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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CBA06 it is the complementary color #C345F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CBA06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CBA06 shade: #41BA01, #52CC14, #63DE27, #74F03A and #85FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CBA06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CBA06 shade: #3CBA06, #2BA800, #1A9600, #098400 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CBA06 shade: #3CBB05, #6DBB05, #9EBB05, #BBA805 and #BB7705

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CBA06 shade: #3CBB05, #0BBB05, #05BB31, #05BB62 and #05BB93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CBA06 shade matches the following richer shades: #3CBB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CBA06 shade: #3CBB05, #42AC15, #499C25, #4F8C34 and #557D44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CBA06 shade: #9DBB05, #6DBB05, #3CBB05, #0BBB05 and #05BB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CBA06 shade: #226B03, #2F9304, #3CBB05, #49E407 and #5EF71C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CBA06 shade: #3CBA06, #05BBA9 and #BB0585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CBA06 shade: #3CBA06, #053CBB and #BB053C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CBA06 shade: #3CBA06, #05BBA9, #8505BB and #BB0518

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CBA06 shade: #3CBA06, #0597BB, #8505BB and #BB2A05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 97 / 27

HEX #3CBA06

RGB 60 186 6

HSL 102, 0.94%, 0.38%

LAB 66.59, -61.32, 65.81

 

Complementary color

CMYK 22 / 72 / 0 / 2

HEX #C345F9

RGB 195 69 249

HSL 282, 0.94%, 0.62%

LAB 54.76, 75.03, -66.94

 

CMYK 65 / 0 / 99 / 27

HEX #41BA01

RGB 65 186 1

HSL 99.24, 0.99%, 0.37%

LAB 66.71, -60.37, 66.56

 

CMYK 60 / 0 / 90 / 20

HEX #52CC14

RGB 82 204 20

HSL 99.78, 0.82%, 0.44%

LAB 72.91, -62.03, 69.44

 

CMYK 55 / 0 / 82 / 13

HEX #63DE27

RGB 99 222 39

HSL 100.33, 0.73%, 0.51%

LAB 79.07, -63.26, 71.11

 

CMYK 52 / 0 / 76 / 6

HEX #74F03A

RGB 116 240 58

HSL 100.88, 0.86%, 0.58%

LAB 85.17, -64.13, 71.72

 

CMYK 48 / 0 / 70 / 0

HEX #85FF4D

RGB 133 255 77

HSL 101.12, 1%, 0.65%

LAB 90.34, -63.62, 70.75

 

CMYK 68 / 0 / 97 / 27

HEX #3CBA06

RGB 60 186 6

HSL 102, 0.94%, 0.38%

LAB 66.59, -61.32, 65.81

 

CMYK 74 / 0 / 100 / 34

HEX #2BA800

RGB 43 168 0

HSL 104.64, 1%, 0.33%

LAB 60.35, -58.92, 61.42

 

CMYK 83 / 0 / 100 / 41

HEX #1A9600

RGB 26 150 0

HSL 109.6, 1%, 0.29%

LAB 54.06, -55.9, 56.28

 

CMYK 93 / 0 / 100 / 48

HEX #098400

RGB 9 132 0

HSL 115.91, 1%, 0.26%

LAB 47.7, -52.18, 51.11

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 68 / 0 / 97 / 27

HEX #3CBB05

RGB 60 187 5

HSL 101.87, 0.95%, 0.38%

LAB 66.91, -61.66, 66.19

 

CMYK 42 / 0 / 97 / 27

HEX #6DBB05

RGB 109 187 5

HSL 85.71, 0.95%, 0.38%

LAB 68.61, -48.2, 68.26

 

CMYK 16 / 0 / 97 / 27

HEX #9EBB05

RGB 158 187 5

HSL 69.56, 0.95%, 0.38%

LAB 71.43, -29.4, 71.68

 

CMYK 0 / 10 / 97 / 27

HEX #BBA805

RGB 187 168 5

HSL 53.74, 0.95%, 0.38%

LAB 68.45, -7.25, 70.47

 

CMYK 0 / 36 / 97 / 27

HEX #BB7705

RGB 187 119 5

HSL 37.58, 0.95%, 0.38%

LAB 55.86, 19.44, 61.52

 

CMYK 68 / 0 / 97 / 27

HEX #3CBB05

RGB 60 187 5

HSL 101.87, 0.95%, 0.38%

LAB 66.91, -61.66, 66.19

 

CMYK 94 / 0 / 97 / 27

HEX #0BBB05

RGB 11 187 5

HSL 118.02, 0.95%, 0.38%

LAB 66.23, -67.65, 65.36

 

CMYK 97 / 0 / 74 / 27

HEX #05BB31

RGB 5 187 49

HSL 134.51, 0.95%, 0.38%

LAB 66.36, -65.84, 55.38

 

CMYK 97 / 0 / 48 / 27

HEX #05BB62

RGB 5 187 98

HSL 150.66, 0.95%, 0.38%

LAB 66.87, -59.6, 34.06

 

CMYK 97 / 0 / 21 / 27

HEX #05BB93

RGB 5 187 147

HSL 166.81, 0.95%, 0.38%

LAB 67.78, -49.11, 9.22

 

CMYK 68 / 0 / 97 / 27

HEX #3CBB05

RGB 60 187 5

HSL 101.87, 0.95%, 0.38%

LAB 66.91, -61.66, 66.19

 

CMYK 68 / 0 / 97 / 27

HEX #3CBB05

RGB 60 187 5

HSL 101.87, 0.95%, 0.38%

LAB 66.91, -61.66, 66.19

 

