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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6187E3 it is the complementary color #9E781C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6187E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6187E3: #6687DE, #7799F1, #88ABFF, #99BDFF and #AACFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6187E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6187E3: #6187E3, #5075D0, #3F63BD, #2E51AA and #1D3F97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

Complementary color

CMYK 0 / 24 / 82 / 38

HEX #9E781C

RGB 158 120 28

HSL 42.46, 0.7%, 0.36%

LAB 52.71, 6.22, 51.97

 

CMYK 54 / 39 / 0 / 13

HEX #6687DE

RGB 102 135 222

HSL 223.5, 0.65%, 0.64%

LAB 57.49, 13.25, -48

 

CMYK 51 / 37 / 0 / 5

HEX #7799F1

RGB 119 153 241

HSL 223.28, 0.81%, 0.71%

LAB 64.21, 12.25, -47.84

 

CMYK 47 / 33 / 0 / 0

HEX #88ABFF

RGB 136 171 255

HSL 222.35, 1%, 0.77%

LAB 70.58, 9.95, -45.38

 

CMYK 40 / 26 / 0 / 0

HEX #99BDFF

RGB 153 189 255

HSL 218.82, 1%, 0.8%

LAB 76.31, 4.09, -36.37

 

CMYK 33 / 19 / 0 / 0

HEX #AACFFF

RGB 170 207 255

HSL 213.88, 1%, 0.83%

LAB 82.05, -1.13, -27.45

 

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

CMYK 62 / 44 / 0 / 18

HEX #5075D0

RGB 80 117 208

HSL 222.66, 0.58%, 0.56%

LAB 50.67, 15.18, -51.03

 

CMYK 67 / 48 / 0 / 26

HEX #3F63BD

RGB 63 99 189

HSL 222.86, 0.5%, 0.49%

LAB 43.73, 16.85, -51.26

 

CMYK 73 / 52 / 0 / 33

HEX #2E51AA

RGB 46 81 170

HSL 223.06, 0.57%, 0.42%

LAB 36.68, 18.95, -51.5

 

CMYK 81 / 58 / 0 / 41

HEX #1D3F97

RGB 29 63 151

HSL 223.28, 0.68%, 0.35%

LAB 29.54, 21.64, -51.67

 

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

CMYK 57 / 49 / 0 / 11

HEX #6274E3

RGB 98 116 227

HSL 231.63, 0.7%, 0.64%

LAB 52.55, 25.53, -58.71

 

CMYK 55 / 57 / 0 / 11

HEX #6762E3

RGB 103 98 227

HSL 242.33, 0.7%, 0.64%

LAB 48.47, 37.39, -65.27

 

CMYK 45 / 57 / 0 / 11

HEX #7C62E3

RGB 124 98 227

HSL 252.09, 0.7%, 0.64%

LAB 50.18, 41.59, -62.42

 

CMYK 36 / 57 / 0 / 11

HEX #9262E3

RGB 146 98 227

HSL 262.33, 0.7%, 0.64%

LAB 52.28, 46.46, -58.93

 

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

CMYK 57 / 39 / 0 / 91

HEX #0A0E17

RGB 10 14 23

HSL 221.54, 0.39%, 0.06%

LAB 3.98, 0.75, -5.62

 

CMYK 57 / 41 / 0 / 71

HEX #202C4A

RGB 32 44 74

HSL 222.86, 0.4%, 0.21%

LAB 18.38, 4.99, -20.22

 

CMYK 58 / 41 / 0 / 51

HEX #354A7D

RGB 53 74 125

HSL 222.5, 0.4%, 0.35%

LAB 32.11, 8.2, -31.45

 

CMYK 57 / 40 / 0 / 31

HEX #4B69B0

RGB 75 105 176

HSL 222.18, 0.4%, 0.49%

LAB 45.27, 10.78, -41.2

 

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

CMYK 6 / 57 / 0 / 11

HEX #D662E3

RGB 214 98 227

HSL 293.95, 0.7%, 0.64%

LAB 60.41, 63.12, -45.49

 

CMYK 17 / 0 / 57 / 11

HEX #BCE362

RGB 188 227 98

HSL 78.14, 0.7%, 0.64%

LAB 85.26, -31.72, 57.69

 

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

CMYK 0 / 57 / 40 / 11

HEX #E36289

RGB 227 98 137

HSL 341.86, 0.7%, 0.64%

LAB 58.86, 53.78, 3.85

 

CMYK 40 / 0 / 57 / 11

HEX #89E362

RGB 137 227 98

HSL 101.86, 0.7%, 0.64%

LAB 82.45, -49.7, 53.74

 

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

CMYK 6 / 57 / 0 / 11

HEX #D662E3

RGB 214 98 227

HSL 293.95, 0.7%, 0.64%

LAB 60.41, 63.12, -45.49

 

CMYK 0 / 17 / 57 / 11

HEX #E3BC62

RGB 227 188 98

HSL 41.86, 0.7%, 0.64%

LAB 77.98, 3.5, 50.1

 

CMYK 51 / 0 / 57 / 11

HEX #6FE362

RGB 111 227 98

HSL 113.95, 0.7%, 0.64%

LAB 81.4, -57.3, 52.25

 

CMYK 57 / 41 / 0 / 11

HEX #6187E3

RGB 97 135 227

HSL 222.46, 0.7%, 0.64%

LAB 57.48, 13.82, -50.83

 

CMYK 0 / 57 / 11 / 11

HEX #E362C9

RGB 227 98 201

HSL 312.09, 0.7%, 0.64%

LAB 61.03, 62.2, -29.74

 

CMYK 0 / 17 / 57 / 11

HEX #E3BC62

RGB 227 188 98

HSL 41.86, 0.7%, 0.64%

LAB 77.98, 3.5, 50.1

 

CMYK 57 / 0 / 45 / 11

HEX #62E37C

RGB 98 227 124

HSL 132.09, 0.7%, 0.64%

LAB 81.29, -57.09, 39.72

 

Description

Color code: HEX #6187E3 | qconv.com Color code: HEX #6187E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 135 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 135 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 41 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 41% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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