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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED72E it is the complementary color #A128D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED72E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED72E shade: #63D729, #74E93C, #85FB4F, #96FF62 and #A7FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED72E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED72E shade: #5ED72E, #4DC51B, #3CB308, #2BA100 and #1A8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED72E shade: #5DD72D, #8BD72D, #B9D72D, #D7C72D and #D7992D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED72E shade: #5DD72D, #30D72D, #2DD758, #2DD786 and #2DD7B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED72E shade matches the following richer shades: #5DD72D and #55EB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED72E shade: #5DD72D, #66C341, #6FAF56, #789A6A and #80867E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED72E shade: #BBD72D, #8DD72D, #60D72D, #33D72D and #2DD755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED72E shade: #3F951C, #4DB823, #5DD72D, #78DE50 and #93E472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED72E shade: #5ED72E, #2DD7C6 and #D72DA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED72E shade: #5ED72E, #2D60D7 and #D72D60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED72E shade: #5ED72E, #2DD7C6, #A42DD7 and #D72D3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED72E shade: #5ED72E, #2DB5D7, #A42DD7 and #D74F2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 79 / 16

HEX #5ED72E

RGB 94 215 46

HSL 102.96, 0.68%, 0.51%

LAB 76.79, -61.76, 67.07

 

Complementary color

CMYK 23 / 81 / 0 / 18

HEX #A128D1

RGB 161 40 209

HSL 282.96, 0.68%, 0.49%

LAB 43.8, 70.8, -62.27

 

CMYK 54 / 0 / 81 / 16

HEX #63D729

RGB 99 215 41

HSL 100, 0.69%, 0.5%

LAB 76.93, -60.71, 68.66

 

CMYK 50 / 0 / 74 / 9

HEX #74E93C

RGB 116 233 60

HSL 100.58, 0.8%, 0.57%

LAB 83.08, -61.48, 69.06

 

CMYK 47 / 0 / 69 / 2

HEX #85FB4F

RGB 133 251 79

HSL 101.16, 0.96%, 0.65%

LAB 89.18, -61.99, 68.84

 

CMYK 41 / 0 / 62 / 0

HEX #96FF62

RGB 150 255 98

HSL 100.13, 1%, 0.69%

LAB 91.18, -56.91, 63.79

 

CMYK 35 / 0 / 54 / 0

HEX #A7FF75

RGB 167 255 117

HSL 98.26, 1%, 0.73%

LAB 92.14, -49.7, 56.93

 

CMYK 56 / 0 / 79 / 16

HEX #5ED72E

RGB 94 215 46

HSL 102.96, 0.68%, 0.51%

LAB 76.79, -61.76, 67.07

 

CMYK 61 / 0 / 86 / 23

HEX #4DC51B

RGB 77 197 27

HSL 102.35, 0.76%, 0.44%

LAB 70.59, -60.63, 66.08

 

CMYK 66 / 0 / 96 / 30

HEX #3CB308

RGB 60 179 8

HSL 101.75, 0.91%, 0.37%

LAB 64.34, -59, 63.73

 

CMYK 73 / 0 / 100 / 37

HEX #2BA100

RGB 43 161 0

HSL 103.98, 1%, 0.32%

LAB 58.04, -56.72, 59.57

 

CMYK 82 / 0 / 100 / 44

HEX #1A8F00

RGB 26 143 0

HSL 109.09, 1%, 0.28%

LAB 51.68, -53.76, 54.38

 

CMYK 57 / 0 / 79 / 16

HEX #5DD72D

RGB 93 215 45

HSL 103.06, 0.68%, 0.51%

LAB 76.75, -62.07, 67.32

 

CMYK 35 / 0 / 79 / 16

HEX #8BD72D

RGB 139 215 45

HSL 86.82, 0.68%, 0.51%

LAB 78.62, -48.05, 69.74

 

CMYK 14 / 0 / 79 / 16

HEX #B9D72D

RGB 185 215 45

HSL 70.59, 0.68%, 0.51%

LAB 81.35, -30.54, 73.22

 

CMYK 0 / 7 / 79 / 16

HEX #D7C72D

RGB 215 199 45

HSL 54.35, 0.68%, 0.51%

LAB 79.32, -10.15, 72.3

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 57 / 0 / 79 / 16

HEX #5DD72D

RGB 93 215 45

HSL 103.06, 0.68%, 0.51%

LAB 76.75, -62.07, 67.32

 

CMYK 78 / 0 / 79 / 16

HEX #30D72D

RGB 48 215 45

HSL 118.94, 0.68%, 0.51%

LAB 75.71, -70.76, 65.97

 

CMYK 79 / 0 / 59 / 16

HEX #2DD758

RGB 45 215 88

HSL 135.18, 0.68%, 0.51%

LAB 75.99, -67.22, 50.01

 

CMYK 79 / 0 / 38 / 16

HEX #2DD786

RGB 45 215 134

HSL 151.41, 0.68%, 0.51%

LAB 76.61, -59.93, 28.36

 

CMYK 79 / 0 / 16 / 16

HEX #2DD7B4

RGB 45 215 180

HSL 167.65, 0.68%, 0.51%

LAB 77.55, -49.63, 5.43

 

CMYK 57 / 0 / 79 / 16

HEX #5DD72D

RGB 93 215 45

HSL 103.06, 0.68%, 0.51%

LAB 76.75, -62.07, 67.32

 

CMYK 64 / 0 / 89 / 8

HEX #55EB19

RGB 85 235 25

HSL 102.86, 0.84%, 0.51%

LAB 82.6, -71.37, 76.85

 

