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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #624383 it is the complementary color #9DBC7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #624383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #624383: #67437E, #785591, #8967A4, #9A79B7 and #AB8BCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #624383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #624383: #624383, #513170, #401F5D, #2F0D4A and #1E0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

Complementary color

CMYK 16 / 0 / 34 / 26

HEX #9DBC7C

RGB 157 188 124

HSL 89.06, 0.32%, 0.61%

LAB 72.62, -21.82, 29.03

 

CMYK 18 / 47 / 0 / 51

HEX #67437E

RGB 103 67 126

HSL 276.61, 0.31%, 0.38%

LAB 34.81, 27.33, -27.51

 

CMYK 17 / 41 / 0 / 43

HEX #785591

RGB 120 85 145

HSL 275, 0.26%, 0.45%

LAB 42.05, 26.45, -27.63

 

CMYK 16 / 37 / 0 / 36

HEX #8967A4

RGB 137 103 164

HSL 273.44, 0.25%, 0.52%

LAB 49.13, 25.65, -27.76

 

CMYK 16 / 34 / 0 / 28

HEX #9A79B7

RGB 154 121 183

HSL 271.94, 0.3%, 0.6%

LAB 56.05, 24.92, -27.9

 

CMYK 15 / 31 / 0 / 21

HEX #AB8BCA

RGB 171 139 202

HSL 270.48, 0.37%, 0.67%

LAB 62.83, 24.25, -28.05

 

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

CMYK 28 / 56 / 0 / 56

HEX #513170

RGB 81 49 112

HSL 270.48, 0.39%, 0.32%

LAB 27.06, 28.05, -31.13

 

CMYK 31 / 67 / 0 / 64

HEX #401F5D

RGB 64 31 93

HSL 271.94, 0.5%, 0.24%

LAB 19.48, 29.04, -31.03

 

CMYK 36 / 82 / 0 / 71

HEX #2F0D4A

RGB 47 13 74

HSL 273.44, 0.7%, 0.17%

LAB 11.87, 29.6, -30.56

 

CMYK 45 / 100 / 0 / 78

HEX #1E0037

RGB 30 0 55

HSL 272.73, 1%, 0.11%

LAB 4.98, 26.78, -28.34

 

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

CMYK 18 / 49 / 0 / 49

HEX #6C4383

RGB 108 67 131

HSL 278.44, 0.32%, 0.39%

LAB 35.68, 30.08, -29.2

 

CMYK 9 / 49 / 0 / 49

HEX #774383

RGB 119 67 131

HSL 288.75, 0.32%, 0.39%

LAB 37.07, 33.49, -26.92

 

CMYK 1 / 49 / 0 / 49

HEX #824383

RGB 130 67 131

HSL 299.06, 0.32%, 0.39%

LAB 38.55, 36.92, -24.49

 

CMYK 0 / 49 / 8 / 49

HEX #834379

RGB 131 67 121

HSL 309.38, 0.32%, 0.39%

LAB 38.23, 35.34, -18.8

 

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

CMYK 25 / 49 / 0 / 29

HEX #885DB6

RGB 136 93 182

HSL 268.99, 0.38%, 0.54%

LAB 47.55, 35.45, -40.77

 

CMYK 25 / 49 / 0 / 9

HEX #AE77E9

RGB 174 119 233

HSL 268.95, 0.72%, 0.69%

LAB 59.96, 43.38, -49.86

 

CMYK 24 / 48 / 0 / 89

HEX #160F1D

RGB 22 15 29

HSL 270, 0.32%, 0.09%

LAB 5.43, 6.24, -8.06

 

CMYK 25 / 49 / 0 / 69

HEX #3C2950

RGB 60 41 80

HSL 269.23, 0.32%, 0.24%

LAB 20.54, 17.92, -20.68

 

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

CMYK 0 / 49 / 34 / 49

HEX #834357

RGB 131 67 87

HSL 341.25, 0.32%, 0.39%

LAB 36.98, 29.83, 0.61

 

CMYK 49 / 0 / 45 / 49

HEX #438348

RGB 67 131 72

HSL 124.69, 0.32%, 0.39%

LAB 49.37, -33.73, 25.67

 

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

CMYK 0 / 25 / 49 / 49

HEX #836243

RGB 131 98 67

HSL 29.06, 0.32%, 0.39%

LAB 44.18, 9.22, 22.78

 

CMYK 49 / 0 / 25 / 49

HEX #438362

RGB 67 131 98

HSL 149.06, 0.32%, 0.39%

LAB 49.87, -28.72, 11.61

 

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

CMYK 0 / 49 / 34 / 49

HEX #834357

RGB 131 67 87

HSL 341.25, 0.32%, 0.39%

LAB 36.98, 29.83, 0.61

 

CMYK 24 / 0 / 49 / 49

HEX #648343

RGB 100 131 67

HSL 89.06, 0.32%, 0.39%

LAB 51.09, -22.73, 30.92

 

CMYK 49 / 0 / 15 / 49

HEX #43836F

RGB 67 131 111

HSL 161.25, 0.32%, 0.39%

LAB 50.18, -25.69, 4.5

 

CMYK 25 / 49 / 0 / 49

HEX #624383

RGB 98 67 131

HSL 269.06, 0.32%, 0.39%

LAB 34.5, 27.04, -31.14

 

CMYK 0 / 49 / 48 / 49

HEX #834344

RGB 131 67 68

HSL 359.06, 0.32%, 0.39%

LAB 36.47, 27.48, 11.9

 

CMYK 24 / 0 / 49 / 49

HEX #648343

RGB 100 131 67

HSL 89.06, 0.32%, 0.39%

LAB 51.09, -22.73, 30.92

 

CMYK 49 / 0 / 1 / 49

HEX #438382

RGB 67 131 130

HSL 179.06, 0.32%, 0.39%

LAB 50.73, -20.71, -5.81

 

Description

Color code: HEX #624383 | qconv.com Color code: HEX #624383 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 67 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 67 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 49 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 49% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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