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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60EF8C it is the complementary color #9F1073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60EF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60EF8C shade: #65EF87, #76FF9A, #87FFAD, #98FFC0 and #A9FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60EF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60EF8C shade: #60EF8C, #4FDD79, #3ECB66, #2DB953 and #1CA740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60EF8C shade: #61EF8D, #61EF67, #82EF61, #A8EF61 and #CFEF61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60EF8C shade: #61EF8D, #61EFB3, #61EFDA, #61DFEF and #61B8EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60EF8C shade matches the following richer shades: #61EF8D and #53FD88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60EF8C shade: #61EF8D, #6FE192, #7DD398, #8BC59D and #99B7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60EF8C shade: #82EF61, #61EF66, #61EF8C, #61EFB2 and #61EFD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60EF8C shade: #17E757, #3CEC72, #61EF8D, #87F3A8 and #ACF7C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60EF8C shade: #60EF8C, #61A8EF and #EF616F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60EF8C shade: #60EF8C, #8C61EF and #EF8C61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60EF8C shade: #60EF8C, #61A8EF, #EF61C5 and #EFA861

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60EF8C shade: #60EF8C, #617EEF, #EF61C5 and #EFD361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 41 / 6

HEX #60EF8C

RGB 96 239 140

HSL 138.46, 0.82%, 0.66%

LAB 85.05, -59.56, 36.65

 

Complementary color

CMYK 0 / 90 / 28 / 38

HEX #9F1073

RGB 159 16 115

HSL 318.46, 0.82%, 0.34%

LAB 35.94, 60.97, -18.19

 

CMYK 58 / 0 / 44 / 6

HEX #65EF87

RGB 101 239 135

HSL 134.78, 0.81%, 0.67%

LAB 85.12, -59.3, 39.24

 

CMYK 54 / 0 / 40 / 0

HEX #76FF9A

RGB 118 255 154

HSL 135.77, 1%, 0.73%

LAB 90.64, -58.58, 37.15

 

CMYK 47 / 0 / 32 / 0

HEX #87FFAD

RGB 135 255 173

HSL 139, 1%, 0.76%

LAB 91.54, -51.25, 28.98

 

CMYK 40 / 0 / 25 / 0

HEX #98FFC0

RGB 152 255 192

HSL 143.3, 1%, 0.8%

LAB 92.58, -43.36, 20.87

 

CMYK 34 / 0 / 17 / 0

HEX #A9FFD3

RGB 169 255 211

HSL 149.3, 1%, 0.83%

LAB 93.74, -35.03, 12.88

 

CMYK 60 / 0 / 41 / 6

HEX #60EF8C

RGB 96 239 140

HSL 138.46, 0.82%, 0.66%

LAB 85.05, -59.56, 36.65

 

CMYK 64 / 0 / 45 / 13

HEX #4FDD79

RGB 79 221 121

HSL 137.75, 0.68%, 0.59%

LAB 78.9, -59.3, 38.06

 

CMYK 69 / 0 / 50 / 20

HEX #3ECB66

RGB 62 203 102

HSL 137.02, 0.58%, 0.52%

LAB 72.69, -58.8, 39.53

 

CMYK 76 / 0 / 55 / 27

HEX #2DB953

RGB 45 185 83

HSL 136.29, 0.61%, 0.45%

LAB 66.43, -57.94, 41.04

 

CMYK 83 / 0 / 62 / 35

HEX #1CA740

RGB 28 167 64

HSL 135.54, 0.71%, 0.38%

LAB 60.12, -56.56, 42.53

 

CMYK 59 / 0 / 41 / 6

HEX #61EF8D

RGB 97 239 141

HSL 138.59, 0.82%, 0.66%

LAB 85.1, -59.19, 36.22

 

CMYK 59 / 0 / 57 / 6

HEX #61EF67

RGB 97 239 103

HSL 122.54, 0.82%, 0.66%

LAB 84.61, -64.55, 53.66

 

