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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E80A1 it is the complementary color #A17F5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E80A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E80A1 shade: #63809C, #7492AF, #85A4C2, #96B6D5 and #A7C8E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E80A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E80A1 shade: #5E80A1, #4D6E8E, #3C5C7B, #2B4A68 and #1A3855

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E80A1 shade: #5E80A1, #5E6EA1, #605EA1, #725EA1 and #845EA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E80A1 shade: #5E80A1, #5E6EA1 and #5E5EA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E80A1 shade matches the following richer shades: #5E80A1, #4A80B5, #3581CA, #2081DF and #0C81F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E80A1 shade: #5E80A1, #73808C, #887F77, #9C7F63 and #B17F4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E80A1 shade: #5EA19D, #5E92A1, #5E81A1, #5E6FA1 and #5F5EA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E80A1 shade: #40576D, #4F6B87, #5E80A1, #7895B0 and #92A9BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E80A1 shade: #5E80A1, #8C5EA1 and #9BA15E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E80A1 shade: #5E80A1, #A15E81 and #81A15E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E80A1 shade: #5E80A1, #8C5EA1, #A17E5E and #73A15E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E80A1 shade: #5E80A1, #A05EA1, #A17E5E and #5FA15E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

Complementary color

CMYK 0 / 21 / 42 / 37

HEX #A17F5E

RGB 161 127 94

HSL 29.55, 0.26%, 0.5%

LAB 55.65, 8.54, 22.93

 

CMYK 37 / 18 / 0 / 39

HEX #63809C

RGB 99 128 156

HSL 209.47, 0.22%, 0.5%

LAB 52.39, -3.11, -18.32

 

CMYK 34 / 17 / 0 / 31

HEX #7492AF

RGB 116 146 175

HSL 209.49, 0.27%, 0.57%

LAB 59.31, -3.33, -18.59

 

CMYK 31 / 15 / 0 / 24

HEX #85A4C2

RGB 133 164 194

HSL 209.51, 0.33%, 0.64%

LAB 66.08, -3.51, -18.86

 

CMYK 30 / 15 / 0 / 16

HEX #96B6D5

RGB 150 182 213

HSL 209.52, 0.43%, 0.71%

LAB 72.72, -3.67, -19.16

 

CMYK 28 / 14 / 0 / 9

HEX #A7C8E8

RGB 167 200 232

HSL 209.54, 0.59%, 0.78%

LAB 79.24, -3.81, -19.46

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 46 / 23 / 0 / 44

HEX #4D6E8E

RGB 77 110 142

HSL 209.54, 0.3%, 0.43%

LAB 45.2, -2.78, -21.24

 

CMYK 51 / 25 / 0 / 52

HEX #3C5C7B

RGB 60 92 123

HSL 209.52, 0.34%, 0.36%

LAB 37.92, -2.31, -21.08

 

CMYK 59 / 29 / 0 / 59

HEX #2B4A68

RGB 43 74 104

HSL 209.51, 0.41%, 0.29%

LAB 30.43, -1.65, -20.95

 

CMYK 69 / 34 / 0 / 67

HEX #1A3855

RGB 26 56 85

HSL 209.49, 0.53%, 0.22%

LAB 22.67, -0.64, -20.86

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 42 / 32 / 0 / 37

HEX #5E6EA1

RGB 94 110 161

HSL 225.67, 0.26%, 0.5%

LAB 47.11, 7.59, -29.42

 

CMYK 40 / 42 / 0 / 37

HEX #605EA1

RGB 96 94 161

HSL 241.79, 0.26%, 0.5%

LAB 42.86, 18.04, -36.08

 

CMYK 29 / 42 / 0 / 37

HEX #725EA1

RGB 114 94 161

HSL 257.91, 0.26%, 0.5%

LAB 44.46, 23.18, -33.46

 

CMYK 18 / 42 / 0 / 37

HEX #845EA1

RGB 132 94 161

HSL 274.03, 0.26%, 0.5%

LAB 46.29, 28.66, -30.46

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 42 / 32 / 0 / 37

HEX #5E6EA1

RGB 94 110 161

HSL 225.67, 0.26%, 0.5%

LAB 47.11, 7.59, -29.42

 

CMYK 42 / 42 / 0 / 37

HEX #5E5EA1

RGB 94 94 161

HSL 240, 0.26%, 0.5%

LAB 42.7, 17.49, -36.35

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 59 / 29 / 0 / 29

HEX #4A80B5

RGB 74 128 181

HSL 209.72, 0.42%, 0.5%

LAB 52.1, -1.76, -33.34

 

CMYK 74 / 36 / 0 / 21

HEX #3581CA

RGB 53 129 202

HSL 209.4, 0.58%, 0.5%

LAB 52.64, 1.41, -44.54

 

CMYK 86 / 42 / 0 / 13

HEX #2081DF

RGB 32 129 223

HSL 209.53, 0.75%, 0.5%

LAB 53.31, 7.13, -55.36

 

