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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #607CD54C it is the complementary color #9F832A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #607CD54C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #607CD54C shade: #657CD04C, #768EE34C, #87A0F64C, #98B2FF4C and #A9C4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #607CD54C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #607CD54C shade: #607CD54C, #4F6AC24C, #3E58AF4C, #2D469C4C and #1C34894C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #607CD54C shade: #627DD5, #6562D5, #8462D5, #A462D5 and #C362D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #607CD54C shade: #627DD5 and #6262D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #607CD54C shade matches the following richer shades: #627DD5, #5275E5 and #426DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #607CD54C shade: #627DD5, #7286C5, #828EB5, #9297A5 and #A29F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #607CD54C shade: #62BCD5, #629DD5, #627FD5, #6462D5 and #8362D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #607CD54C shade: #3050B5, #4163CD, #627DD5, #8298DE and #A3B3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #607CD54C shade: #607CD5, #CF62D5 and #ADD562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #607CD54C shade: #607CD5, #D5627F and #7FD562

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #607CD54C shade: #607CD5, #CF62D5, #D5B862 and #68D562

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #607CD54C shade: #607CD5, #D562B8, #D5B862 and #62D57F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 13 / 0 / 5

HEX #607CD54C

RGBA 96 124 213 0.3

HSLA 225.64, 0.58%, 0.61%, 0.3

LABA 53.71, 15.72, -48.96, 0.3

 

Complementary color

CMYK 0 / 5 / 22 / 11

HEX #9F832A4C

RGBA 159 131 42 0.3

HSLA 45.64, 0.58%, 0.39%, 0.3

LABA 55.86, 1.09, 49.62, 0.3

 

CMYK 15 / 12 / 0 / 6

HEX #657CD04C

RGBA 101 124 208 0.3

HSLA 227.1, 0.53%, 0.61%, 0.3

LABA 53.75, 15.22, -46.06, 0.3

 

CMYK 14 / 11 / 0 / 3

HEX #768EE34C

RGBA 118 142 227 0.3

HSLA 226.79, 0.66%, 0.68%, 0.3

LABA 60.55, 14.23, -45.88, 0.3

 

CMYK 14 / 10 / 0 / 1

HEX #87A0F64C

RGBA 135 160 246 0.3

HSLA 226.49, 0.86%, 0.75%, 0.3

LABA 67.24, 13.39, -45.74, 0.3

 

CMYK 12 / 9 / 0 / 0

HEX #98B2FF4C

RGBA 152 178 255 0.3

HSLA 224.85, 1%, 0.8%, 0.3

LABA 73.37, 9.93, -40.93, 0.3

 

CMYK 10 / 7 / 0 / 0

HEX #A9C4FF4C

RGBA 169 196 255 0.3

HSLA 221.16, 1%, 0.83%, 0.3

LABA 79.12, 4.51, -31.95, 0.3

 

CMYK 16 / 13 / 0 / 5

HEX #607CD54C

RGBA 96 124 213 0.3

HSLA 225.64, 0.58%, 0.61%, 0.3

LABA 53.71, 15.72, -48.96, 0.3

 

CMYK 18 / 14 / 0 / 7

HEX #4F6AC24C

RGBA 79 106 194 0.3

HSLA 225.91, 0.49%, 0.54%, 0.3

LABA 46.8, 17.07, -49.2, 0.3

 

CMYK 19 / 15 / 0 / 9

HEX #3E58AF4C

RGBA 62 88 175 0.3

HSLA 226.19, 0.48%, 0.46%, 0.3

LABA 39.75, 18.74, -49.48, 0.3

 

CMYK 21 / 17 / 0 / 12

HEX #2D469C4C

RGBA 45 70 156 0.3

HSLA 226.49, 0.55%, 0.39%, 0.3

LABA 32.57, 20.85, -49.76, 0.3

 

CMYK 24 / 19 / 0 / 14

HEX #1C34894C

RGBA 28 52 137 0.3

HSLA 226.79, 0.66%, 0.32%, 0.3

LABA 25.29, 23.55, -49.98, 0.3

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 53 / 54 / 0 / 16

HEX #6562D5

RGB 101 98 213

HSL 241.57, 0.58%, 0.61%

LAB 47.37, 32.64, -59.1

 

CMYK 38 / 54 / 0 / 16

HEX #8462D5

RGB 132 98 213

HSL 257.74, 0.58%, 0.61%

LAB 50.03, 39.51, -54.68

 

CMYK 23 / 54 / 0 / 16

HEX #A462D5

RGB 164 98 213

HSL 274.43, 0.58%, 0.61%

LAB 53.42, 47.48, -49.07

 

CMYK 8 / 54 / 0 / 16

HEX #C362D5

RGB 195 98 213

HSL 290.61, 0.58%, 0.61%

LAB 57.21, 55.6, -42.82

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 54 / 54 / 0 / 16

HEX #6262D5

RGB 98 98 213

HSL 240, 0.58%, 0.61%

LAB 47.15, 32.04, -59.46

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 64 / 49 / 0 / 10

HEX #5275E5

RGB 82 117 229

HSL 225.71, 0.74%, 0.61%

LAB 52.03, 22.71, -60.7

 

CMYK 73 / 56 / 0 / 4

HEX #426DF5

RGB 66 109 245

HSL 225.59, 0.9%, 0.61%

LAB 50.32, 31.03, -72.46

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 42 / 32 / 0 / 23

HEX #7286C5

RGB 114 134 197

HSL 225.54, 0.42%, 0.61%

LAB 56.74, 9.12, -35.05

 

