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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60666A it is the complementary color #9F9995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60666A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #60666A: #656665, #767878, #878A8B, #989C9E and #A9AEB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60666A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #60666A: #60666A, #4F5457, #3E4244, #2D3031 and #1C1E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

Complementary color

CMYK 0 / 4 / 6 / 38

HEX #9F9995

RGB 159 153 149

HSL 24, 0.05%, 0.6%

LAB 63.61, 1.45, 2.87

 

CMYK 1 / 0 / 1 / 60

HEX #656665

RGB 101 102 101

HSL 120, 0%, 0.4%

LAB 43.08, -0.59, 0.42

 

CMYK 2 / 0 / 0 / 53

HEX #767878

RGB 118 120 120

HSL 180, 0.01%, 0.47%

LAB 50.26, -0.75, -0.27

 

CMYK 3 / 1 / 0 / 45

HEX #878A8B

RGB 135 138 139

HSL 195, 0.02%, 0.54%

LAB 57.26, -0.9, -0.93

 

CMYK 4 / 1 / 0 / 38

HEX #989C9E

RGB 152 156 158

HSL 200, 0.03%, 0.61%

LAB 64.1, -1.04, -1.55

 

CMYK 5 / 2 / 0 / 31

HEX #A9AEB1

RGB 169 174 177

HSL 202.5, 0.05%, 0.68%

LAB 70.79, -1.17, -2.16

 

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

CMYK 9 / 3 / 0 / 66

HEX #4F5457

RGB 79 84 87

HSL 202.5, 0.05%, 0.33%

LAB 35.38, -1.31, -2.44

 

CMYK 9 / 3 / 0 / 73

HEX #3E4244

RGB 62 66 68

HSL 200, 0.05%, 0.25%

LAB 27.68, -1.19, -1.79

 

CMYK 8 / 2 / 0 / 81

HEX #2D3031

RGB 45 48 49

HSL 195, 0.04%, 0.18%

LAB 19.61, -1.06, -1.1

 

CMYK 7 / 0 / 0 / 88

HEX #1C1E1E

RGB 28 30 30

HSL 180, 0.03%, 0.11%

LAB 11.06, -0.94, -0.33

 

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

CMYK 10 / 6 / 0 / 58

HEX #60656B

RGB 96 101 107

HSL 212.73, 0.05%, 0.4%

LAB 42.55, -0.6, -4.05

 

CMYK 10 / 7 / 0 / 58

HEX #60636B

RGB 96 99 107

HSL 223.64, 0.05%, 0.4%

LAB 41.96, 0.6, -4.92

 

CMYK 10 / 9 / 0 / 58

HEX #60616B

RGB 96 97 107

HSL 234.55, 0.05%, 0.4%

LAB 41.37, 1.81, -5.79

 

CMYK 9 / 10 / 0 / 58

HEX #61606B

RGB 97 96 107

HSL 245.45, 0.05%, 0.4%

LAB 41.17, 2.79, -6.09

 

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

CMYK 10 / 4 / 0 / 38

HEX #8E979D

RGB 142 151 157

HSL 204, 0.07%, 0.59%

LAB 61.93, -1.99, -4.27

 

CMYK 10 / 4 / 0 / 18

HEX #BCC8D0

RGB 188 200 208

HSL 204, 0.18%, 0.78%

LAB 79.93, -2.51, -5.4

 

CMYK 0 / 0 / 0 / 98

HEX #040404

RGB 4 4 4

HSL 0, 0%, 0.02%

LAB 1.1, 0, -0

 

CMYK 9 / 4 / 0 / 78

HEX #323537

RGB 50 53 55

HSL 204, 0.05%, 0.21%

LAB 21.94, -0.8, -1.71

 

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

CMYK 4 / 10 / 0 / 58

HEX #67606B

RGB 103 96 107

HSL 278.18, 0.05%, 0.4%

LAB 41.71, 5.06, -5.23

 

CMYK 0 / 0 / 10 / 58

HEX #6B6B60

RGB 107 107 96

HSL 60, 0.05%, 0.4%

LAB 44.92, -2.15, 6.17

 

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

CMYK 0 / 10 / 4 / 58

HEX #6B6067

RGB 107 96 103

HSL 321.82, 0.05%, 0.4%

LAB 41.95, 5.78, -2.37

 

CMYK 4 / 0 / 10 / 58

HEX #676B60

RGB 103 107 96

HSL 81.82, 0.05%, 0.4%

LAB 44.58, -3.75, 5.63

 

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

CMYK 4 / 10 / 0 / 58

HEX #67606B

RGB 103 96 107

HSL 278.18, 0.05%, 0.4%

LAB 41.71, 5.06, -5.23

 

CMYK 0 / 7 / 10 / 58

HEX #6B6460

RGB 107 100 96

HSL 21.82, 0.05%, 0.4%

LAB 42.89, 1.99, 3.25

 

CMYK 7 / 0 / 10 / 58

HEX #646B60

RGB 100 107 96

HSL 98.18, 0.05%, 0.4%

LAB 44.33, -4.94, 5.25

 

CMYK 9 / 4 / 0 / 58

HEX #60666A

RGB 96 102 106

HSL 204, 0.05%, 0.4%

LAB 42.81, -1.43, -3.05

 

CMYK 1 / 10 / 0 / 58

HEX #6A606B

RGB 106 96 107

HSL 294.55, 0.05%, 0.4%

LAB 41.99, 6.21, -4.78

 

CMYK 0 / 7 / 10 / 58

HEX #6B6460

RGB 107 100 96

HSL 21.82, 0.05%, 0.4%

LAB 42.89, 1.99, 3.25

 

CMYK 9 / 0 / 10 / 58

HEX #616B60

RGB 97 107 96

HSL 114.55, 0.05%, 0.4%

LAB 44.09, -6.12, 4.87

 

Description

Color code: HEX #60666A | qconv.com Color code: HEX #60666A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 102 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 102 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 4 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 4% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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