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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #418B20 it is the complementary color #BE74DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #418B20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #418B20 shade: #468B1B, #579D2E, #68AF41, #79C154 and #8AD367

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #418B20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #418B20 shade: #418B20, #30790D, #1F6700, #0E5500 and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #418B20 shade: #428D20, #5F8D20, #7D8D20, #8D8120 and #8D6320

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #418B20 shade: #428D20, #248D20, #208D39, #208D57 and #208D74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #418B20 shade matches the following richer shades: #428D20, #3C9B12 and #37A904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #418B20 shade: #428D20, #477F2E, #4D713C, #52634A and #575558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #418B20 shade: #7D8D20, #608D20, #438D20, #268D20 and #208D38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #418B20 shade: #224A11, #326C18, #428D20, #51AF28 and #61D030

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #418B20 shade: #418B20, #208D81 and #8D206E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #418B20 shade: #418B20, #20438D and #8D2043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #418B20 shade: #418B20, #208D81, #6B208D and #8D202D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #418B20 shade: #418B20, #20798D, #6B208D and #8D3420

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 77 / 45

HEX #418B20

RGB 65 139 32

HSL 101.5, 0.63%, 0.34%

LAB 51.49, -42.36, 46.94

 

Complementary color

CMYK 15 / 48 / 0 / 13

HEX #BE74DF

RGB 190 116 223

HSL 281.5, 0.63%, 0.66%

LAB 60.57, 47.11, -43.19

 

CMYK 50 / 0 / 81 / 45

HEX #468B1B

RGB 70 139 27

HSL 96.96, 0.67%, 0.33%

LAB 51.66, -41.12, 48.88

 

CMYK 45 / 0 / 71 / 38

HEX #579D2E

RGB 87 157 46

HSL 97.84, 0.55%, 0.4%

LAB 58.36, -41.69, 48.85

 

CMYK 41 / 0 / 63 / 31

HEX #68AF41

RGB 104 175 65

HSL 98.73, 0.46%, 0.47%

LAB 64.95, -41.96, 48.14

 

CMYK 37 / 0 / 56 / 24

HEX #79C154

RGB 121 193 84

HSL 99.63, 0.47%, 0.54%

LAB 71.45, -42.06, 47.13

 

CMYK 35 / 0 / 51 / 17

HEX #8AD367

RGB 138 211 103

HSL 100.56, 0.55%, 0.62%

LAB 77.86, -42.05, 46

 

CMYK 53 / 0 / 77 / 45

HEX #418B20

RGB 65 139 32

HSL 101.5, 0.63%, 0.34%

LAB 51.49, -42.36, 46.94

 

CMYK 60 / 0 / 89 / 53

HEX #30790D

RGB 48 121 13

HSL 100.56, 0.81%, 0.26%

LAB 44.71, -41.37, 46.21

 

CMYK 70 / 0 / 100 / 60

HEX #1F6700

RGB 31 103 0

HSL 101.94, 1%, 0.2%

LAB 37.83, -39.62, 43.38

 

CMYK 84 / 0 / 100 / 67

HEX #0E5500

RGB 14 85 0

HSL 110.12, 1%, 0.17%

LAB 30.86, -36.74, 37.66

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 53 / 0 / 77 / 45

HEX #428D20

RGB 66 141 32

HSL 101.28, 0.63%, 0.34%

LAB 52.19, -42.86, 47.64

 

CMYK 33 / 0 / 77 / 45

HEX #5F8D20

RGB 95 141 32

HSL 85.32, 0.63%, 0.34%

LAB 53.59, -32.74, 49.48

 

CMYK 11 / 0 / 77 / 45

HEX #7D8D20

RGB 125 141 32

HSL 68.81, 0.63%, 0.34%

LAB 55.6, -20.19, 52.09

 

CMYK 0 / 9 / 77 / 45

HEX #8D8120

RGB 141 129 32

HSL 53.39, 0.63%, 0.34%

LAB 53.46, -6.54, 50.59

 

CMYK 0 / 30 / 77 / 45

HEX #8D6320

RGB 141 99 32

HSL 36.88, 0.63%, 0.34%

LAB 45.21, 10.56, 42.71

 

CMYK 53 / 0 / 77 / 45

HEX #428D20

RGB 66 141 32

HSL 101.28, 0.63%, 0.34%

LAB 52.19, -42.86, 47.64

 

CMYK 74 / 0 / 77 / 45

HEX #248D20

RGB 36 141 32

HSL 117.8, 0.63%, 0.34%

LAB 51.3, -50.08, 46.47

 

CMYK 77 / 0 / 60 / 45

HEX #208D39

RGB 32 141 57

HSL 133.76, 0.63%, 0.34%

LAB 51.44, -48.08, 35.81

 

CMYK 77 / 0 / 38 / 45

HEX #208D57

RGB 32 141 87

HSL 150.28, 0.63%, 0.34%

LAB 51.89, -42.9, 20.47

 

CMYK 77 / 0 / 18 / 45

HEX #208D74

RGB 32 141 116

HSL 166.24, 0.63%, 0.34%

LAB 52.53, -35.98, 4.84

 

CMYK 53 / 0 / 77 / 45

HEX #428D20

RGB 66 141 32

HSL 101.28, 0.63%, 0.34%

LAB 52.19, -42.86, 47.64

 

CMYK 61 / 0 / 88 / 39

HEX #3C9B12

RGB 60 155 18

HSL 101.61, 0.79%, 0.34%

LAB 56.53, -50.52, 55.56

 

CMYK 67 / 0 / 98 / 34

HEX #37A904

RGB 55 169 4

HSL 101.45, 0.95%, 0.34%

LAB 60.96, -56.87, 61.45

 

