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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F71D5 it is the complementary color #A08E2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F71D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5F71D5: #6471D0, #7583E3, #8695F6, #97A7FF and #A8B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F71D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5F71D5: #5F71D5, #4E5FC2, #3D4DAF, #2C3B9C and #1B2989

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

Complementary color

CMYK 0 / 11 / 74 / 37

HEX #A08E2A

RGB 160 142 42

HSL 50.85, 0.58%, 0.4%

LAB 58.96, -4.52, 52.7

 

CMYK 52 / 46 / 0 / 18

HEX #6471D0

RGB 100 113 208

HSL 232.78, 0.53%, 0.6%

LAB 50.77, 21.7, -50.79

 

CMYK 48 / 42 / 0 / 11

HEX #7583E3

RGB 117 131 227

HSL 232.36, 0.66%, 0.67%

LAB 57.62, 20.51, -50.53

 

CMYK 46 / 39 / 0 / 4

HEX #8695F6

RGB 134 149 246

HSL 231.96, 0.86%, 0.75%

LAB 64.34, 19.51, -50.32

 

CMYK 41 / 35 / 0 / 0

HEX #97A7FF

RGB 151 167 255

HSL 230.77, 1%, 0.8%

LAB 70.48, 15.87, -45.47

 

CMYK 34 / 27 / 0 / 0

HEX #A8B9FF

RGB 168 185 255

HSL 228.28, 1%, 0.83%

LAB 76.22, 10.26, -36.43

 

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

CMYK 60 / 51 / 0 / 24

HEX #4E5FC2

RGB 78 95 194

HSL 231.21, 0.49%, 0.53%

LAB 43.8, 23.8, -54.02

 

CMYK 65 / 56 / 0 / 31

HEX #3D4DAF

RGB 61 77 175

HSL 231.58, 0.48%, 0.46%

LAB 36.73, 25.72, -54.35

 

CMYK 72 / 62 / 0 / 39

HEX #2C3B9C

RGB 44 59 156

HSL 231.96, 0.56%, 0.39%

LAB 29.57, 28.07, -54.63

 

CMYK 80 / 70 / 0 / 46

HEX #1B2989

RGB 27 41 137

HSL 232.36, 0.67%, 0.32%

LAB 22.39, 30.92, -54.73

 

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

CMYK 56 / 56 / 0 / 17

HEX #5D5DD4

RGB 93 93 212

HSL 240, 0.58%, 0.6%

LAB 45.51, 33.81, -61.57

 

CMYK 47 / 56 / 0 / 17

HEX #715DD4

RGB 113 93 212

HSL 250.08, 0.58%, 0.6%

LAB 47.1, 37.83, -58.92

 

CMYK 37 / 56 / 0 / 17

HEX #855DD4

RGB 133 93 212

HSL 260.17, 0.58%, 0.6%

LAB 48.97, 42.32, -55.81

 

CMYK 28 / 56 / 0 / 17

HEX #995DD4

RGB 153 93 212

HSL 270.25, 0.58%, 0.6%

LAB 51.1, 47.13, -52.28

 

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

CMYK 56 / 44 / 0 / 96

HEX #040509

RGB 4 5 9

HSL 228, 0.38%, 0.03%

LAB 1.39, 0.3, -1.61

 

CMYK 55 / 47 / 0 / 76

HEX #1B203C

RGB 27 32 60

HSL 230.91, 0.38%, 0.17%

LAB 13.18, 7.09, -18.77

 

CMYK 55 / 47 / 0 / 56

HEX #323B6F

RGB 50 59 111

HSL 231.15, 0.38%, 0.32%

LAB 26.6, 12.63, -31.41

 

CMYK 56 / 47 / 0 / 36

HEX #4856A2

RGB 72 86 162

HSL 230.67, 0.38%, 0.46%

LAB 38.97, 17.47, -42.97

 

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

CMYK 0 / 56 / 2 / 17

HEX #D45DD0

RGB 212 93 208

HSL 302.02, 0.58%, 0.6%

LAB 58.4, 61.52, -37.97

 

CMYK 25 / 0 / 56 / 17

HEX #A0D45D

RGB 160 212 93

HSL 86.22, 0.58%, 0.6%

LAB 79.24, -35.78, 52.59

 

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

CMYK 0 / 56 / 47 / 17

HEX #D45D71

RGB 212 93 113

HSL 349.92, 0.58%, 0.6%

LAB 55.09, 48.67, 12.26

 

CMYK 47 / 0 / 56 / 17

HEX #71D45D

RGB 113 212 93

HSL 109.92, 0.58%, 0.6%

LAB 76.91, -51.46, 49.28

 

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

CMYK 0 / 56 / 2 / 17

HEX #D45DD0

RGB 212 93 208

HSL 302.02, 0.58%, 0.6%

LAB 58.4, 61.52, -37.97

 

CMYK 0 / 9 / 56 / 17

HEX #D4C05D

RGB 212 192 93

HSL 49.92, 0.58%, 0.6%

LAB 77.57, -5.21, 51.65

 

CMYK 56 / 0 / 54 / 17

HEX #5DD461

RGB 93 212 97

HSL 122.02, 0.58%, 0.6%

LAB 76.24, -56.34, 46.45

 

CMYK 55 / 47 / 0 / 16

HEX #5F71D5

RGB 95 113 213

HSL 230.85, 0.58%, 0.6%

LAB 50.74, 22.24, -53.7

 

CMYK 0 / 56 / 19 / 17

HEX #D45DAC

RGB 212 93 172

HSL 320.17, 0.58%, 0.6%

LAB 56.88, 55.83, -19.68

 

CMYK 0 / 9 / 56 / 17

HEX #D4C05D

RGB 212 192 93

HSL 49.92, 0.58%, 0.6%

LAB 77.57, -5.21, 51.65

 

CMYK 56 / 0 / 37 / 17

HEX #5DD485

RGB 93 212 133

HSL 140.17, 0.58%, 0.6%

LAB 76.74, -50.87, 29.25

 

Description

Color code: HEX #5F71D5 | qconv.com Color code: HEX #5F71D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 113 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 113 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 47 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 47% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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