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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 0 / 88 / 11 it is the complementary color CMYK 32 / 88 / 0 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 0 / 88 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 0 / 88 / 11: CMYK 54 / 0 / 90 / 11, CMYK 50 / 0 / 83 / 4, CMYK 45 / 0 / 76 / 0, CMYK 39 / 0 / 69 / 0 and CMYK 32 / 0 / 62 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 0 / 88 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 0 / 88 / 11: CMYK 56 / 0 / 88 / 11, CMYK 60 / 0 / 96 / 18, CMYK 65 / 0 / 100 / 25, CMYK 72 / 0 / 100 / 32 and CMYK 79 / 0 / 100 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

Complementary color

CMYK 32 / 88 / 0 / 11

HEX #9B1CE4

RGB 155 28 228

HSL 278.1, 0.79%, 0.5%

LAB 43.36, 76.58, -73.9

 

CMYK 54 / 0 / 90 / 11

HEX #69E316

RGB 105 227 22

HSL 95.71, 0.82%, 0.49%

LAB 80.74, -64, 75.98

 

CMYK 50 / 0 / 83 / 4

HEX #7AF529

RGB 122 245 41

HSL 96.18, 0.91%, 0.56%

LAB 86.8, -65.08, 77.84

 

CMYK 45 / 0 / 76 / 0

HEX #8BFF3C

RGB 139 255 60

HSL 95.69, 1%, 0.62%

LAB 90.48, -62.93, 76.49

 

CMYK 39 / 0 / 69 / 0

HEX #9CFF4F

RGB 156 255 79

HSL 93.75, 1%, 0.65%

LAB 91.3, -56.53, 71.33

 

CMYK 32 / 0 / 62 / 0

HEX #ADFF62

RGB 173 255 98

HSL 91.34, 1%, 0.69%

LAB 92.26, -49.48, 65.28

 

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

CMYK 60 / 0 / 96 / 18

HEX #53D108

RGB 83 209 8

HSL 97.61, 0.93%, 0.43%

LAB 74.48, -63.73, 72.24

 

CMYK 65 / 0 / 100 / 25

HEX #42BF00

RGB 66 191 0

HSL 99.27, 1%, 0.37%

LAB 68.33, -61.8, 67.98

 

CMYK 72 / 0 / 100 / 32

HEX #31AD00

RGB 49 173 0

HSL 103.01, 1%, 0.34%

LAB 62.12, -59.43, 62.87

 

CMYK 79 / 0 / 100 / 39

HEX #209B00

RGB 32 155 0

HSL 107.61, 1%, 0.3%

LAB 55.84, -56.62, 57.73

 

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

CMYK 71 / 0 / 89 / 11

HEX #43E41A

RGB 67 228 26

HSL 107.82, 0.8%, 0.5%

LAB 80.04, -72.62, 74.35

 

CMYK 86 / 0 / 89 / 11

HEX #21E41A

RGB 33 228 26

HSL 117.92, 0.8%, 0.5%

LAB 79.55, -76.96, 73.73

 

CMYK 89 / 0 / 77 / 11

HEX #1AE435

RGB 26 228 53

HSL 128.02, 0.8%, 0.5%

LAB 79.59, -76.16, 67.22

 

CMYK 89 / 0 / 62 / 11

HEX #1AE457

RGB 26 228 87

HSL 138.12, 0.8%, 0.5%

LAB 79.84, -73.08, 54.81

 

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

CMYK 57 / 0 / 87 / 91

HEX #0A1703

RGB 10 23 3

HSL 99, 0.77%, 0.05%

LAB 6.18, -8.28, 7.87

 

CMYK 55 / 0 / 88 / 71

HEX #214A09

RGB 33 74 9

HSL 97.85, 0.78%, 0.16%

LAB 27.41, -26.93, 31.54

 

CMYK 56 / 0 / 88 / 51

HEX #377D0F

RGB 55 125 15

HSL 98.18, 0.79%, 0.27%

LAB 46.33, -40.81, 47.25

 

CMYK 56 / 0 / 88 / 31

HEX #4EB015

RGB 78 176 21

HSL 97.94, 0.79%, 0.39%

LAB 63.94, -53.22, 61.57

 

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

CMYK 89 / 0 / 15 / 11

HEX #1AE4C2

RGB 26 228 194

HSL 169.9, 0.8%, 0.5%

LAB 81.62, -52.74, 3.85

 

CMYK 0 / 89 / 21 / 11

HEX #E41AB5

RGB 228 26 181

HSL 313.96, 0.8%, 0.5%

LAB 52.47, 81.73, -31.51

 

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

CMYK 89 / 56 / 0 / 11

HEX #1A64E4

RGB 26 100 228

HSL 218.02, 0.8%, 0.5%

LAB 45.55, 27, -70.74

 

CMYK 0 / 89 / 56 / 11

HEX #E41A64

RGB 228 26 100

HSL 338.02, 0.8%, 0.5%

LAB 49.68, 74.13, 12.94

 

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

CMYK 89 / 0 / 15 / 11

HEX #1AE4C2

RGB 26 228 194

HSL 169.9, 0.8%, 0.5%

LAB 81.62, -52.74, 3.85

 

CMYK 32 / 89 / 0 / 11

HEX #9A1AE4

RGB 154 26 228

HSL 278.02, 0.8%, 0.5%

LAB 43.08, 76.85, -74.37

 

CMYK 0 / 89 / 74 / 11

HEX #E41A3C

RGB 228 26 60

HSL 349.9, 0.8%, 0.5%

LAB 48.96, 72.07, 36.25

 

CMYK 56 / 0 / 88 / 11

HEX #64E31B

RGB 100 227 27

HSL 98.1, 0.79%, 0.5%

LAB 80.59, -65.18, 74.98

 

CMYK 89 / 12 / 0 / 11

HEX #1AC9E4

RGB 26 201 228

HSL 188.02, 0.8%, 0.5%

LAB 74.57, -30.92, -24.86

 

CMYK 32 / 89 / 0 / 11

HEX #9A1AE4

RGB 154 26 228

HSL 278.02, 0.8%, 0.5%

LAB 43.08, 76.85, -74.37

 

CMYK 0 / 77 / 89 / 11

HEX #E4351A

RGB 228 53 26

HSL 8.02, 0.8%, 0.5%

LAB 50.82, 65.01, 55.46

 

Description

Color code: CMYK 56 / 0 / 88 / 11 | qconv.com Color code: CMYK 56 / 0 / 88 / 11 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 227 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 227 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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