CMYK 95 / 47 / 0 / 5

HEX #0C81F3

RGB 12 129 243

HSL 209.61, 0.91%, 0.5%

LAB 54.29, 13.84, -64.97

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 18 / 9 / 0 / 45

HEX #73808C

RGB 115 128 140

HSL 208.8, 0.1%, 0.5%

LAB 52.92, -2.07, -8.09

 

CMYK 0 / 7 / 13 / 47

HEX #887F77

RGB 136 127 119

HSL 28.24, 0.07%, 0.5%

LAB 53.76, 1.95, 5.57

 

CMYK 0 / 19 / 37 / 39

HEX #9C7F63

RGB 156 127 99

HSL 29.47, 0.22%, 0.5%

LAB 55.22, 7.05, 19.44

 

CMYK 0 / 28 / 56 / 31

HEX #B17F4E

RGB 177 127 78

HSL 29.7, 0.39%, 0.5%

LAB 57.15, 13.77, 34.06

 

CMYK 42 / 0 / 2 / 37

HEX #5EA19D

RGB 94 161 157

HSL 176.42, 0.26%, 0.5%

LAB 61.92, -22.26, -4.61

 

CMYK 42 / 9 / 0 / 37

HEX #5E92A1

RGB 94 146 161

HSL 193.43, 0.26%, 0.5%

LAB 57.57, -13.27, -13.37

 

CMYK 42 / 20 / 0 / 37

HEX #5E81A1

RGB 94 129 161

HSL 208.66, 0.26%, 0.5%

LAB 52.57, -3.72, -20.98

 

CMYK 42 / 31 / 0 / 37

HEX #5E6FA1

RGB 94 111 161

HSL 224.78, 0.26%, 0.5%

LAB 47.39, 6.98, -28.98

 

CMYK 41 / 42 / 0 / 37

HEX #5F5EA1

RGB 95 94 161

HSL 240.9, 0.26%, 0.5%

LAB 42.78, 17.76, -36.22

 

CMYK 41 / 20 / 0 / 57

HEX #40576D

RGB 64 87 109

HSL 209.33, 0.26%, 0.34%

LAB 36, -2.48, -15.37

 

CMYK 41 / 21 / 0 / 47

HEX #4F6B87

RGB 79 107 135

HSL 210, 0.26%, 0.42%

LAB 44.13, -2.52, -18.69

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 32 / 15 / 0 / 31

HEX #7895B0

RGB 120 149 176

HSL 208.93, 0.26%, 0.58%

LAB 60.45, -3.57, -17.4

 

CMYK 24 / 12 / 0 / 25

HEX #92A9BF

RGB 146 169 191

HSL 209.33, 0.26%, 0.66%

LAB 68.2, -3.05, -13.91

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 13 / 42 / 0 / 37

HEX #8C5EA1

RGB 140 94 161

HSL 281.19, 0.26%, 0.5%

LAB 47.18, 31.16, -29.01

 

CMYK 4 / 0 / 42 / 37

HEX #9BA15E

RGB 155 161 94

HSL 65.37, 0.26%, 0.5%

LAB 64.38, -12.64, 34.11

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 0 / 42 / 20 / 37

HEX #A15E81

RGB 161 94 129

HSL 328.66, 0.26%, 0.5%

LAB 48.47, 32.16, -7.76

 

CMYK 20 / 0 / 42 / 37

HEX #81A15E

RGB 129 161 94

HSL 88.66, 0.26%, 0.5%

LAB 62.48, -23.04, 31.3

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 13 / 42 / 0 / 37

HEX #8C5EA1

RGB 140 94 161

HSL 281.19, 0.26%, 0.5%

LAB 47.18, 31.16, -29.01

 

CMYK 0 / 22 / 42 / 37

HEX #A17E5E

RGB 161 126 94

HSL 28.66, 0.26%, 0.5%

LAB 55.39, 9.11, 22.58

 

CMYK 29 / 0 / 42 / 37

HEX #73A15E

RGB 115 161 94

HSL 101.19, 0.26%, 0.5%

LAB 61.6, -28.28, 30.01

 

CMYK 42 / 20 / 0 / 37

HEX #5E80A1

RGB 94 128 161

HSL 209.55, 0.26%, 0.5%

LAB 52.28, -3.14, -21.42

 

CMYK 1 / 42 / 0 / 37

HEX #A05EA1

RGB 160 94 161

HSL 299.1, 0.26%, 0.5%

LAB 49.56, 37.49, -25.12

 

CMYK 0 / 22 / 42 / 37

HEX #A17E5E

RGB 161 126 94

HSL 28.66, 0.26%, 0.5%

LAB 55.39, 9.11, 22.58

 

CMYK 41 / 0 / 42 / 37

HEX #5FA15E

RGB 95 161 94

HSL 119.1, 0.26%, 0.5%

LAB 60.54, -35.11, 28.43

 

Description

Color code: HEX #5E80A1 | qconv.com Color code: HEX #5E80A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 128 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 128 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 20 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 20% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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