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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 25 / 0 it is the complementary color CMYK 0 / 100 / 37 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 25 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 0 / 25 / 0: CMYK 38 / 0 / 27 / 0, CMYK 31 / 0 / 20 / 0, CMYK 25 / 0 / 12 / 0, CMYK 18 / 0 / 5 / 0 and CMYK 11 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 25 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 0 / 25 / 0: CMYK 40 / 0 / 25 / 0, CMYK 43 / 0 / 27 / 7, CMYK 46 / 0 / 30 / 14, CMYK 49 / 0 / 33 / 21 and CMYK 54 / 0 / 37 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

Complementary color

CMYK 0 / 100 / 37 / 60

HEX #660040

RGB 102 0 64

HSL 322.35, 1%, 0.2%

LAB 20.81, 44.81, -8.77

 

CMYK 38 / 0 / 27 / 0

HEX #9EFFBA

RGB 158 255 186

HSL 137.32, 1%, 0.81%

LAB 92.72, -42.78, 24.17

 

CMYK 31 / 0 / 20 / 0

HEX #AFFFCD

RGB 175 255 205

HSL 142.5, 1%, 0.84%

LAB 93.9, -34.42, 16.24

 

CMYK 25 / 0 / 12 / 0

HEX #C0FFE0

RGB 192 255 224

HSL 150.48, 1%, 0.88%

LAB 95.21, -25.77, 8.46

 

CMYK 18 / 0 / 5 / 0

HEX #D1FFF3

RGB 209 255 243

HSL 164.35, 1%, 0.91%

LAB 96.63, -16.91, 0.87

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 43 / 0 / 27 / 7

HEX #88EDAC

RGB 136 237 172

HSL 141.39, 0.74%, 0.73%

LAB 86.4, -43.51, 22.47

 

CMYK 46 / 0 / 30 / 14

HEX #77DB99

RGB 119 219 153

HSL 140.4, 0.58%, 0.66%

LAB 80.11, -43.73, 23.58

 

CMYK 49 / 0 / 33 / 21

HEX #66C986

RGB 102 201 134

HSL 139.39, 0.48%, 0.59%

LAB 73.75, -43.92, 24.78

 

CMYK 54 / 0 / 37 / 28

HEX #55B773

RGB 85 183 115

HSL 138.37, 0.4%, 0.53%

LAB 67.3, -44.03, 26.06

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 40 / 0 / 19 / 0

HEX #99FFCF

RGB 153 255 207

HSL 151.76, 1%, 0.8%

LAB 92.93, -40.21, 13.69

 

CMYK 40 / 0 / 12 / 0

HEX #99FFE0

RGB 153 255 224

HSL 161.76, 1%, 0.8%

LAB 93.31, -36.71, 5.48

 

CMYK 40 / 0 / 5 / 0

HEX #99FFF1

RGB 153 255 241

HSL 171.76, 1%, 0.8%

LAB 93.73, -32.97, -2.69

 

CMYK 40 / 2 / 0 / 0

HEX #99FBFF

RGB 153 251 255

HSL 182.35, 1%, 0.8%

LAB 93.01, -27.81, -11

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 39 / 0 / 25 / 80

HEX #1F3326

RGB 31 51 38

HSL 141, 0.24%, 0.16%

LAB 19.22, -11.54, 5.73

 

CMYK 40 / 0 / 25 / 60

HEX #3D664C

RGB 61 102 76

HSL 141.95, 0.25%, 0.32%

LAB 39.61, -20.75, 10.25

 

CMYK 40 / 0 / 25 / 40

HEX #5C9973

RGB 92 153 115

HSL 142.62, 0.25%, 0.48%

LAB 58.32, -28.49, 13.88

 

CMYK 40 / 0 / 25 / 20

HEX #7ACC99

RGB 122 204 153

HSL 142.68, 0.45%, 0.64%

LAB 75.84, -36.21, 17.71

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 40 / 23 / 0 / 0

HEX #99C5FF

RGB 153 197 255

HSL 214.12, 1%, 0.8%

LAB 78.42, -0.27, -33.11

 

CMYK 0 / 40 / 39 / 0

HEX #FF999C

RGB 255 153 156

HSL 358.24, 1%, 0.8%

LAB 73.83, 38.43, 14.91

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 25 / 40 / 0 / 0

HEX #BE99FF

RGB 190 153 255

HSL 261.76, 1%, 0.8%

LAB 70.14, 34.14, -45.78

 

CMYK 0 / 25 / 40 / 0

HEX #FFBE99

RGB 255 190 153

HSL 21.76, 1%, 0.8%

LAB 82.05, 18.8, 27.81

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 40 / 23 / 0 / 0

HEX #99C5FF

RGB 153 197 255

HSL 214.12, 1%, 0.8%

LAB 78.42, -0.27, -33.11

 

CMYK 0 / 40 / 15 / 0

HEX #FF99D9

RGB 255 153 217

HSL 322.35, 1%, 0.8%

LAB 75.48, 46.54, -16.25

 

CMYK 0 / 18 / 40 / 0

HEX #FFD299

RGB 255 210 153

HSL 33.53, 1%, 0.8%

LAB 86.83, 8.39, 34.18

 

CMYK 40 / 0 / 25 / 0

HEX #99FFBF

RGB 153 255 191

HSL 142.35, 1%, 0.8%

LAB 92.6, -43.27, 21.42

 

CMYK 40 / 35 / 0 / 0

HEX #99A6FF

RGB 153 166 255

HSL 232.35, 1%, 0.8%

LAB 70.36, 16.94, -45.64

 

CMYK 0 / 40 / 15 / 0

HEX #FF99D9

RGB 255 153 217

HSL 322.35, 1%, 0.8%

LAB 75.48, 46.54, -16.25

 

CMYK 0 / 5 / 40 / 0

HEX #FFF199

RGB 255 241 153

HSL 51.76, 1%, 0.8%

LAB 94.51, -7.34, 44.16

 

Description

Color code: CMYK 40 / 0 / 25 / 0 | qconv.com Color code: CMYK 40 / 0 / 25 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 255 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 255 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 25 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 25% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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