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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #609CBA it is the complementary color #9F6345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #609CBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #609CBA: #659CB5, #76AEC8, #87C0DB, #98D2EE and #A9E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #609CBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #609CBA: #609CBA, #4F8AA7, #3E7894, #2D6681 and #1C546E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

Complementary color

CMYK 0 / 38 / 57 / 38

HEX #9F6345

RGB 159 99 69

HSL 20, 0.39%, 0.45%

LAB 47.91, 21.09, 27.08

 

CMYK 44 / 14 / 0 / 29

HEX #659CB5

RGB 101 156 181

HSL 198.75, 0.35%, 0.55%

LAB 61.55, -11.38, -18.65

 

CMYK 41 / 13 / 0 / 22

HEX #76AEC8

RGB 118 174 200

HSL 199.02, 0.43%, 0.62%

LAB 68.24, -11.55, -19

 

CMYK 38 / 12 / 0 / 14

HEX #87C0DB

RGB 135 192 219

HSL 199.29, 0.54%, 0.69%

LAB 74.8, -11.68, -19.35

 

CMYK 36 / 12 / 0 / 7

HEX #98D2EE

RGB 152 210 238

HSL 199.53, 0.72%, 0.76%

LAB 81.26, -11.79, -19.7

 

CMYK 34 / 11 / 0 / 0

HEX #A9E4FF

RGB 169 228 255

HSL 198.84, 1%, 0.83%

LAB 87.55, -12.36, -19.09

 

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

CMYK 53 / 17 / 0 / 35

HEX #4F8AA7

RGB 79 138 167

HSL 199.77, 0.36%, 0.48%

LAB 54.69, -10.87, -21.26

 

CMYK 58 / 19 / 0 / 42

HEX #3E7894

RGB 62 120 148

HSL 199.53, 0.41%, 0.41%

LAB 47.75, -10.4, -20.93

 

CMYK 65 / 21 / 0 / 49

HEX #2D6681

RGB 45 102 129

HSL 199.29, 0.48%, 0.34%

LAB 40.65, -9.74, -20.57

 

CMYK 75 / 24 / 0 / 57

HEX #1C546E

RGB 28 84 110

HSL 199.02, 0.59%, 0.27%

LAB 33.38, -8.75, -20.18

 

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

CMYK 49 / 24 / 0 / 27

HEX #5F8CB9

RGB 95 140 185

HSL 210, 0.39%, 0.55%

LAB 56.77, -2.76, -28.27

 

CMYK 49 / 32 / 0 / 27

HEX #5F7DB9

RGB 95 125 185

HSL 220, 0.39%, 0.55%

LAB 52.51, 6.05, -34.91

 

CMYK 49 / 41 / 0 / 27

HEX #5F6EB9

RGB 95 110 185

HSL 230, 0.39%, 0.55%

LAB 48.37, 15.16, -41.44

 

CMYK 49 / 49 / 0 / 27

HEX #5F5FB9

RGB 95 95 185

HSL 240, 0.39%, 0.55%

LAB 44.4, 24.45, -47.75

 

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

CMYK 49 / 16 / 0 / 7

HEX #7AC7ED

RGB 122 199 237

HSL 199.83, 0.76%, 0.7%

LAB 76.74, -13.72, -26.17

 

CMYK 48 / 15 / 0 / 87

HEX #111C21

RGB 17 28 33

HSL 198.75, 0.32%, 0.1%

LAB 9.48, -3.22, -5.01

 

CMYK 49 / 17 / 0 / 67

HEX #2B4654

RGB 43 70 84

HSL 200.49, 0.32%, 0.25%

LAB 28.2, -5.89, -11.56

 

CMYK 48 / 16 / 0 / 47

HEX #467187

RGB 70 113 135

HSL 200.31, 0.32%, 0.4%

LAB 45.44, -8.53, -16.72

 

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

CMYK 23 / 49 / 0 / 27

HEX #8F5FB9

RGB 143 95 185

HSL 272, 0.39%, 0.55%

LAB 48.92, 36.99, -40.3

 

CMYK 0 / 3 / 49 / 27

HEX #B9B35F

RGB 185 179 95

HSL 56, 0.39%, 0.55%

LAB 71.81, -9.54, 43.31

 

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

CMYK 0 / 49 / 16 / 27

HEX #B95F9B

RGB 185 95 155

HSL 320, 0.39%, 0.55%

LAB 52.8, 43.93, -16.33

 

CMYK 16 / 0 / 49 / 27

HEX #9BB95F

RGB 155 185 95

HSL 80, 0.39%, 0.55%

LAB 71.21, -24.72, 42.05

 

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

CMYK 23 / 49 / 0 / 27

HEX #8F5FB9

RGB 143 95 185

HSL 272, 0.39%, 0.55%

LAB 48.92, 36.99, -40.3

 

CMYK 0 / 32 / 49 / 27

HEX #B97D5F

RGB 185 125 95

HSL 20, 0.39%, 0.55%

LAB 57.85, 19.84, 25.77

 

CMYK 26 / 0 / 49 / 27

HEX #89B95F

RGB 137 185 95

HSL 92, 0.39%, 0.55%

LAB 70.07, -31.56, 40.39

 

CMYK 48 / 16 / 0 / 27

HEX #609CBA

RGB 96 156 186

HSL 200, 0.39%, 0.55%

LAB 61.49, -11.21, -21.58

 

CMYK 8 / 49 / 0 / 27

HEX #AA5FB9

RGB 170 95 185

HSL 290, 0.39%, 0.55%

LAB 52.1, 44.72, -35.07

 

CMYK 0 / 32 / 49 / 27

HEX #B97D5F

RGB 185 125 95

HSL 20, 0.39%, 0.55%

LAB 57.85, 19.84, 25.77

 

CMYK 41 / 0 / 49 / 27

HEX #6EB95F

RGB 110 185 95

HSL 110, 0.39%, 0.55%

LAB 68.63, -40.88, 38.31

 

Description

Color code: HEX #609CBA | qconv.com Color code: HEX #609CBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 156 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 156 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 16 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 16% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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