / 53

HEX #497862

RGB 73 120 98

HSL 151.91, 0.24%, 0.38%

LAB 46.62, -21.41, 7.08

 

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

SW® 6832

CMYK 0 / 39 / 28 / 53

HEX #784956

RGB 120 73 86

HSL 343.4, 0.24%, 0.38%

LAB 36.8, 21.9, 0.79

 

CMYK 21 / 0 / 39 / 53

HEX #5F7849

RGB 95 120 73

HSL 91.91, 0.24%, 0.38%

LAB 47.43, -18.19, 22.91

 

CMYK 39 / 0 / 11 / 53

HEX #49786B

RGB 73 120 107

HSL 163.4, 0.24%, 0.38%

LAB 46.86, -19.29, 2.09

 

CMYK 18 / 39 / 0 / 53

HEX #624977

RGB 98 73 119

HSL 272.61, 0.24%, 0.38%

LAB 35.39, 20.3, -22.3

SW® 6832

CMYK 0 / 38 / 39 / 53

HEX #784B49

RGB 120 75 73

HSL 2.55, 0.24%, 0.38%

LAB 36.94, 18.85, 9.17

 

CMYK 21 / 0 / 39 / 53

HEX #5F7849

RGB 95 120 73

HSL 91.91, 0.24%, 0.38%

LAB 47.43, -18.19, 22.91

 

CMYK 39 / 2 / 0 / 53

HEX #497678

RGB 73 118 120

HSL 182.55, 0.24%, 0.38%

LAB 46.62, -14.85, -5.99

 

Description

Color code: HEX #624977 | qconv.com Color code: HEX #624977 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 73 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 73 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 39 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 39% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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