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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60086D it is the complementary color #9FF792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60086D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #60086D: #650868, #761A7B, #872C8E, #983EA1 and #A950B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60086D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #60086D: #60086D, #4F005A, #3E0047, #2D0034 and #1C0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

Complementary color

CMYK 36 / 0 / 41 / 3

HEX #9FF792

RGB 159 247 146

HSL 112.28, 0.86%, 0.77%

LAB 89.84, -45.34, 40.36

 

CMYK 3 / 92 / 0 / 59

HEX #650868

RGB 101 8 104

HSL 298.13, 0.86%, 0.22%

LAB 23.47, 48.55, -31.52

 

CMYK 4 / 79 / 0 / 52

HEX #761A7B

RGB 118 26 123

HSL 296.91, 0.65%, 0.29%

LAB 29.46, 50.73, -33.96

 

CMYK 5 / 69 / 0 / 44

HEX #872C8E

RGB 135 44 142

HSL 295.71, 0.53%, 0.36%

LAB 35.8, 51.49, -35.52

 

CMYK 6 / 61 / 0 / 37

HEX #983EA1

RGB 152 62 161

HSL 294.55, 0.44%, 0.44%

LAB 42.3, 51.49, -36.56

 

CMYK 6 / 56 / 0 / 29

HEX #A950B4

RGB 169 80 180

HSL 293.4, 0.4%, 0.51%

LAB 48.84, 51.08, -37.29

 

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

CMYK 12 / 100 / 0 / 65

HEX #4F005A

RGB 79 0 90

HSL 292.67, 1%, 0.18%

LAB 17.46, 43.98, -32.15

 

CMYK 13 / 100 / 0 / 72

HEX #3E0047

RGB 62 0 71

HSL 292.39, 1%, 0.14%

LAB 12.47, 37.43, -27.36

 

CMYK 13 / 100 / 0 / 80

HEX #2D0034

RGB 45 0 52

HSL 291.92, 1%, 0.1%

LAB 7.28, 30.47, -22.31

 

CMYK 15 / 100 / 0 / 87

HEX #1C0021

RGB 28 0 33

HSL 290.91, 1%, 0.06%

LAB 3.22, 16.97, -14.46

 

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

CMYK 0 / 93 / 4 / 57

HEX #6D0869

RGB 109 8 105

HSL 302.38, 0.86%, 0.23%

LAB 25.09, 50.3, -29.5

 

CMYK 0 / 93 / 19 / 57

HEX #6D0858

RGB 109 8 88

HSL 312.48, 0.86%, 0.23%

LAB 24.09, 47.71, -19.89

 

CMYK 0 / 93 / 34 / 57

HEX #6D0848

RGB 109 8 72

HSL 321.98, 0.86%, 0.23%

LAB 23.31, 45.6, -10.32

 

CMYK 0 / 93 / 50 / 57

HEX #6D0837

RGB 109 8 55

HSL 332.08, 0.86%, 0.23%

LAB 22.66, 43.79, 0.41

 

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

CMYK 12 / 93 / 0 / 37

HEX #8D0CA0

RGB 141 12 160

HSL 292.3, 0.86%, 0.34%

LAB 34.93, 64.71, -47.84

 

CMYK 12 / 93 / 0 / 17

HEX #BA0FD3

RGB 186 15 211

HSL 292.35, 0.87%, 0.44%

LAB 46.29, 79.99, -59.19

 

CMYK 14 / 86 / 0 / 97

HEX #060107

RGB 6 1 7

HSL 290, 0.75%, 0.02%

LAB 0.68, 2.14, -1.81

 

CMYK 12 / 93 / 0 / 77

HEX #33043A

RGB 51 4 58

HSL 292.22, 0.87%, 0.12%

LAB 9.77, 30.83, -22.61

 

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

CMYK 0 / 87 / 93 / 57

HEX #6D0E08

RGB 109 14 8

HSL 3.56, 0.86%, 0.23%

LAB 22.24, 39.72, 30.08

 

CMYK 93 / 0 / 50 / 57

HEX #086D37

RGB 8 109 55

HSL 147.92, 0.86%, 0.23%

LAB 40.02, -39.57, 22.84

 

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

CMYK 0 / 13 / 93 / 57

HEX #6D5F08

RGB 109 95 8

HSL 51.68, 0.86%, 0.23%

LAB 40.33, -3.34, 45.34

 

CMYK 93 / 0 / 13 / 57

HEX #086D5F

RGB 8 109 95

HSL 171.68, 0.86%, 0.23%

LAB 40.92, -29.62, 0.41

 

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

CMYK 0 / 87 / 93 / 57

HEX #6D0E08

RGB 109 14 8

HSL 3.56, 0.86%, 0.23%

LAB 22.24, 39.72, 30.08

 

CMYK 81 / 0 / 93 / 57

HEX #156D08

RGB 21 109 8

HSL 112.28, 0.86%, 0.23%

LAB 39.77, -43.3, 42.8

 

CMYK 93 / 6 / 0 / 57

HEX #08666D

RGB 8 102 109

HSL 184.16, 0.86%, 0.23%

LAB 39, -21.55, -10.99

 

CMYK 12 / 93 / 0 / 57

HEX #60086D

RGB 96 8 109

HSL 292.28, 0.86%, 0.23%

LAB 22.88, 48.5, -35.78

 

CMYK 0 / 59 / 93 / 57

HEX #6D2D08

RGB 109 45 8

HSL 21.98, 0.86%, 0.23%

LAB 27.15, 26.46, 34.81

 

CMYK 81 / 0 / 93 / 57

HEX #156D08

RGB 21 109 8

HSL 112.28, 0.86%, 0.23%

LAB 39.77, -43.3, 42.8

 

CMYK 93 / 34 / 0 / 57

HEX #08486D

RGB 8 72 109

HSL 201.98, 0.86%, 0.23%

LAB 28.88, -3.9, -26.63

 

Description

Color code: HEX #60086D | qconv.com Color code: HEX #60086D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 8 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 8 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 93 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 93% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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