CMYK 62 / 0 / 88 / 33

HEX #42AC15

RGB 66 172 21

HSL 102.12, 0.78%, 0.38%

LAB 62.27, -54.91, 59.97

 

CMYK 53 / 0 / 76 / 39

HEX #499C25

RGB 73 156 37

HSL 101.85, 0.62%, 0.38%

LAB 57.39, -46.33, 51.07

 

CMYK 44 / 0 / 63 / 45

HEX #4F8C34

RGB 79 140 52

HSL 101.59, 0.46%, 0.38%

LAB 52.58, -36.54, 39.92

 

CMYK 32 / 0 / 46 / 51

HEX #557D44

RGB 85 125 68

HSL 102.11, 0.3%, 0.38%

LAB 48.28, -25.38, 26.66

 

CMYK 16 / 0 / 97 / 27

HEX #9DBB05

RGB 157 187 5

HSL 69.89, 0.95%, 0.38%

LAB 71.36, -29.82, 71.6

 

CMYK 42 / 0 / 97 / 27

HEX #6DBB05

RGB 109 187 5

HSL 85.71, 0.95%, 0.38%

LAB 68.61, -48.2, 68.26

 

CMYK 68 / 0 / 97 / 27

HEX #3CBB05

RGB 60 187 5

HSL 101.87, 0.95%, 0.38%

LAB 66.91, -61.66, 66.19

 

CMYK 94 / 0 / 97 / 27

HEX #0BBB05

RGB 11 187 5

HSL 118.02, 0.95%, 0.38%

LAB 66.23, -67.65, 65.36

 

CMYK 97 / 0 / 74 / 27

HEX #05BB30

RGB 5 187 48

HSL 134.18, 0.95%, 0.38%

LAB 66.36, -65.92, 55.73

 

CMYK 68 / 0 / 97 / 58

HEX #226B03

RGB 34 107 3

HSL 102.12, 0.95%, 0.22%

LAB 39.35, -40.21, 43.83

 

CMYK 68 / 0 / 97 / 42

HEX #2F9304

RGB 47 147 4

HSL 101.96, 0.95%, 0.3%

LAB 53.47, -51.23, 55.3

 

CMYK 68 / 0 / 97 / 27

HEX #3CBB05

RGB 60 187 5

HSL 101.87, 0.95%, 0.38%

LAB 66.91, -61.66, 66.19

 

CMYK 68 / 0 / 97 / 11

HEX #49E407

RGB 73 228 7

HSL 102.08, 0.94%, 0.46%

LAB 80.13, -71.95, 76.8

 

CMYK 62 / 0 / 89 / 3

HEX #5EF71C

RGB 94 247 28

HSL 101.92, 0.93%, 0.54%

LAB 86.5, -73.17, 79.76

 

CMYK 68 / 0 / 97 / 27

HEX #3CBA06

RGB 60 186 6

HSL 102, 0.94%, 0.38%

LAB 66.59, -61.32, 65.81

 

CMYK 97 / 0 / 10 / 27

HEX #05BBA9

RGB 5 187 169

HSL 174.07, 0.95%, 0.38%

LAB 68.34, -43.21, -2.04

 

CMYK 0 / 97 / 29 / 27

HEX #BB0585

RGB 187 5 133

HSL 317.8, 0.95%, 0.38%

LAB 41.79, 70.31, -19.93

 

CMYK 68 / 0 / 97 / 27

HEX #3CBA06

RGB 60 186 6

HSL 102, 0.94%, 0.38%

LAB 66.59, -61.32, 65.81

 

CMYK 97 / 68 / 0 / 27

HEX #053CBB

RGB 5 60 187

HSL 221.87, 0.95%, 0.38%

LAB 31.47, 36.44, -70.14

 

CMYK 0 / 97 / 68 / 27

HEX #BB053C

RGB 187 5 60

HSL 341.87, 0.95%, 0.38%

LAB 39.58, 64.44, 22.93

 

CMYK 68 / 0 / 97 / 27

HEX #3CBA06

RGB 60 186 6

HSL 102, 0.94%, 0.38%

LAB 66.59, -61.32, 65.81

 

CMYK 97 / 0 / 10 / 27

HEX #05BBA9

RGB 5 187 169

HSL 174.07, 0.95%, 0.38%

LAB 68.34, -43.21, -2.04

 

CMYK 29 / 97 / 0 / 27

HEX #8505BB

RGB 133 5 187

HSL 282.2, 0.95%, 0.38%

LAB 35.37, 69.38, -63.34

 

CMYK 0 / 97 / 87 / 27

HEX #BB0518

RGB 187 5 24

HSL 353.74, 0.95%, 0.38%

LAB 39.14, 63.22, 43.69

 

CMYK 68 / 0 / 97 / 27

HEX #3CBA06

RGB 60 186 6

HSL 102, 0.94%, 0.38%

LAB 66.59, -61.32, 65.81

 

CMYK 97 / 19 / 0 / 27

HEX #0597BB

RGB 5 151 187

HSL 191.87, 0.95%, 0.38%

LAB 57.8, -20.23, -28

 

CMYK 29 / 97 / 0 / 27

HEX #8505BB

RGB 133 5 187

HSL 282.2, 0.95%, 0.38%

LAB 35.37, 69.38, -63.34

 

CMYK 0 / 78 / 97 / 27

HEX #BB2A05

RGB 187 42 5

HSL 12.2, 0.95%, 0.38%

LAB 41.58, 55.74, 52.66

 

Description

Color code: HEX #3CBA06 | qconv.com Color code: HEX #3CBA06 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 186 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 186 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 97 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 97% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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