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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #615EA1 it is the complementary color #9EA15E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #615EA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #615EA1 shade: #665E9C, #7770AF, #8882C2, #9994D5 and #AAA6E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #615EA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #615EA1 shade: #615EA1, #504C8E, #3F3A7B, #2E2868 and #1D1655

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #615EA1 shade: #615EA1, #735EA1, #855EA1, #975EA1 and #A15E98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #615EA1 shade: #615EA1 and #5E5EA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #615EA1 shade matches the following richer shades: #615EA1, #4F4AB5, #3C35CA, #2920DF and #160CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #615EA1 shade: #615EA1, #74738C, #878877, #9A9C63 and #ACB14E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #615EA1 shade: #5E80A1, #5E6EA1, #615EA1, #725EA1 and #845EA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #615EA1 shade: #42406D, #524F87, #615EA1, #7B78B0 and #9492BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #615EA1 shade: #615EA1, #A15E91 and #77A15E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #615EA1 shade: #615EA1, #A1615E and #5EA161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #615EA1 shade: #615EA1, #A15E91, #9EA15E and #5EA16E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #615EA1 shade: #615EA1, #A15E7D, #9EA15E and #5EA182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

Complementary color

CMYK 2 / 0 / 42 / 37

HEX #9EA15E

RGB 158 161 94

HSL 62.69, 0.26%, 0.5%

LAB 64.62, -11.4, 34.46

 

CMYK 35 / 40 / 0 / 39

HEX #665E9C

RGB 102 94 156

HSL 247.74, 0.25%, 0.49%

LAB 43.11, 18.29, -32.69

 

CMYK 32 / 36 / 0 / 31

HEX #7770AF

RGB 119 112 175

HSL 246.67, 0.28%, 0.56%

LAB 50.22, 17.5, -32.6

 

CMYK 30 / 33 / 0 / 24

HEX #8882C2

RGB 136 130 194

HSL 245.63, 0.34%, 0.64%

LAB 57.17, 16.81, -32.56

 

CMYK 28 / 31 / 0 / 16

HEX #9994D5

RGB 153 148 213

HSL 244.62, 0.44%, 0.71%

LAB 63.96, 16.21, -32.57

 

CMYK 27 / 28 / 0 / 9

HEX #AAA6E8

RGB 170 166 232

HSL 243.64, 0.59%, 0.78%

LAB 70.63, 15.67, -32.62

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 44 / 46 / 0 / 44

HEX #504C8E

RGB 80 76 142

HSL 243.64, 0.3%, 0.43%

LAB 35.65, 19.36, -36.17

 

CMYK 49 / 53 / 0 / 52

HEX #3F3A7B

RGB 63 58 123

HSL 244.62, 0.36%, 0.35%

LAB 28.15, 20.66, -36.47

 

CMYK 56 / 62 / 0 / 59

HEX #2E2868

RGB 46 40 104

HSL 245.63, 0.44%, 0.28%

LAB 20.43, 22.28, -36.83

 

CMYK 66 / 74 / 0 / 67

HEX #1D1655

RGB 29 22 85

HSL 246.67, 0.59%, 0.21%

LAB 12.55, 24.3, -37.1

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 29 / 42 / 0 / 37

HEX #735EA1

RGB 115 94 161

HSL 258.81, 0.26%, 0.5%

LAB 44.55, 23.48, -33.31

 

CMYK 17 / 42 / 0 / 37

HEX #855EA1

RGB 133 94 161

HSL 274.93, 0.26%, 0.5%

LAB 46.4, 28.97, -30.28

 

CMYK 6 / 42 / 0 / 37

HEX #975EA1

RGB 151 94 161

HSL 291.04, 0.26%, 0.5%

LAB 48.46, 34.63, -26.91

 

CMYK 0 / 42 / 6 / 37

HEX #A15E98

RGB 161 94 152

HSL 308.06, 0.26%, 0.5%

LAB 49.31, 36.12, -20.18

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 42 / 42 / 0 / 37

HEX #5E5EA1

RGB 94 94 161

HSL 240, 0.26%, 0.5%

LAB 42.7, 17.49, -36.35

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 56 / 59 / 0 / 29

HEX #4F4AB5

RGB 79 74 181

HSL 242.8, 0.42%, 0.5%

LAB 37.66, 32.87, -56.34

 

CMYK 70 / 74 / 0 / 21

HEX #3C35CA

RGB 60 53 202

HSL 242.82, 0.58%, 0.5%

LAB 33.5, 49.41, -75.51

 

CMYK 82 / 86 / 0 / 13

HEX #2920DF

RGB 41 32 223

HSL 242.83, 0.75%, 0.5%

LAB 31.42, 64.29, -91.14

 

