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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61F809 it is the complementary color #9E07F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61F809. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61F809 shade: #66F804, #77FF17, #88FF2A, #99FF3D and #AAFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61F809. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61F809 shade: #61F809, #50E600, #3FD400, #2EC200 and #1DB000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61F809 shade: #60F708, #A1F708, #E1F708, #F7CD08 and #F78C08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61F809 shade: #60F708, #1FF708, #08F731, #08F771 and #08F7B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61F809 shade matches the following richer shades: #60F708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61F809 shade: #60F708, #65E31C, #6BCE31, #70B946 and #76A55A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61F809 shade: #E3F708, #A3F708, #64F708, #24F708 and #08F72C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61F809 shade: #41A705, #50CF06, #60F708, #7AF930 and #93FA58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61F809 shade: #61F809, #08F7CB and #F708C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61F809 shade: #61F809, #0864F7 and #F70864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61F809 shade: #61F809, #08F7CB, #9B08F7 and #F70834

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61F809 shade: #61F809, #08DBF7, #9B08F7 and #F72408

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 96 / 3

HEX #61F809

RGB 97 248 9

HSL 97.91, 0.94%, 0.5%

LAB 86.85, -73.21, 82.3

 

Complementary color

CMYK 36 / 97 / 0 / 4

HEX #9E07F6

RGB 158 7 246

HSL 277.91, 0.94%, 0.5%

LAB 44.34, 83.39, -82.46

 

CMYK 59 / 0 / 98 / 3

HEX #66F804

RGB 102 248 4

HSL 95.9, 0.97%, 0.49%

LAB 86.98, -72.12, 82.85

 

CMYK 53 / 0 / 91 / 0

HEX #77FF17

RGB 119 255 23

HSL 95.17, 1%, 0.55%

LAB 89.63, -69.91, 83.41

 

CMYK 47 / 0 / 84 / 0

HEX #88FF2A

RGB 136 255 42

HSL 93.52, 1%, 0.58%

LAB 90.29, -64.62, 80.89

 

CMYK 40 / 0 / 76 / 0

HEX #99FF3D

RGB 153 255 61

HSL 91.55, 1%, 0.62%

LAB 91.07, -58.57, 76.97

 

CMYK 33 / 0 / 69 / 0

HEX #AAFF50

RGB 170 255 80

HSL 89.14, 1%, 0.66%

LAB 91.97, -51.84, 71.87

 

CMYK 61 / 0 / 96 / 3

HEX #61F809

RGB 97 248 9

HSL 97.91, 0.94%, 0.5%

LAB 86.85, -73.21, 82.3

 

CMYK 65 / 0 / 100 / 10

HEX #50E600

RGB 80 230 0

HSL 99.13, 1%, 0.45%

LAB 80.9, -71.29, 78.1

 

CMYK 70 / 0 / 100 / 17

HEX #3FD400

RGB 63 212 0

HSL 102.17, 1%, 0.42%

LAB 74.92, -69, 73.18

 

CMYK 76 / 0 / 100 / 24

HEX #2EC200

RGB 46 194 0

HSL 105.77, 1%, 0.38%

LAB 68.87, -66.36, 68.23

 

CMYK 84 / 0 / 100 / 31

HEX #1DB000

RGB 29 176 0

HSL 110.11, 1%, 0.35%

LAB 62.77, -63.26, 63.25

 

CMYK 61 / 0 / 97 / 3

HEX #60F708

RGB 96 247 8

HSL 97.91, 0.94%, 0.5%

LAB 86.52, -73.13, 82.1

 

CMYK 35 / 0 / 97 / 3

HEX #A1F708

RGB 161 247 8

HSL 81.59, 0.94%, 0.5%

LAB 88.98, -54.31, 85.09

 

CMYK 9 / 0 / 97 / 3

HEX #E1F708

RGB 225 247 8

HSL 65.52, 0.94%, 0.5%

LAB 92.82, -29.98, 89.71

 

CMYK 0 / 17 / 97 / 3

HEX #F7CD08

RGB 247 205 8

HSL 49.46, 0.94%, 0.5%

LAB 83.68, -0.19, 83.78

 

CMYK 0 / 43 / 97 / 3

HEX #F78C08

RGB 247 140 8

HSL 33.14, 0.94%, 0.5%

LAB 68.42, 33.67, 73.22

 

CMYK 61 / 0 / 97 / 3

HEX #60F708

RGB 96 247 8

HSL 97.91, 0.94%, 0.5%

LAB 86.52, -73.13, 82.1

 

CMYK 87 / 0 / 97 / 3

HEX #1FF708

RGB 31 247 8

HSL 114.23, 0.94%, 0.5%

LAB 85.42, -82.67, 80.75

 

CMYK 97 / 0 / 80 / 3

HEX #08F731

RGB 8 247 49

HSL 130.29, 0.94%, 0.5%

LAB 85.4, -82.43, 73.86

 

CMYK 97 / 0 / 54 / 3

HEX #08F771

RGB 8 247 113

HSL 146.36, 0.94%, 0.5%

LAB 85.89, -76.27, 50.35

 

CMYK 97 / 0 / 28 / 3

HEX #08F7B2

RGB 8 247 178

HSL 162.68, 0.94%, 0.5%

LAB 86.89, -64.5, 19.67

 

CMYK 61 / 0 / 97 / 3

HEX #60F708

RGB 96 247 8

HSL 97.91, 0.94%, 0.5%

LAB 86.52, -73.13, 82.1

 

CMYK 61 / 0 / 97 / 3

HEX #60F708

RGB 96 247 8

HSL 97.91, 0.94%, 0.5%

LAB 86.52, -73.13, 82.1

 

