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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D7992D it is the complementary color #2866D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D7992D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D7992D shade: #DC9928, #EDAB3B, #FEBD4E, #FFCF61 and #FFE174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D7992D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D7992D shade: #D7992D, #C6871A, #B57507, #A46300 and #935100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D7992D shade: #D7992D, #D76B2D, #D73D2D and #D72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D7992D shade: #D7992D, #D7C72D, #B9D72D, #8CD72D and #5ED72D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D7992D shade matches the following richer shades: #D7992D and #EB9F19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D7992D shade: #D7992D, #C39441, #AF8E56, #9A896A and #86837E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D7992D shade: #D73E2D, #D76B2D, #D7992D, #D7C62D and #BBD72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D7992D shade: #95691C, #B88223, #D7992D, #DEAA50 and #E4BB72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D7992D shade: #D7992D, #49D72D and #552DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D7992D shade: #D7992D, #2DD799 and #992DD7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D7992D shade: #D7992D, #49D72D, #2D6BD7 and #BB2DD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D7992D shade: #D7992D, #2DD744, #2D6BD7 and #D72DC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

Complementary color

CMYK 81 / 51 / 0 / 18

HEX #2866D2

RGB 40 102 210

HSL 218.12, 0.68%, 0.49%

LAB 45.09, 19.81, -61.22

 

CMYK 0 / 30 / 82 / 14

HEX #DC9928

RGB 220 153 40

HSL 37.67, 0.72%, 0.51%

LAB 68.13, 16.04, 64.2

 

CMYK 0 / 28 / 75 / 7

HEX #EDAB3B

RGB 237 171 59

HSL 37.75, 0.83%, 0.58%

LAB 74.47, 14.4, 63.85

 

CMYK 0 / 26 / 69 / 0

HEX #FEBD4E

RGB 254 189 78

HSL 37.84, 0.99%, 0.65%

LAB 80.75, 12.96, 63.01

 

CMYK 0 / 19 / 62 / 0

HEX #FFCF61

RGB 255 207 97

HSL 41.77, 1%, 0.69%

LAB 85.38, 5.15, 59.73

 

CMYK 0 / 12 / 55 / 0

HEX #FFE174

RGB 255 225 116

HSL 47.05, 1%, 0.73%

LAB 90.03, -2.68, 56.38

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 0 / 32 / 87 / 22

HEX #C6871A

RGB 198 135 26

HSL 38.02, 0.77%, 0.44%

LAB 61.14, 15.84, 61.57

 

CMYK 0 / 35 / 96 / 29

HEX #B57507

RGB 181 117 7

HSL 37.93, 0.93%, 0.37%

LAB 54.62, 17.91, 59.94

 

CMYK 0 / 40 / 100 / 36

HEX #A46300

RGB 164 99 0

HSL 36.22, 1%, 0.32%

LAB 48.03, 20.28, 55.89

 

CMYK 0 / 45 / 100 / 42

HEX #935100

RGB 147 81 0

HSL 33.06, 1%, 0.29%

LAB 41.36, 22.83, 50.48

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 0 / 50 / 79 / 16

HEX #D76B2D

RGB 215 107 45

HSL 21.88, 0.68%, 0.51%

LAB 57.22, 38.47, 52.05

 

CMYK 0 / 72 / 79 / 16

HEX #D73D2D

RGB 215 61 45

HSL 5.65, 0.68%, 0.51%

LAB 49.46, 58.89, 44.44

 

CMYK 0 / 79 / 79 / 16

HEX #D72D2D

RGB 215 45 45

HSL 0, 0.68%, 0.51%

LAB 47.64, 63.97, 42.59

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 0 / 7 / 79 / 16

HEX #D7C72D

RGB 215 199 45

HSL 54.35, 0.68%, 0.51%

LAB 79.32, -10.15, 72.3

 

CMYK 14 / 0 / 79 / 16

HEX #B9D72D

RGB 185 215 45

HSL 70.59, 0.68%, 0.51%

LAB 81.35, -30.54, 73.22

 

CMYK 35 / 0 / 79 / 16

HEX #8CD72D

RGB 140 215 45

HSL 86.47, 0.68%, 0.51%

LAB 78.67, -47.7, 69.8

 

