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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FBEE7 it is the complementary color #A04118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FBEE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5FBEE7: #64BEE2, #75D0F5, #86E2FF, #97F4FF and #A8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FBEE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5FBEE7: #5FBEE7, #4EACD4, #3D9AC1, #2C88AE and #1B769B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

Complementary color

CMYK 0 / 59 / 85 / 37

HEX #A04118

RGB 160 65 24

HSL 18.09, 0.74%, 0.36%

LAB 40.11, 37.35, 42.47

 

CMYK 56 / 16 / 0 / 11

HEX #64BEE2

RGB 100 190 226

HSL 197.14, 0.68%, 0.64%

LAB 72.91, -16.85, -26.17

 

CMYK 52 / 15 / 0 / 4

HEX #75D0F5

RGB 117 208 245

HSL 197.34, 0.86%, 0.71%

LAB 79.32, -17.24, -26.53

 

CMYK 47 / 11 / 0 / 0

HEX #86E2FF

RGB 134 226 255

HSL 194.38, 1%, 0.76%

LAB 85.34, -19.97, -22.6

 

CMYK 41 / 4 / 0 / 0

HEX #97F4FF

RGB 151 244 255

HSL 186.35, 1%, 0.8%

LAB 91.01, -24.91, -13.99

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

CMYK 63 / 19 / 0 / 17

HEX #4EACD4

RGB 78 172 212

HSL 197.91, 0.61%, 0.57%

LAB 66.43, -15.7, -28.54

 

CMYK 68 / 20 / 0 / 24

HEX #3D9AC1

RGB 61 154 193

HSL 197.73, 0.52%, 0.5%

LAB 59.85, -14.87, -28.15

 

CMYK 75 / 22 / 0 / 32

HEX #2C88AE

RGB 44 136 174

HSL 197.54, 0.6%, 0.43%

LAB 53.17, -13.78, -27.72

 

CMYK 83 / 24 / 0 / 39

HEX #1B769B

RGB 27 118 155

HSL 197.34, 0.7%, 0.36%

LAB 46.39, -12.31, -27.23

 

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

CMYK 59 / 28 / 0 / 9

HEX #5FA7E7

RGB 95 167 231

HSL 208.24, 0.74%, 0.64%

LAB 66.4, -3.87, -38.99

 

CMYK 59 / 37 / 0 / 9

HEX #5F91E7

RGB 95 145 231

HSL 217.94, 0.74%, 0.64%

LAB 60.3, 8.78, -48.59

 

CMYK 59 / 47 / 0 / 9

HEX #5F7AE7

RGB 95 122 231

HSL 228.09, 0.74%, 0.64%

LAB 54.16, 22.61, -58.37

 

CMYK 59 / 57 / 0 / 9

HEX #5F63E7

RGB 95 99 231

HSL 238.24, 0.74%, 0.64%

LAB 48.42, 36.62, -67.63

 

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

CMYK 59 / 19 / 0 / 89

HEX #0B161B

RGB 11 22 27

HSL 198.75, 0.42%, 0.07%

LAB 6.54, -2.68, -4.94

 

CMYK 59 / 18 / 0 / 69

HEX #20404E

RGB 32 64 78

HSL 198.26, 0.42%, 0.22%

LAB 25.33, -7.13, -12.08

 

CMYK 59 / 18 / 0 / 49

HEX #356A81

RGB 53 106 129

HSL 198.16, 0.42%, 0.36%

LAB 42.23, -10.44, -18.11

 

CMYK 59 / 18 / 0 / 29

HEX #4A94B4

RGB 74 148 180

HSL 198.11, 0.42%, 0.5%

LAB 57.97, -13.47, -23.66

 

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

CMYK 29 / 59 / 0 / 9

HEX #A35FE7

RGB 163 95 231

HSL 270, 0.74%, 0.64%

LAB 53.75, 52.96, -58.71

 

CMYK 0 / 6 / 59 / 9

HEX #E7D95F

RGB 231 217 95

HSL 53.82, 0.74%, 0.64%

LAB 85.73, -9.95, 60.41

 

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

CMYK 0 / 59 / 18 / 9

HEX #E75FBE

RGB 231 95 190

HSL 318.09, 0.74%, 0.64%

LAB 60.69, 62.99, -23.96

 

CMYK 18 / 0 / 59 / 9

HEX #BEE75F

RGB 190 231 95

HSL 78.09, 0.74%, 0.64%

LAB 86.47, -33.05, 60.39

 

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

CMYK 29 / 59 / 0 / 9

HEX #A35FE7

RGB 163 95 231

HSL 270, 0.74%, 0.64%

LAB 53.75, 52.96, -58.71

 

CMYK 0 / 41 / 59 / 9

HEX #E7885F

RGB 231 136 95

HSL 18.09, 0.74%, 0.64%

LAB 66.08, 32.49, 37.41

 

CMYK 29 / 0 / 59 / 9

HEX #A3E75F

RGB 163 231 95

HSL 90, 0.74%, 0.64%

LAB 84.88, -42.97, 58.17

 

CMYK 59 / 18 / 0 / 9

HEX #5FBEE7

RGB 95 190 231

HSL 198.09, 0.74%, 0.64%

LAB 72.91, -16.33, -28.9

 

CMYK 12 / 59 / 0 / 9

HEX #CB5FE7

RGB 203 95 231

HSL 287.65, 0.74%, 0.64%

LAB 58.65, 62.5, -50.61

 

CMYK 0 / 41 / 59 / 9

HEX #E7885F

RGB 231 136 95

HSL 18.09, 0.74%, 0.64%

LAB 66.08, 32.49, 37.41

 

CMYK 47 / 0 / 59 / 9

HEX #7AE75F

RGB 122 231 95

HSL 108.09, 0.74%, 0.64%

LAB 82.97, -56.13, 55.5

 

Description

Color code: HEX #5FBEE7 | qconv.com Color code: HEX #5FBEE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 190 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 190 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 18 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 18% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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