CMYK 56 / 0 / 88 / 11

HEX #65E31C

RGB 101 227 28

HSL 97.99, 0.78%, 0.5%

LAB 80.62, -64.89, 74.84

 

CMYK 48 / 0 / 76 / 19

HEX #6BCE31

RGB 107 206 49

HSL 97.83, 0.62%, 0.5%

LAB 74.5, -54.7, 64.15

 

CMYK 39 / 0 / 62 / 27

HEX #70B946

RGB 112 185 70

HSL 98.09, 0.45%, 0.5%

LAB 68.45, -43.06, 49.93

 

CMYK 28 / 0 / 45 / 35

HEX #76A55A

RGB 118 165 90

HSL 97.6, 0.29%, 0.5%

LAB 62.93, -29.66, 33.83

 

CMYK 8 / 0 / 97 / 3

HEX #E3F708

RGB 227 247 8

HSL 65.02, 0.94%, 0.5%

LAB 92.96, -29.17, 89.88

 

CMYK 34 / 0 / 97 / 3

HEX #A3F708

RGB 163 247 8

HSL 81.09, 0.94%, 0.5%

LAB 89.08, -53.61, 85.21

 

CMYK 60 / 0 / 97 / 3

HEX #64F708

RGB 100 247 8

HSL 96.9, 0.94%, 0.5%

LAB 86.63, -72.21, 82.23

 

CMYK 85 / 0 / 97 / 3

HEX #24F708

RGB 36 247 8

HSL 112.97, 0.94%, 0.5%

LAB 85.46, -82.28, 80.8

 

CMYK 97 / 0 / 82 / 3

HEX #08F72C

RGB 8 247 44

HSL 129.04, 0.94%, 0.5%

LAB 85.38, -82.69, 75.1

 

CMYK 61 / 0 / 97 / 35

HEX #41A705

RGB 65 167 5

HSL 97.78, 0.94%, 0.34%

LAB 60.58, -53.86, 61.13

 

CMYK 61 / 0 / 97 / 19

HEX #50CF06

RGB 80 207 6

HSL 97.91, 0.94%, 0.42%

LAB 73.77, -63.8, 71.83

 

CMYK 61 / 0 / 97 / 3

HEX #60F708

RGB 96 247 8

HSL 97.91, 0.94%, 0.5%

LAB 86.52, -73.13, 82.1

 

CMYK 51 / 0 / 81 / 2

HEX #7AF930

RGB 122 249 48

HSL 97.91, 0.94%, 0.58%

LAB 88.02, -66.2, 77.26

 

CMYK 41 / 0 / 65 / 2

HEX #93FA58

RGB 147 250 88

HSL 98.15, 0.94%, 0.66%

LAB 89.52, -56.73, 65.96

 

CMYK 61 / 0 / 96 / 3

HEX #61F809

RGB 97 248 9

HSL 97.91, 0.94%, 0.5%

LAB 86.85, -73.21, 82.3

 

CMYK 97 / 0 / 18 / 3

HEX #08F7CB

RGB 8 247 203

HSL 168.95, 0.94%, 0.5%

LAB 87.43, -58.61, 7.49

 

CMYK 0 / 97 / 21 / 3

HEX #F708C3

RGB 247 8 195

HSL 313.05, 0.94%, 0.5%

LAB 55.98, 88.75, -33.92

 

CMYK 61 / 0 / 96 / 3

HEX #61F809

RGB 97 248 9

HSL 97.91, 0.94%, 0.5%

LAB 86.85, -73.21, 82.3

 

CMYK 97 / 60 / 0 / 3

HEX #0864F7

RGB 8 100 247

HSL 216.9, 0.94%, 0.5%

LAB 46.82, 33.63, -79.34

 

CMYK 0 / 97 / 60 / 3

HEX #F70864

RGB 247 8 100

HSL 336.9, 0.94%, 0.5%

LAB 52.8, 80.43, 17.84

 

CMYK 61 / 0 / 96 / 3

HEX #61F809

RGB 97 248 9

HSL 97.91, 0.94%, 0.5%

LAB 86.85, -73.21, 82.3

 

CMYK 97 / 0 / 18 / 3

HEX #08F7CB

RGB 8 247 203

HSL 168.95, 0.94%, 0.5%

LAB 87.43, -58.61, 7.49

 

CMYK 37 / 97 / 0 / 3

HEX #9B08F7

RGB 155 8 247

HSL 276.9, 0.94%, 0.5%

LAB 44.03, 83.17, -83.55

 

CMYK 0 / 97 / 79 / 3

HEX #F70834

RGB 247 8 52

HSL 348.95, 0.94%, 0.5%

LAB 52.06, 78.4, 45.3

 

CMYK 61 / 0 / 96 / 3

HEX #61F809

RGB 97 248 9

HSL 97.91, 0.94%, 0.5%

LAB 86.85, -73.21, 82.3

 

CMYK 97 / 11 / 0 / 3

HEX #08DBF7

RGB 8 219 247

HSL 187.03, 0.94%, 0.5%

LAB 80.42, -34.1, -26.1

 

CMYK 37 / 97 / 0 / 3

HEX #9B08F7

RGB 155 8 247

HSL 276.9, 0.94%, 0.5%

LAB 44.03, 83.17, -83.55

 

CMYK 0 / 85 / 97 / 3

HEX #F72408

RGB 247 36 8

HSL 7.03, 0.94%, 0.5%

LAB 53.01, 74.2, 64.21

 

Description

Color code: HEX #61F809 | qconv.com Color code: HEX #61F809 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 248 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 248 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 96 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 96% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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