CMYK 28 / 22 / 0 / 29

HEX #828EB5

RGB 130 142 181

HSL 225.88, 0.26%, 0.61%

LAB 59.37, 4.71, -21.82

 

CMYK 12 / 8 / 0 / 35

HEX #9297A5

RGB 146 151 165

HSL 224.21, 0.1%, 0.61%

LAB 62.47, 1.09, -7.95

 

CMYK 0 / 2 / 8 / 36

HEX #A29F95

RGB 162 159 149

HSL 46.15, 0.07%, 0.61%

LAB 65.47, -0.74, 5.59

 

CMYK 54 / 12 / 0 / 16

HEX #62BCD5

RGB 98 188 213

HSL 193.04, 0.58%, 0.61%

LAB 71.8, -19.98, -20.8

 

CMYK 54 / 26 / 0 / 16

HEX #629DD5

RGB 98 157 213

HSL 209.22, 0.58%, 0.61%

LAB 62.94, -3.25, -34.43

 

CMYK 54 / 40 / 0 / 16

HEX #627FD5

RGB 98 127 213

HSL 224.87, 0.58%, 0.61%

LAB 54.64, 14.33, -47.48

 

CMYK 53 / 54 / 0 / 16

HEX #6462D5

RGB 100 98 213

HSL 241.04, 0.58%, 0.61%

LAB 47.3, 32.44, -59.22

 

CMYK 38 / 54 / 0 / 16

HEX #8362D5

RGB 131 98 213

HSL 257.22, 0.58%, 0.61%

LAB 49.94, 39.28, -54.84

 

CMYK 73 / 56 / 0 / 29

HEX #3050B5

RGB 48 80 181

HSL 225.56, 0.58%, 0.45%

LAB 37.3, 24.03, -57

 

CMYK 68 / 52 / 0 / 20

HEX #4163CD

RGB 65 99 205

HSL 225.43, 0.58%, 0.53%

LAB 44.88, 22.91, -58.66

 

CMYK 54 / 41 / 0 / 16

HEX #627DD5

RGB 98 125 213

HSL 225.91, 0.58%, 0.61%

LAB 54.1, 15.54, -48.34

 

CMYK 41 / 32 / 0 / 13

HEX #8298DE

RGB 130 152 222

HSL 225.65, 0.58%, 0.69%

LAB 63.73, 9.92, -38.05

 

CMYK 29 / 23 / 0 / 9

HEX #A3B3E7

RGB 163 179 231

HSL 225.88, 0.59%, 0.77%

LAB 73.41, 6.16, -27.83

 

CMYK 55 / 42 / 0 / 16

HEX #607CD5

RGB 96 124 213

HSL 225.64, 0.58%, 0.61%

LAB 53.71, 15.72, -48.96

 

CMYK 3 / 54 / 0 / 16

HEX #CF62D5

RGB 207 98 213

HSL 296.87, 0.58%, 0.61%

LAB 58.79, 58.79, -40.23

 

CMYK 19 / 0 / 54 / 16

HEX #ADD562

RGB 173 213 98

HSL 80.87, 0.58%, 0.61%

LAB 80.38, -30.9, 51.83

 

CMYK 55 / 42 / 0 / 16

HEX #607CD5

RGB 96 124 213

HSL 225.64, 0.58%, 0.61%

LAB 53.71, 15.72, -48.96

 

CMYK 0 / 54 / 40 / 16

HEX #D5627F

RGB 213 98 127

HSL 344.87, 0.58%, 0.61%

LAB 56.5, 48.05, 6.04

 

CMYK 40 / 0 / 54 / 16

HEX #7FD562

RGB 127 213 98

HSL 104.87, 0.58%, 0.61%

LAB 77.86, -47.06, 48.24

 

CMYK 55 / 42 / 0 / 16

HEX #607CD5

RGB 96 124 213

HSL 225.64, 0.58%, 0.61%

LAB 53.71, 15.72, -48.96

 

CMYK 3 / 54 / 0 / 16

HEX #CF62D5

RGB 207 98 213

HSL 296.87, 0.58%, 0.61%

LAB 58.79, 58.79, -40.23

 

CMYK 0 / 14 / 54 / 16

HEX #D5B862

RGB 213 184 98

HSL 44.87, 0.58%, 0.61%

LAB 75.64, -0.23, 47.02

 

CMYK 51 / 0 / 54 / 16

HEX #68D562

RGB 104 213 98

HSL 116.87, 0.58%, 0.61%

LAB 76.93, -53.78, 46.9

 

CMYK 55 / 42 / 0 / 16

HEX #607CD5

RGB 96 124 213

HSL 225.64, 0.58%, 0.61%

LAB 53.71, 15.72, -48.96

 

CMYK 0 / 54 / 14 / 16

HEX #D562B8

RGB 213 98 184

HSL 315.13, 0.58%, 0.61%

LAB 58.36, 55.61, -24.32

 

CMYK 0 / 14 / 54 / 16

HEX #D5B862

RGB 213 184 98

HSL 44.87, 0.58%, 0.61%

LAB 75.64, -0.23, 47.02

 

CMYK 54 / 0 / 40 / 16

HEX #62D57F

RGB 98 213 127

HSL 135.13, 0.58%, 0.61%

LAB 77.11, -51.13, 32.84

 

Description

Color code: HEX #607CD54C | qconv.com Color code: HEX #607CD54C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 124 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 124 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 13 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 13% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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