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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60CE30 it is the complementary color #9F31CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60CE30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60CE30 shade: #65CE2B, #76E03E, #87F251, #98FF64 and #A9FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60CE30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60CE30 shade: #60CE30, #4FBC1D, #3EAA0A, #2D9800 and #1C8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60CE30 shade: #60CE30, #8BCE30, #B5CE30, #CEBC30 and #CE9230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60CE30 shade: #60CE30, #35CE30, #30CE55, #30CE80 and #30CEAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60CE30 shade matches the following richer shades: #60CE30, #58E31B and #50F707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60CE30 shade: #60CE30, #68B945, #70A559, #78906E and #807C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60CE30 shade: #B6CE30, #8CCE30, #62CE30, #38CE30 and #30CE52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60CE30 shade: #418B20, #50AD28, #60CE30, #7AD651 and #93DE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60CE30 shade: #60CE30, #30CEBC and #CE30A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60CE30 shade: #60CE30, #3062CE and #CE3062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60CE30 shade: #60CE30, #30CEBC, #9C30CE and #CE3042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60CE30 shade: #60CE30, #30B1CE, #9C30CE and #CE4D30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

Complementary color

CMYK 23 / 76 / 0 / 19

HEX #9F31CF

RGB 159 49 207

HSL 281.77, 0.62%, 0.5%

LAB 44.34, 67.22, -60.25

 

CMYK 51 / 0 / 79 / 19

HEX #65CE2B

RGB 101 206 43

HSL 98.65, 0.65%, 0.49%

LAB 74.24, -56.79, 65.64

 

CMYK 47 / 0 / 72 / 12

HEX #76E03E

RGB 118 224 62

HSL 99.26, 0.72%, 0.56%

LAB 80.47, -57.43, 65.83

 

CMYK 44 / 0 / 67 / 5

HEX #87F251

RGB 135 242 81

HSL 99.88, 0.86%, 0.63%

LAB 86.63, -57.84, 65.43

 

CMYK 40 / 0 / 61 / 0

HEX #98FF64

RGB 152 255 100

HSL 99.87, 1%, 0.7%

LAB 91.29, -56.12, 63.1

 

CMYK 34 / 0 / 53 / 0

HEX #A9FF77

RGB 169 255 119

HSL 97.94, 1%, 0.73%

LAB 92.26, -48.84, 56.19

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 58 / 0 / 85 / 26

HEX #4FBC1D

RGB 79 188 29

HSL 101.13, 0.73%, 0.43%

LAB 67.81, -56.94, 63.21

 

CMYK 64 / 0 / 94 / 33

HEX #3EAA0A

RGB 62 170 10

HSL 100.5, 0.89%, 0.35%

LAB 61.48, -55.5, 61.14

 

CMYK 70 / 0 / 100 / 40

HEX #2D9800

RGB 45 152 0

HSL 102.24, 1%, 0.3%

LAB 55.09, -53.43, 57.24

 

CMYK 79 / 0 / 100 / 47

HEX #1C8600

RGB 28 134 0

HSL 107.46, 1%, 0.26%

LAB 48.63, -50.66, 51.95

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 33 / 0 / 77 / 19

HEX #8BCE30

RGB 139 206 48

HSL 85.44, 0.62%, 0.5%

LAB 75.97, -44.12, 66.38

 

CMYK 12 / 0 / 77 / 19

HEX #B5CE30

RGB 181 206 48

HSL 69.49, 0.62%, 0.5%

LAB 78.57, -27.8, 69.73

 

CMYK 0 / 9 / 77 / 19

HEX #CEBC30

RGB 206 188 48

HSL 53.16, 0.62%, 0.5%

LAB 75.64, -8.29, 67.78

 

CMYK 0 / 29 / 77 / 19

HEX #CE9230

RGB 206 146 48

HSL 37.22, 0.62%, 0.5%

LAB 64.88, 14.04, 57.73

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 74 / 0 / 77 / 19

HEX #35CE30

RGB 53 206 48

HSL 118.1, 0.62%, 0.5%

LAB 72.97, -67.13, 62.45

 

CMYK 77 / 0 / 59 / 19

HEX #30CE55

RGB 48 206 85

HSL 134.05, 0.62%, 0.5%

LAB 73.17, -64.3, 48.1

 

CMYK 77 / 0 / 38 / 19

HEX #30CE80

RGB 48 206 128

HSL 150.38, 0.62%, 0.5%

LAB 73.76, -57.45, 27.68

 

CMYK 77 / 0 / 17 / 19

HEX #30CEAA

RGB 48 206 170

HSL 166.33, 0.62%, 0.5%

LAB 74.62, -48.11, 6.58

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 61 / 0 / 88 / 11

HEX #58E31B

RGB 88 227 27

HSL 101.7, 0.79%, 0.5%

LAB 80.23, -68.08, 74.53

 