CMYK 46 / 0 / 59 / 6

HEX #82EF61

RGB 130 239 97

HSL 106.06, 0.82%, 0.66%

LAB 85.68, -56.73, 57.8

 

CMYK 30 / 0 / 59 / 6

HEX #A8EF61

RGB 168 239 97

HSL 90, 0.82%, 0.66%

LAB 87.45, -44.5, 60.28

 

CMYK 13 / 0 / 59 / 6

HEX #CFEF61

RGB 207 239 97

HSL 73.52, 0.82%, 0.66%

LAB 89.79, -30.08, 63.54

 

CMYK 59 / 0 / 41 / 6

HEX #61EF8D

RGB 97 239 141

HSL 138.59, 0.82%, 0.66%

LAB 85.1, -59.19, 36.22

 

CMYK 59 / 0 / 25 / 6

HEX #61EFB3

RGB 97 239 179

HSL 154.65, 0.82%, 0.66%

LAB 85.77, -52.07, 17.78

 

CMYK 59 / 0 / 9 / 6

HEX #61EFDA

RGB 97 239 218

HSL 171.13, 0.82%, 0.66%

LAB 86.67, -43.13, -1.29

 

CMYK 59 / 7 / 0 / 6

HEX #61DFEF

RGB 97 223 239

HSL 186.76, 0.82%, 0.66%

LAB 82.67, -30.21, -18.31

 

CMYK 59 / 23 / 0 / 6

HEX #61B8EF

RGB 97 184 239

HSL 203.24, 0.82%, 0.66%

LAB 71.59, -10.34, -35.27

 

CMYK 59 / 0 / 41 / 6

HEX #61EF8D

RGB 97 239 141

HSL 138.59, 0.82%, 0.66%

LAB 85.1, -59.19, 36.22

 

CMYK 67 / 0 / 46 / 1

HEX #53FD88

RGB 83 253 136

HSL 138.71, 0.98%, 0.66%

LAB 88.86, -67.74, 43.43

 

CMYK 59 / 0 / 41 / 6

HEX #61EF8D

RGB 97 239 141

HSL 138.59, 0.82%, 0.66%

LAB 85.1, -59.19, 36.22

 

CMYK 51 / 0 / 35 / 12

HEX #6FE192

RGB 111 225 146

HSL 138.42, 0.66%, 0.66%

LAB 81.46, -49.59, 28.97

 

CMYK 41 / 0 / 28 / 17

HEX #7DD398

RGB 125 211 152

HSL 138.84, 0.49%, 0.66%

LAB 78, -38.73, 21.25

 

CMYK 29 / 0 / 20 / 23

HEX #8BC59D

RGB 139 197 157

HSL 138.62, 0.33%, 0.66%

LAB 74.73, -27, 14.16

 

CMYK 16 / 0 / 11 / 28

HEX #99B7A3

RGB 153 183 163

HSL 140, 0.17%, 0.66%

LAB 71.75, -14.19, 6.78

 

CMYK 46 / 0 / 59 / 6

HEX #82EF61

RGB 130 239 97

HSL 106.06, 0.82%, 0.66%

LAB 85.68, -56.73, 57.8

 

CMYK 59 / 0 / 57 / 6

HEX #61EF66

RGB 97 239 102

HSL 122.11, 0.82%, 0.66%

LAB 84.6, -64.67, 54.09

 

CMYK 59 / 0 / 41 / 6

HEX #61EF8C

RGB 97 239 140

HSL 138.17, 0.82%, 0.66%

LAB 85.08, -59.36, 36.7

 

CMYK 59 / 0 / 26 / 6

HEX #61EFB2

RGB 97 239 178

HSL 154.23, 0.82%, 0.66%

LAB 85.75, -52.28, 18.27

 

CMYK 59 / 0 / 10 / 6

HEX #61EFD8

RGB 97 239 216

HSL 170.28, 0.82%, 0.66%

LAB 86.62, -43.62, -0.32

 

