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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #614C26 it is the complementary color #9EB3D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #614C26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #614C26: #664C21, #775E34, #887047, #99825A and #AA946D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #614C26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #614C26: #614C26, #503A13, #3F2800, #2E1600 and #1D0400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

Complementary color

CMYK 27 / 18 / 0 / 15

HEX #9EB3D9

RGB 158 179 217

HSL 218.64, 0.44%, 0.74%

LAB 72.57, 1.29, -21.52

 

CMYK 0 / 25 / 68 / 60

HEX #664C21

RGB 102 76 33

HSL 37.39, 0.51%, 0.26%

LAB 34.2, 5.8, 29.23

 

CMYK 0 / 21 / 56 / 53

HEX #775E34

RGB 119 94 52

HSL 37.61, 0.39%, 0.34%

LAB 41.49, 4.61, 27.73

 

CMYK 0 / 18 / 48 / 47

HEX #887047

RGB 136 112 71

HSL 37.85, 0.31%, 0.41%

LAB 48.61, 3.7, 26.27

 

CMYK 0 / 15 / 41 / 40

HEX #99825A

RGB 153 130 90

HSL 38.1, 0.26%, 0.48%

LAB 55.56, 2.98, 24.91

 

CMYK 0 / 13 / 36 / 33

HEX #AA946D

RGB 170 148 109

HSL 38.36, 0.26%, 0.55%

LAB 62.36, 2.38, 23.66

 

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

CMYK 0 / 28 / 76 / 69

HEX #503A13

RGB 80 58 19

HSL 38.36, 0.62%, 0.19%

LAB 26.09, 5.14, 27.12

 

CMYK 0 / 37 / 100 / 75

HEX #3F2800

RGB 63 40 0

HSL 38.1, 1%, 0.12%

LAB 18.25, 6.95, 26.48

 

CMYK 0 / 52 / 100 / 82

HEX #2E1600

RGB 46 22 0

HSL 28.7, 1%, 0.09%

LAB 10.22, 9.95, 15.5

 

CMYK 0 / 86 / 100 / 89

HEX #1D0400

RGB 29 4 0

HSL 8.28, 1%, 0.06%

LAB 3.14, 8.98, 4.87

 

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

CMYK 0 / 13 / 61 / 63

HEX #5F5325

RGB 95 83 37

HSL 47.59, 0.44%, 0.26%

LAB 35.5, -1.55, 28.32

 

CMYK 0 / 2 / 61 / 63

HEX #5F5D25

RGB 95 93 37

HSL 57.93, 0.44%, 0.26%

LAB 38.54, -7.47, 31.78

 

CMYK 8 / 0 / 61 / 63

HEX #575F25

RGB 87 95 37

HSL 68.28, 0.44%, 0.26%

LAB 38.45, -12.38, 31.49

 

CMYK 19 / 0 / 61 / 63

HEX #4D5F25

RGB 77 95 37

HSL 78.62, 0.44%, 0.26%

LAB 37.65, -16.94, 30.37

 

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

CMYK 0 / 22 / 61 / 42

HEX #94743A

RGB 148 116 58

HSL 38.67, 0.44%, 0.4%

LAB 50.79, 5.58, 36.3

 

CMYK 0 / 22 / 61 / 22

HEX #C79C4E

RGB 199 156 78

HSL 38.68, 0.52%, 0.54%

LAB 66.88, 7.25, 46.19

 

CMYK 0 / 22 / 61 / 2

HEX #FAC462

RGB 250 196 98

HSL 38.68, 0.94%, 0.68%

LAB 82.21, 8.84, 55.57

 

CMYK 0 / 22 / 61 / 82

HEX #2E2412

RGB 46 36 18

HSL 38.57, 0.44%, 0.13%

LAB 14.88, 1.8, 13.67

 

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

CMYK 52 / 0 / 61 / 63

HEX #2E5F25

RGB 46 95 37

HSL 110.69, 0.44%, 0.26%

LAB 35.79, -29.22, 27.73

 

CMYK 47 / 61 / 0 / 63

HEX #32255F

RGB 50 37 95

HSL 253.45, 0.44%, 0.26%

LAB 19.34, 22.21, -32.67

 

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

CMYK 61 / 0 / 22 / 63

HEX #255F4A

RGB 37 95 74

HSL 158.28, 0.44%, 0.26%

LAB 36.12, -24.58, 6.42

 

CMYK 22 / 61 / 0 / 63

HEX #4A255F

RGB 74 37 95

HSL 278.28, 0.44%, 0.26%

LAB 22.32, 28.82, -27.72

 

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

CMYK 52 / 0 / 61 / 63

HEX #2E5F25

RGB 46 95 37

HSL 110.69, 0.44%, 0.26%

LAB 35.79, -29.22, 27.73

 

CMYK 61 / 39 / 0 / 63

HEX #253A5F

RGB 37 58 95

HSL 218.28, 0.44%, 0.26%

LAB 24.47, 4.3, -24.54

 

CMYK 11 / 61 / 0 / 63

HEX #55255F

RGB 85 37 95

HSL 289.66, 0.44%, 0.26%

LAB 23.94, 32.05, -25.06

 

CMYK 0 / 22 / 61 / 62

HEX #614C26

RGB 97 76 38

HSL 38.64, 0.44%, 0.26%

LAB 33.67, 3.78, 25.67

 

CMYK 61 / 0 / 54 / 63

HEX #255F2C

RGB 37 95 44

HSL 127.24, 0.44%, 0.26%

LAB 35.52, -30.92, 23.5

 

CMYK 61 / 39 / 0 / 63

HEX #253A5F

RGB 37 58 95

HSL 218.28, 0.44%, 0.26%

LAB 24.47, 4.3, -24.54

 

CMYK 0 / 61 / 8 / 63

HEX #5F2557

RGB 95 37 87

HSL 308.28, 0.44%, 0.26%

LAB 25.09, 33.48, -17.86

 

Description

Color code: HEX #614C26 | qconv.com Color code: HEX #614C26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 76 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 76 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 61 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 61% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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