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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EDE2C it is the complementary color #A121D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EDE2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EDE2C shade: #63DE27, #74F03A, #85FF4D, #96FF60 and #A7FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EDE2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EDE2C shade: #5EDE2C, #4DCC19, #3CBA06, #2BA800 and #1A9600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EDE2C shade: #5DDE2B, #8EDE2B, #BEDE2B, #DECE2B and #DE9E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EDE2C shade: #5DDE2B, #2DDE2B, #2BDE59, #2BDE8A and #2BDEBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EDE2C shade matches the following richer shades: #5DDE2B and #55F217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EDE2C shade: #5DDE2B, #66CA3F, #6FB653, #77A367 and #808F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EDE2C shade: #BDDE2B, #8EDE2B, #5EDE2B, #2EDE2B and #2BDE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EDE2C shade: #3E9E19, #4CC21E, #5DDE2B, #79E44F and #94E973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EDE2C shade: #5EDE2C, #2BDECF and #DE2BA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EDE2C shade: #5EDE2C, #2B5EDE and #DE2B5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EDE2C shade: #5EDE2C, #2BDECF, #AB2BDE and #DE2B3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EDE2C shade: #5EDE2C, #2BB7DE, #AB2BDE and #DE522B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 80 / 13

HEX #5EDE2C

RGB 94 222 44

HSL 103.15, 0.73%, 0.52%

LAB 78.93, -64.29, 69.63

 

Complementary color

CMYK 24 / 84 / 0 / 17

HEX #A121D3

RGB 161 33 211

HSL 283.15, 0.73%, 0.48%

LAB 43.31, 73.03, -64.2

 

CMYK 55 / 0 / 82 / 13

HEX #63DE27

RGB 99 222 39

HSL 100.33, 0.73%, 0.51%

LAB 79.07, -63.26, 71.11

 

CMYK 52 / 0 / 76 / 6

HEX #74F03A

RGB 116 240 58

HSL 100.88, 0.86%, 0.58%

LAB 85.17, -64.13, 71.72

 

CMYK 48 / 0 / 70 / 0

HEX #85FF4D

RGB 133 255 77

HSL 101.12, 1%, 0.65%

LAB 90.34, -63.62, 70.75

 

CMYK 41 / 0 / 62 / 0

HEX #96FF60

RGB 150 255 96

HSL 99.62, 1%, 0.69%

LAB 91.17, -57.09, 64.59

 

CMYK 35 / 0 / 55 / 0

HEX #A7FF73

RGB 167 255 115

HSL 97.71, 1%, 0.73%

LAB 92.12, -49.91, 57.79

 

CMYK 58 / 0 / 80 / 13

HEX #5EDE2C

RGB 94 222 44

HSL 103.15, 0.73%, 0.52%

LAB 78.93, -64.29, 69.63

 

CMYK 62 / 0 / 88 / 20

HEX #4DCC19

RGB 77 204 25

HSL 102.57, 0.78%, 0.45%

LAB 72.78, -63.06, 68.39

 

CMYK 68 / 0 / 97 / 27

HEX #3CBA06

RGB 60 186 6

HSL 102, 0.94%, 0.38%

LAB 66.59, -61.32, 65.81

 

CMYK 74 / 0 / 100 / 34

HEX #2BA800

RGB 43 168 0

HSL 104.64, 1%, 0.33%

LAB 60.35, -58.92, 61.42

 

CMYK 83 / 0 / 100 / 41

HEX #1A9600

RGB 26 150 0

HSL 109.6, 1%, 0.29%

LAB 54.06, -55.9, 56.28

 

CMYK 58 / 0 / 81 / 13

HEX #5DDE2B

RGB 93 222 43

HSL 103.24, 0.73%, 0.52%

LAB 78.89, -64.59, 69.86

 

CMYK 36 / 0 / 81 / 13

HEX #8EDE2B

RGB 142 222 43

HSL 86.82, 0.73%, 0.52%

LAB 80.83, -49.97, 72.34

 