CMYK 90 / 0 / 62 / 9

HEX #17E757

RGB 23 231 87

HSL 138.46, 0.82%, 0.5%

LAB 80.75, -74.16, 55.84

 

CMYK 75 / 0 / 52 / 7

HEX #3CEC72

RGB 60 236 114

HSL 138.41, 0.82%, 0.58%

LAB 83, -68.7, 46.49

 

CMYK 59 / 0 / 41 / 6

HEX #61EF8D

RGB 97 239 141

HSL 138.59, 0.82%, 0.66%

LAB 85.1, -59.19, 36.22

 

CMYK 44 / 0 / 31 / 5

HEX #87F3A8

RGB 135 243 168

HSL 138.33, 0.82%, 0.74%

LAB 88.01, -47.09, 26.72

 

CMYK 30 / 0 / 21 / 3

HEX #ACF7C3

RGB 172 247 195

HSL 138.4, 0.82%, 0.82%

LAB 91.34, -33.46, 17.75

 

CMYK 60 / 0 / 41 / 6

HEX #60EF8C

RGB 96 239 140

HSL 138.46, 0.82%, 0.66%

LAB 85.05, -59.56, 36.65

 

CMYK 59 / 30 / 0 / 6

HEX #61A8EF

RGB 97 168 239

HSL 210, 0.82%, 0.66%

LAB 67.11, -1.53, -42.25

 

CMYK 0 / 59 / 54 / 6

HEX #EF616F

RGB 239 97 111

HSL 354.08, 0.82%, 0.66%

LAB 59.93, 55.77, 20.75

 

CMYK 60 / 0 / 41 / 6

HEX #60EF8C

RGB 96 239 140

HSL 138.46, 0.82%, 0.66%

LAB 85.05, -59.56, 36.65

 

CMYK 41 / 59 / 0 / 6

HEX #8C61EF

RGB 140 97 239

HSL 258.17, 0.82%, 0.66%

LAB 52.24, 48.82, -65.76

 

CMYK 0 / 41 / 59 / 6

HEX #EF8C61

RGB 239 140 97

HSL 18.17, 0.82%, 0.66%

LAB 68, 33.7, 38.95

 

CMYK 60 / 0 / 41 / 6

HEX #60EF8C

RGB 96 239 140

HSL 138.46, 0.82%, 0.66%

LAB 85.05, -59.56, 36.65

 

CMYK 59 / 30 / 0 / 6

HEX #61A8EF

RGB 97 168 239

HSL 210, 0.82%, 0.66%

LAB 67.11, -1.53, -42.25

 

CMYK 0 / 59 / 18 / 6

HEX #EF61C5

RGB 239 97 197

HSL 317.75, 0.82%, 0.66%

LAB 62.45, 65.35, -25.14

 

CMYK 0 / 30 / 59 / 6

HEX #EFA861

RGB 239 168 97

HSL 30, 0.82%, 0.66%

LAB 74.33, 18.95, 46.6

 

CMYK 60 / 0 / 41 / 6

HEX #60EF8C

RGB 96 239 140

HSL 138.46, 0.82%, 0.66%

LAB 85.05, -59.56, 36.65

 

CMYK 59 / 47 / 0 / 6

HEX #617EEF

RGB 97 126 239

HSL 227.75, 0.82%, 0.66%

LAB 55.78, 23.17, -60.22

 

CMYK 0 / 59 / 18 / 6

HEX #EF61C5

RGB 239 97 197

HSL 317.75, 0.82%, 0.66%

LAB 62.45, 65.35, -25.14

 

CMYK 0 / 12 / 59 / 6

HEX #EFD361

RGB 239 211 97

HSL 48.17, 0.82%, 0.66%

LAB 84.9, -3.49, 58.79

 

Description

Color code: HEX #60EF8C | qconv.com Color code: HEX #60EF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 239 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 239 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 41 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 41% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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