CMYK 53 / 0 / 77 / 45

HEX #428D20

RGB 66 141 32

HSL 101.28, 0.63%, 0.34%

LAB 52.19, -42.86, 47.64

 

CMYK 44 / 0 / 64 / 50

HEX #477F2E

RGB 71 127 46

HSL 101.48, 0.47%, 0.34%

LAB 47.9, -34.15, 37.39

 

CMYK 32 / 0 / 47 / 56

HEX #4D713C

RGB 77 113 60

HSL 100.75, 0.31%, 0.34%

LAB 43.82, -23.54, 25.35

 

CMYK 17 / 0 / 25 / 61

HEX #52634A

RGB 82 99 74

HSL 100.8, 0.14%, 0.34%

LAB 39.94, -11.71, 12.12

 

CMYK 1 / 3 / 0 / 65

HEX #575558

RGB 87 85 88

HSL 280, 0.02%, 0.34%

LAB 36.42, 1.45, -1.46

 

CMYK 11 / 0 / 77 / 45

HEX #7D8D20

RGB 125 141 32

HSL 68.81, 0.63%, 0.34%

LAB 55.6, -20.19, 52.09

 

CMYK 32 / 0 / 77 / 45

HEX #608D20

RGB 96 141 32

HSL 84.77, 0.63%, 0.34%

LAB 53.64, -32.35, 49.55

 

CMYK 52 / 0 / 77 / 45

HEX #438D20

RGB 67 141 32

HSL 100.73, 0.63%, 0.34%

LAB 52.23, -42.55, 47.69

 

CMYK 73 / 0 / 77 / 45

HEX #268D20

RGB 38 141 32

HSL 116.7, 0.63%, 0.34%

LAB 51.34, -49.71, 46.53

 

CMYK 77 / 0 / 60 / 45

HEX #208D38

RGB 32 141 56

HSL 133.21, 0.63%, 0.34%

LAB 51.43, -48.22, 36.29

 

CMYK 54 / 0 / 77 / 71

HEX #224A11

RGB 34 74 17

HSL 102.11, 0.63%, 0.18%

LAB 27.51, -25.94, 28.39

 

CMYK 54 / 0 / 78 / 58

HEX #326C18

RGB 50 108 24

HSL 101.43, 0.64%, 0.26%

LAB 40.36, -34.93, 38.73

 

CMYK 53 / 0 / 77 / 45

HEX #428D20

RGB 66 141 32

HSL 101.28, 0.63%, 0.34%

LAB 52.19, -42.86, 47.64

 

CMYK 54 / 0 / 77 / 31

HEX #51AF28

RGB 81 175 40

HSL 101.78, 0.63%, 0.42%

LAB 63.81, -51.09, 56.4

 

CMYK 53 / 0 / 77 / 18

HEX #61D030

RGB 97 208 48

HSL 101.63, 0.63%, 0.5%

LAB 74.74, -58.36, 64.56

 

CMYK 53 / 0 / 77 / 45

HEX #418B20

RGB 65 139 32

HSL 101.5, 0.63%, 0.34%

LAB 51.49, -42.36, 46.94

 

CMYK 77 / 0 / 9 / 45

HEX #208D81

RGB 32 141 129

HSL 173.39, 0.63%, 0.34%

LAB 52.89, -32.34, -2.16

 

CMYK 0 / 77 / 22 / 45

HEX #8D206E

RGB 141 32 110

HSL 317.06, 0.63%, 0.34%

LAB 33.61, 52.2, -18.91

 

CMYK 53 / 0 / 77 / 45

HEX #418B20

RGB 65 139 32

HSL 101.5, 0.63%, 0.34%

LAB 51.49, -42.36, 46.94

 

CMYK 77 / 52 / 0 / 45

HEX #20438D

RGB 32 67 141

HSL 220.73, 0.63%, 0.34%

LAB 30.02, 15.24, -44.76

 

CMYK 0 / 77 / 52 / 45

HEX #8D2043

RGB 141 32 67

HSL 340.73, 0.63%, 0.34%

LAB 32.04, 47.31, 6.62

 

CMYK 53 / 0 / 77 / 45

HEX #418B20

RGB 65 139 32

HSL 101.5, 0.63%, 0.34%

LAB 51.49, -42.36, 46.94

 

CMYK 77 / 0 / 9 / 45

HEX #208D81

RGB 32 141 129

HSL 173.39, 0.63%, 0.34%

LAB 52.89, -32.34, -2.16

 

CMYK 24 / 77 / 0 / 45

HEX #6B208D

RGB 107 32 141

HSL 281.28, 0.63%, 0.34%

LAB 29.62, 49.86, -45.07

 

CMYK 0 / 77 / 68 / 45

HEX #8D202D

RGB 141 32 45

HSL 352.84, 0.63%, 0.34%

LAB 31.54, 45.72, 20.38

 

CMYK 53 / 0 / 77 / 45

HEX #418B20

RGB 65 139 32

HSL 101.5, 0.63%, 0.34%

LAB 51.49, -42.36, 46.94

 

CMYK 77 / 14 / 0 / 45

HEX #20798D

RGB 32 121 141

HSL 191.01, 0.63%, 0.34%

LAB 46.85, -18.4, -18.25

 

CMYK 24 / 77 / 0 / 45

HEX #6B208D

RGB 107 32 141

HSL 281.28, 0.63%, 0.34%

LAB 29.62, 49.86, -45.07

 

CMYK 0 / 63 / 77 / 45

HEX #8D3420

RGB 141 52 32

HSL 11.01, 0.63%, 0.34%

LAB 34.44, 36.66, 31.71

 

Description

Color code: HEX #418B20 | qconv.com Color code: HEX #418B20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 139 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 139 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 77 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 77% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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