CMYK 14 / 0 / 81 / 13

HEX #BEDE2B

RGB 190 222 43

HSL 70.73, 0.73%, 0.52%

LAB 83.63, -31.86, 75.9

 

CMYK 0 / 7 / 81 / 13

HEX #DECE2B

RGB 222 206 43

HSL 54.64, 0.73%, 0.52%

LAB 81.75, -10.77, 75.22

 

CMYK 0 / 29 / 81 / 13

HEX #DE9E2B

RGB 222 158 43

HSL 38.55, 0.73%, 0.52%

LAB 69.58, 14.32, 64.56

 

CMYK 58 / 0 / 81 / 13

HEX #5DDE2B

RGB 93 222 43

HSL 103.24, 0.73%, 0.52%

LAB 78.89, -64.59, 69.86

 

CMYK 80 / 0 / 81 / 13

HEX #2DDE2B

RGB 45 222 43

HSL 119.33, 0.73%, 0.52%

LAB 77.86, -73.31, 68.53

 

CMYK 81 / 0 / 60 / 13

HEX #2BDE59

RGB 43 222 89

HSL 135.42, 0.73%, 0.52%

LAB 78.16, -69.54, 52.07

 

CMYK 81 / 0 / 38 / 13

HEX #2BDE8A

RGB 43 222 138

HSL 151.84, 0.73%, 0.52%

LAB 78.81, -61.88, 29.24

 

CMYK 81 / 0 / 16 / 13

HEX #2BDEBA

RGB 43 222 186

HSL 167.93, 0.73%, 0.52%

LAB 79.78, -51.17, 5.46

 

CMYK 58 / 0 / 81 / 13

HEX #5DDE2B

RGB 93 222 43

HSL 103.24, 0.73%, 0.52%

LAB 78.89, -64.59, 69.86

 

CMYK 65 / 0 / 90 / 5

HEX #55F217

RGB 85 242 23

HSL 103.01, 0.89%, 0.52%

LAB 84.74, -73.62, 78.95

 

CMYK 58 / 0 / 81 / 13

HEX #5DDE2B

RGB 93 222 43

HSL 103.24, 0.73%, 0.52%

LAB 78.89, -64.59, 69.86

 

CMYK 50 / 0 / 69 / 21

HEX #66CA3F

RGB 102 202 63

HSL 103.17, 0.57%, 0.52%

LAB 73.17, -53.67, 57.8

 

CMYK 39 / 0 / 54 / 29

HEX #6FB653

RGB 111 182 83

HSL 103.03, 0.4%, 0.52%

LAB 67.62, -40.74, 42.98

 

CMYK 27 / 0 / 37 / 36

HEX #77A367

RGB 119 163 103

HSL 104, 0.25%, 0.52%

LAB 62.59, -26.47, 26.52

 

CMYK 10 / 0 / 15 / 44

HEX #808F7A

RGB 128 143 122

HSL 102.86, 0.09%, 0.52%

LAB 57.69, -9.55, 9.36

 

CMYK 15 / 0 / 81 / 13

HEX #BDDE2B

RGB 189 222 43

HSL 71.06, 0.73%, 0.52%

LAB 83.57, -32.26, 75.82

 

CMYK 36 / 0 / 81 / 13

HEX #8EDE2B

RGB 142 222 43

HSL 86.82, 0.73%, 0.52%

LAB 80.83, -49.97, 72.34

 

CMYK 58 / 0 / 81 / 13

HEX #5EDE2B

RGB 94 222 43

HSL 102.91, 0.73%, 0.52%

LAB 78.92, -64.34, 69.9

 

CMYK 79 / 0 / 81 / 13

HEX #2EDE2B

RGB 46 222 43

HSL 118.99, 0.73%, 0.52%

LAB 77.87, -73.19, 68.55

 

CMYK 81 / 0 / 60 / 13

HEX #2BDE58

RGB 43 222 88

HSL 135.08, 0.73%, 0.52%

LAB 78.15, -69.66, 52.5

 

