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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60B987 it is the complementary color #9F4678. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60B987. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #60B987: #65B982, #76CB95, #87DDA8, #98EFBB and #A9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60B987. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #60B987: #60B987, #4FA774, #3E9561, #2D834E and #1C713B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

Complementary color

CMYK 0 / 56 / 25 / 38

HEX #9F4678

RGB 159 70 120

HSL 326.29, 0.39%, 0.45%

LAB 42.92, 42.81, -10.66

 

CMYK 45 / 0 / 30 / 27

HEX #65B982

RGB 101 185 130

HSL 140.71, 0.38%, 0.56%

LAB 68.81, -37.9, 20.18

 

CMYK 42 / 0 / 27 / 20

HEX #76CB95

RGB 118 203 149

HSL 141.88, 0.45%, 0.63%

LAB 75.29, -37.66, 19.05

 

CMYK 39 / 0 / 24 / 13

HEX #87DDA8

RGB 135 221 168

HSL 143.02, 0.56%, 0.7%

LAB 81.67, -37.4, 17.99

 

CMYK 36 / 0 / 22 / 6

HEX #98EFBB

RGB 152 239 187

HSL 144.14, 0.73%, 0.77%

LAB 87.97, -37.15, 17.01

 

CMYK 34 / 0 / 19 / 0

HEX #A9FFCE

RGB 169 255 206

HSL 145.81, 1%, 0.83%

LAB 93.63, -35.98, 15.3

 

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

CMYK 53 / 0 / 31 / 35

HEX #4FA774

RGB 79 167 116

HSL 145.23, 0.36%, 0.48%

LAB 62.13, -38.43, 18.51

 

CMYK 58 / 0 / 35 / 42

HEX #3E9561

RGB 62 149 97

HSL 144.14, 0.41%, 0.41%

LAB 55.46, -38.48, 19.83

 

CMYK 66 / 0 / 40 / 49

HEX #2D834E

RGB 45 131 78

HSL 143.02, 0.49%, 0.35%

LAB 48.69, -38.35, 21.3

 

CMYK 75 / 0 / 48 / 56

HEX #1C713B

RGB 28 113 59

HSL 141.88, 0.6%, 0.28%

LAB 41.8, -37.85, 22.93

 

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

CMYK 49 / 0 / 19 / 27

HEX #5FB995

RGB 95 185 149

HSL 156, 0.39%, 0.55%

LAB 68.97, -35.57, 10.06

 

CMYK 49 / 0 / 11 / 27

HEX #5FB9A4

RGB 95 185 164

HSL 166, 0.39%, 0.55%

LAB 69.33, -32.11, 2.37

 

CMYK 49 / 0 / 3 / 27

HEX #5FB9B3

RGB 95 185 179

HSL 176, 0.39%, 0.55%

LAB 69.74, -28.38, -5.28

 

CMYK 49 / 5 / 0 / 27

HEX #5FB0B9

RGB 95 176 185

HSL 186, 0.39%, 0.55%

LAB 67.27, -22.3, -12.27

 

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

CMYK 48 / 0 / 27 / 7

HEX #7AECAC

RGB 122 236 172

HSL 146.32, 0.75%, 0.7%

LAB 85.56, -46.71, 21.23

 

CMYK 47 / 0 / 28 / 87

HEX #112017

RGB 17 32 23

HSL 144, 0.31%, 0.1%

LAB 10.66, -9.05, 4.12

 

CMYK 48 / 0 / 27 / 67

HEX #2B533D

RGB 43 83 61

HSL 147, 0.32%, 0.25%

LAB 31.89, -19.94, 8.58

 

CMYK 48 / 0 / 27 / 47

HEX #468662

RGB 70 134 98

HSL 146.25, 0.31%, 0.4%

LAB 50.96, -29.33, 13.15

 

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

CMYK 49 / 31 / 0 / 27

HEX #5F80B9

RGB 95 128 185

HSL 218, 0.39%, 0.55%

LAB 53.36, 4.26, -33.59

 

CMYK 0 / 47 / 49 / 27

HEX #B9625F

RGB 185 98 95

HSL 2, 0.39%, 0.55%

LAB 51.7, 34.6, 17.56

 

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

CMYK 28 / 49 / 0 / 27

HEX #865FB9

RGB 134 95 185

HSL 266, 0.39%, 0.55%

LAB 47.95, 34.48, -41.89

 

CMYK 0 / 28 / 49 / 27

HEX #B9865F

RGB 185 134 95

HSL 26, 0.39%, 0.55%

LAB 60.06, 14.83, 28.64

 

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

CMYK 49 / 31 / 0 / 27

HEX #5F80B9

RGB 95 128 185

HSL 218, 0.39%, 0.55%

LAB 53.36, 4.26, -33.59

 

CMYK 0 / 49 / 21 / 27

HEX #B95F92

RGB 185 95 146

HSL 326, 0.39%, 0.55%

LAB 52.48, 42.55, -11.52

 

CMYK 0 / 18 / 49 / 27

HEX #B9985F

RGB 185 152 95

HSL 38, 0.39%, 0.55%

LAB 64.64, 4.9, 34.48

 

CMYK 48 / 0 / 27 / 27

HEX #60B987

RGB 96 185 135

HSL 146.29, 0.39%, 0.55%

LAB 68.7, -38.27, 17.31

 

CMYK 49 / 45 / 0 / 27

HEX #5F65B9

RGB 95 101 185

HSL 236, 0.39%, 0.55%

LAB 45.97, 20.73, -45.26

 

CMYK 0 / 49 / 21 / 27

HEX #B95F92

RGB 185 95 146

HSL 326, 0.39%, 0.55%

LAB 52.48, 42.55, -11.52

 

CMYK 0 / 3 / 49 / 27

HEX #B9B35F

RGB 185 179 95

HSL 56, 0.39%, 0.55%

LAB 71.81, -9.54, 43.31

 

Description

Color code: HEX #60B987 | qconv.com Color code: HEX #60B987 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 185 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 185 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 27 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 27% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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