CMYK 68 / 0 / 97 / 3

HEX #50F707

RGB 80 247 7

HSL 101.75, 0.94%, 0.5%

LAB 86.13, -76.42, 81.7

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 44 / 0 / 63 / 27

HEX #68B945

RGB 104 185 69

HSL 101.9, 0.46%, 0.5%

LAB 68.07, -45.77, 49.85

 

CMYK 32 / 0 / 46 / 35

HEX #70A559

RGB 112 165 89

HSL 101.84, 0.3%, 0.5%

LAB 62.57, -31.95, 33.82

 

CMYK 17 / 0 / 24 / 44

HEX #78906E

RGB 120 144 110

HSL 102.35, 0.13%, 0.5%

LAB 57.14, -15.24, 15.31

 

CMYK 2 / 5 / 0 / 49

HEX #807C82

RGB 128 124 130

HSL 280, 0.02%, 0.5%

LAB 52.53, 2.71, -2.73

 

CMYK 12 / 0 / 77 / 19

HEX #B6CE30

RGB 182 206 48

HSL 69.11, 0.62%, 0.5%

LAB 78.64, -27.39, 69.82

 

CMYK 32 / 0 / 77 / 19

HEX #8CCE30

RGB 140 206 48

HSL 85.06, 0.62%, 0.5%

LAB 76.03, -43.76, 66.45

 

CMYK 52 / 0 / 77 / 19

HEX #62CE30

RGB 98 206 48

HSL 101.01, 0.62%, 0.5%

LAB 74.16, -57.35, 64.02

 

CMYK 73 / 0 / 77 / 19

HEX #38CE30

RGB 56 206 48

HSL 116.96, 0.62%, 0.5%

LAB 73.02, -66.65, 62.53

 

CMYK 77 / 0 / 60 / 19

HEX #30CE52

RGB 48 206 82

HSL 132.91, 0.62%, 0.5%

LAB 73.14, -64.67, 49.41

 

CMYK 53 / 0 / 77 / 45

HEX #418B20

RGB 65 139 32

HSL 101.5, 0.63%, 0.34%

LAB 51.49, -42.36, 46.94

 

CMYK 54 / 0 / 77 / 32

HEX #50AD28

RGB 80 173 40

HSL 101.95, 0.62%, 0.42%

LAB 63.13, -50.62, 55.74

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 43 / 0 / 62 / 16

HEX #7AD651

RGB 122 214 81

HSL 101.5, 0.62%, 0.58%

LAB 77.77, -50.8, 55.67

 

CMYK 34 / 0 / 48 / 13

HEX #93DE73

RGB 147 222 115

HSL 102.06, 0.62%, 0.66%

LAB 81.67, -42.42, 45

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 77 / 0 / 9 / 19

HEX #30CEBC

RGB 48 206 188

HSL 173.16, 0.62%, 0.5%

LAB 75.08, -43.41, -2.46

 

CMYK 0 / 77 / 22 / 19

HEX #CE30A1

RGB 206 48 161

HSL 317.09, 0.62%, 0.5%

LAB 49.26, 69.91, -25.03

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 77 / 52 / 0 / 19

HEX #3062CE

RGB 48 98 206

HSL 221.01, 0.62%, 0.5%

LAB 43.97, 21.69, -60.73

 

CMYK 0 / 77 / 52 / 19

HEX #CE3062

RGB 206 48 98

HSL 341.01, 0.62%, 0.5%

LAB 47.13, 63.4, 9.98

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 77 / 0 / 9 / 19

HEX #30CEBC

RGB 48 206 188

HSL 173.16, 0.62%, 0.5%

LAB 75.08, -43.41, -2.46

 

CMYK 24 / 77 / 0 / 19

HEX #9C30CE

RGB 156 48 206

HSL 281.01, 0.62%, 0.5%

LAB 43.71, 66.82, -60.71

 

CMYK 0 / 77 / 68 / 19

HEX #CE3042

RGB 206 48 66

HSL 353.16, 0.62%, 0.5%

LAB 46.48, 61.35, 28.69

 

CMYK 53 / 0 / 77 / 19

HEX #60CE30

RGB 96 206 48

HSL 101.77, 0.62%, 0.5%

LAB 74.09, -57.9, 63.93

 

CMYK 77 / 14 / 0 / 19

HEX #30B1CE

RGB 48 177 206

HSL 191.01, 0.62%, 0.5%

LAB 66.92, -24.41, -24.53

 

CMYK 24 / 77 / 0 / 19

HEX #9C30CE

RGB 156 48 206

HSL 281.01, 0.62%, 0.5%

LAB 43.71, 66.82, -60.71

 

CMYK 0 / 63 / 77 / 19

HEX #CE4D30

RGB 206 77 48

HSL 11.01, 0.62%, 0.5%

LAB 50.27, 49.58, 43.19

 

Description

Color code: HEX #60CE30 | qconv.com Color code: HEX #60CE30 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 206 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 206 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 77 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 77% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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