CMYK 91 / 95 / 0 / 5

HEX #160CF3

RGB 22 12 243

HSL 242.6, 0.91%, 0.5%

LAB 31.59, 74.59, -102.29

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 17 / 18 / 0 / 45

HEX #74738C

RGB 116 115 140

HSL 242.4, 0.1%, 0.5%

LAB 49.34, 5.87, -13.48

 

CMYK 1 / 0 / 13 / 47

HEX #878877

RGB 135 136 119

HSL 63.53, 0.07%, 0.5%

LAB 56.18, -3.54, 9.01

 

CMYK 1 / 0 / 37 / 39

HEX #9A9C63

RGB 154 156 99

HSL 62.11, 0.22%, 0.5%

LAB 62.97, -9.81, 29.64

 

CMYK 3 / 0 / 56 / 31

HEX #ACB14E

RGB 172 177 78

HSL 63.03, 0.39%, 0.5%

LAB 70.01, -15.42, 49.11

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 42 / 32 / 0 / 37

HEX #5E6EA1

RGB 94 110 161

HSL 225.67, 0.26%, 0.5%

LAB 47.11, 7.59, -29.42

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 29 / 42 / 0 / 37

HEX #725EA1

RGB 114 94 161

HSL 257.91, 0.26%, 0.5%

LAB 44.46, 23.18, -33.46

 

CMYK 18 / 42 / 0 / 37

HEX #845EA1

RGB 132 94 161

HSL 274.03, 0.26%, 0.5%

LAB 46.29, 28.66, -30.46

 

CMYK 39 / 41 / 0 / 57

HEX #42406D

RGB 66 64 109

HSL 242.67, 0.26%, 0.34%

LAB 29.23, 13.01, -25.88

 

CMYK 39 / 41 / 0 / 47

HEX #524F87

RGB 82 79 135

HSL 243.21, 0.26%, 0.42%

LAB 36.24, 15.86, -30.95

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 30 / 32 / 0 / 31

HEX #7B78B0

RGB 123 120 176

HSL 243.21, 0.26%, 0.58%

LAB 52.71, 14.17, -29.28

 

CMYK 23 / 24 / 0 / 25

HEX #9492BF

RGB 148 146 191

HSL 242.67, 0.26%, 0.66%

LAB 62.18, 10.47, -23.04

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 0 / 42 / 10 / 37

HEX #A15E91

RGB 161 94 145

HSL 314.33, 0.26%, 0.5%

LAB 49.04, 34.85, -16.45

 

CMYK 26 / 0 / 42 / 37

HEX #77A15E

RGB 119 161 94

HSL 97.61, 0.26%, 0.5%

LAB 61.84, -26.81, 30.36

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 0 / 40 / 42 / 37

HEX #A1615E

RGB 161 97 94

HSL 2.69, 0.26%, 0.5%

LAB 48.18, 25.61, 12.8

 

CMYK 42 / 0 / 40 / 37

HEX #5EA161

RGB 94 161 97

HSL 122.69, 0.26%, 0.5%

LAB 60.54, -34.94, 26.82

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 0 / 42 / 10 / 37

HEX #A15E91

RGB 161 94 145

HSL 314.33, 0.26%, 0.5%

LAB 49.04, 34.85, -16.45

 

CMYK 2 / 0 / 42 / 37

HEX #9EA15E

RGB 158 161 94

HSL 62.69, 0.26%, 0.5%

LAB 64.62, -11.4, 34.46

 

CMYK 42 / 0 / 32 / 37

HEX #5EA16E

RGB 94 161 110

HSL 134.33, 0.26%, 0.5%

LAB 60.78, -32.67, 20.06

 

CMYK 40 / 42 / 0 / 37

HEX #615EA1

RGB 97 94 161

HSL 242.69, 0.26%, 0.5%

LAB 42.94, 18.31, -35.95

 

CMYK 0 / 42 / 22 / 37

HEX #A15E7D

RGB 161 94 125

HSL 332.24, 0.26%, 0.5%

LAB 48.34, 31.53, -5.56

 

CMYK 2 / 0 / 42 / 37

HEX #9EA15E

RGB 158 161 94

HSL 62.69, 0.26%, 0.5%

LAB 64.62, -11.4, 34.46

 

CMYK 42 / 0 / 19 / 37

HEX #5EA182

RGB 94 161 130

HSL 152.24, 0.26%, 0.5%

LAB 61.2, -28.64, 9.54

 

Description

Color code: HEX #615EA1 | qconv.com Color code: HEX #615EA1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 94 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 94 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 42 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 42% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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