CMYK 57 / 0 / 79 / 16

HEX #5DD72D

RGB 93 215 45

HSL 103.06, 0.68%, 0.51%

LAB 76.75, -62.07, 67.32

 

CMYK 48 / 0 / 67 / 24

HEX #66C341

RGB 102 195 65

HSL 102.92, 0.52%, 0.51%

LAB 71.03, -50.78, 54.74

 

CMYK 37 / 0 / 51 / 31

HEX #6FAF56

RGB 111 175 86

HSL 103.15, 0.36%, 0.51%

LAB 65.52, -37.28, 38.99

 

CMYK 22 / 0 / 31 / 40

HEX #789A6A

RGB 120 154 106

HSL 102.5, 0.19%, 0.51%

LAB 60.02, -21.13, 21.48

 

CMYK 4 / 0 / 6 / 47

HEX #80867E

RGB 128 134 126

HSL 105, 0.03%, 0.51%

LAB 55.22, -3.8, 3.53

 

CMYK 13 / 0 / 79 / 16

HEX #BBD72D

RGB 187 215 45

HSL 69.88, 0.68%, 0.51%

LAB 81.49, -29.73, 73.4

 

CMYK 34 / 0 / 79 / 16

HEX #8DD72D

RGB 141 215 45

HSL 86.12, 0.68%, 0.51%

LAB 78.73, -47.35, 69.87

 

CMYK 55 / 0 / 79 / 16

HEX #60D72D

RGB 96 215 45

HSL 102, 0.68%, 0.51%

LAB 76.85, -61.3, 67.44

 

CMYK 76 / 0 / 79 / 16

HEX #33D72D

RGB 51 215 45

HSL 117.88, 0.68%, 0.51%

LAB 75.76, -70.35, 66.03

 

CMYK 79 / 0 / 60 / 16

HEX #2DD755

RGB 45 215 85

HSL 134.12, 0.68%, 0.51%

LAB 75.96, -67.58, 51.3

 

CMYK 58 / 0 / 81 / 42

HEX #3F951C

RGB 63 149 28

HSL 102.64, 0.68%, 0.35%

LAB 54.69, -47.06, 51.32

 

CMYK 58 / 0 / 81 / 28

HEX #4DB823

RGB 77 184 35

HSL 103.09, 0.68%, 0.43%

LAB 66.5, -55.75, 60.43

 

CMYK 57 / 0 / 79 / 16

HEX #5DD72D

RGB 93 215 45

HSL 103.06, 0.68%, 0.51%

LAB 76.75, -62.07, 67.32

 

CMYK 46 / 0 / 64 / 13

HEX #78DE50

RGB 120 222 80

HSL 103.1, 0.68%, 0.59%

LAB 80.08, -54.66, 58.6

 

CMYK 36 / 0 / 50 / 11

HEX #93E472

RGB 147 228 114

HSL 102.63, 0.68%, 0.67%

LAB 83.39, -45.13, 47.6

 

CMYK 56 / 0 / 79 / 16

HEX #5ED72E

RGB 94 215 46

HSL 102.96, 0.68%, 0.51%

LAB 76.79, -61.76, 67.07

 

CMYK 79 / 0 / 8 / 16

HEX #2DD7C6

RGB 45 215 198

HSL 174, 0.68%, 0.51%

LAB 78.01, -44.9, -3.52

 

CMYK 0 / 79 / 24 / 16

HEX #D72DA4

RGB 215 45 164

HSL 318, 0.68%, 0.51%

LAB 50.69, 73.17, -24.47

 

CMYK 56 / 0 / 79 / 16

HEX #5ED72E

RGB 94 215 46

HSL 102.96, 0.68%, 0.51%

LAB 76.79, -61.76, 67.07

 

CMYK 79 / 55 / 0 / 16

HEX #2D60D7

RGB 45 96 215

HSL 222, 0.68%, 0.51%

LAB 43.99, 26.05, -65.86

 

CMYK 0 / 79 / 55 / 16

HEX #D72D60

RGB 215 45 96

HSL 342, 0.68%, 0.51%

LAB 48.47, 66.55, 13.33

 

CMYK 56 / 0 / 79 / 16

HEX #5ED72E

RGB 94 215 46

HSL 102.96, 0.68%, 0.51%

LAB 76.79, -61.76, 67.07

 

CMYK 79 / 0 / 8 / 16

HEX #2DD7C6

RGB 45 215 198

HSL 174, 0.68%, 0.51%

LAB 78.01, -44.9, -3.52

 

CMYK 24 / 79 / 0 / 16

HEX #A42DD7

RGB 164 45 215

HSL 282, 0.68%, 0.51%

LAB 45.19, 70.98, -63.44

 

CMYK 0 / 79 / 71 / 16

HEX #D72D3E

RGB 215 45 62

HSL 354, 0.68%, 0.51%

LAB 47.84, 64.61, 33.12

 

CMYK 56 / 0 / 79 / 16

HEX #5ED72E

RGB 94 215 46

HSL 102.96, 0.68%, 0.51%

LAB 76.79, -61.76, 67.07

 

CMYK 79 / 16 / 0 / 16

HEX #2DB5D7

RGB 45 181 215

HSL 192, 0.68%, 0.51%

LAB 68.4, -23.83, -27.23

 

CMYK 24 / 79 / 0 / 16

HEX #A42DD7

RGB 164 45 215

HSL 282, 0.68%, 0.51%

LAB 45.19, 70.98, -63.44

 

CMYK 0 / 63 / 79 / 16

HEX #D74F2D

RGB 215 79 45

HSL 12, 0.68%, 0.51%

LAB 52.09, 51.75, 47.06

 

Description

Color code: HEX #5ED72E | qconv.com Color code: HEX #5ED72E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 215 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 215 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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