CMYK 61 / 0 / 84 / 38

HEX #3E9E19

RGB 62 158 25

HSL 103.31, 0.73%, 0.36%

LAB 57.61, -50.78, 54.85

 

CMYK 61 / 0 / 85 / 24

HEX #4CC21E

RGB 76 194 30

HSL 103.17, 0.73%, 0.44%

LAB 69.62, -59.72, 64.55

 

CMYK 58 / 0 / 81 / 13

HEX #5DDE2B

RGB 93 222 43

HSL 103.24, 0.73%, 0.52%

LAB 78.89, -64.59, 69.86

 

CMYK 47 / 0 / 65 / 11

HEX #79E44F

RGB 121 228 79

HSL 103.09, 0.73%, 0.6%

LAB 81.9, -56.77, 61

 

CMYK 36 / 0 / 51 / 9

HEX #94E973

RGB 148 233 115

HSL 103.22, 0.73%, 0.68%

LAB 84.9, -46.82, 48.97

 

CMYK 58 / 0 / 80 / 13

HEX #5EDE2C

RGB 94 222 44

HSL 103.15, 0.73%, 0.52%

LAB 78.93, -64.29, 69.63

 

CMYK 81 / 0 / 7 / 13

HEX #2BDECF

RGB 43 222 207

HSL 174.97, 0.73%, 0.52%

LAB 80.33, -45.63, -4.93

 

CMYK 0 / 81 / 26 / 13

HEX #DE2BA5

RGB 222 43 165

HSL 319.11, 0.73%, 0.52%

LAB 51.81, 75.35, -23.23

 

CMYK 58 / 0 / 80 / 13

HEX #5EDE2C

RGB 94 222 44

HSL 103.15, 0.73%, 0.52%

LAB 78.93, -64.29, 69.63

 

CMYK 81 / 58 / 0 / 13

HEX #2B5EDE

RGB 43 94 222

HSL 222.91, 0.73%, 0.52%

LAB 43.93, 29.77, -69.94

 

CMYK 0 / 81 / 58 / 13

HEX #DE2B5E

RGB 222 43 94

HSL 342.91, 0.73%, 0.52%

LAB 49.58, 68.8, 16.28

 

CMYK 58 / 0 / 80 / 13

HEX #5EDE2C

RGB 94 222 44

HSL 103.15, 0.73%, 0.52%

LAB 78.93, -64.29, 69.63

 

CMYK 81 / 0 / 7 / 13

HEX #2BDECF

RGB 43 222 207

HSL 174.97, 0.73%, 0.52%

LAB 80.33, -45.63, -4.93

 

CMYK 23 / 81 / 0 / 13

HEX #AB2BDE

RGB 171 43 222

HSL 282.91, 0.73%, 0.52%

LAB 46.52, 74.09, -65.23

 

CMYK 0 / 81 / 74 / 13

HEX #DE2B3A

RGB 222 43 58

HSL 354.97, 0.73%, 0.52%

LAB 48.96, 66.93, 37.1

 

CMYK 58 / 0 / 80 / 13

HEX #5EDE2C

RGB 94 222 44

HSL 103.15, 0.73%, 0.52%

LAB 78.93, -64.29, 69.63

 

CMYK 81 / 18 / 0 / 13

HEX #2BB7DE

RGB 43 183 222

HSL 193.07, 0.73%, 0.52%

LAB 69.22, -22.74, -29.79

 

CMYK 23 / 81 / 0 / 13

HEX #AB2BDE

RGB 171 43 222

HSL 282.91, 0.73%, 0.52%

LAB 46.52, 74.09, -65.23

 

CMYK 0 / 63 / 81 / 13

HEX #DE522B

RGB 222 82 43

HSL 13.07, 0.73%, 0.52%

LAB 53.75, 52.82, 50.04

 

Description

Color code: HEX #5EDE2C | qconv.com Color code: HEX #5EDE2C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 222 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 222 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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