CMYK 56 / 0 / 79 / 16

HEX #5ED72D

RGB 94 215 45

HSL 102.71, 0.68%, 0.51%

LAB 76.78, -61.81, 67.36

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 0 / 32 / 89 / 8

HEX #EB9F19

RGB 235 159 25

HSL 38.29, 0.84%, 0.51%

LAB 71.23, 18.92, 71.6

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 0 / 24 / 67 / 24

HEX #C39441

RGB 195 148 65

HSL 38.31, 0.52%, 0.51%

LAB 64.29, 9.02, 49.4

 

CMYK 0 / 19 / 51 / 31

HEX #AF8E56

RGB 175 142 86

HSL 37.75, 0.36%, 0.51%

LAB 60.9, 5.27, 34.36

 

CMYK 0 / 11 / 31 / 40

HEX #9A896A

RGB 154 137 106

HSL 38.75, 0.19%, 0.51%

LAB 57.85, 1.51, 18.99

 

CMYK 0 / 2 / 6 / 47

HEX #86837E

RGB 134 131 126

HSL 37.5, 0.03%, 0.51%

LAB 54.87, 0.17, 3.09

 

CMYK 0 / 71 / 79 / 16

HEX #D73E2D

RGB 215 62 45

HSL 6, 0.68%, 0.51%

LAB 49.6, 58.53, 44.57

 

CMYK 0 / 50 / 79 / 16

HEX #D76B2D

RGB 215 107 45

HSL 21.88, 0.68%, 0.51%

LAB 57.22, 38.47, 52.05

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 0 / 8 / 79 / 16

HEX #D7C62D

RGB 215 198 45

HSL 54, 0.68%, 0.51%

LAB 79.06, -9.65, 72.07

 

CMYK 13 / 0 / 79 / 16

HEX #BBD72D

RGB 187 215 45

HSL 69.88, 0.68%, 0.51%

LAB 81.49, -29.73, 73.4

 

CMYK 0 / 30 / 81 / 42

HEX #95691C

RGB 149 105 28

HSL 38.18, 0.68%, 0.35%

LAB 47.72, 10.63, 47.09

 

CMYK 0 / 29 / 81 / 28

HEX #B88223

RGB 184 130 35

HSL 38.26, 0.68%, 0.43%

LAB 58.3, 12.65, 55.62

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 0 / 23 / 64 / 13

HEX #DEAA50

RGB 222 170 80

HSL 38.03, 0.68%, 0.59%

LAB 72.8, 9.66, 52.57

 

CMYK 0 / 18 / 50 / 11

HEX #E4BB72

RGB 228 187 114

HSL 38.42, 0.68%, 0.67%

LAB 78.02, 5.76, 42.28

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 66 / 0 / 79 / 16

HEX #49D72D

RGB 73 215 45

HSL 110.12, 0.68%, 0.51%

LAB 76.2, -66.61, 66.6

 

CMYK 60 / 79 / 0 / 16

HEX #552DD7

RGB 85 45 215

HSL 254.12, 0.68%, 0.51%

LAB 35.43, 59.76, -79.8

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 79 / 0 / 29 / 16

HEX #2DD799

RGB 45 215 153

HSL 158.12, 0.68%, 0.51%

LAB 76.96, -56.01, 18.93

 

CMYK 29 / 79 / 0 / 16

HEX #992DD7

RGB 153 45 215

HSL 278.12, 0.68%, 0.51%

LAB 43.59, 69.14, -66.11

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 66 / 0 / 79 / 16

HEX #49D72D

RGB 73 215 45

HSL 110.12, 0.68%, 0.51%

LAB 76.2, -66.61, 66.6

 

CMYK 79 / 50 / 0 / 16

HEX #2D6BD7

RGB 45 107 215

HSL 218.12, 0.68%, 0.51%

LAB 46.95, 18.99, -61.07

 

CMYK 13 / 79 / 0 / 16

HEX #BB2DD7

RGB 187 45 215

HSL 290.12, 0.68%, 0.51%

LAB 48.7, 75.02, -57.6

 

CMYK 0 / 29 / 79 / 16

HEX #D7992D

RGB 215 153 45

HSL 38.12, 0.68%, 0.51%

LAB 67.59, 14.05, 61.76

 

CMYK 79 / 0 / 68 / 16

HEX #2DD744

RGB 45 215 68

HSL 128.12, 0.68%, 0.51%

LAB 75.81, -69.39, 58.21

 

CMYK 79 / 50 / 0 / 16

HEX #2D6BD7

RGB 45 107 215

HSL 218.12, 0.68%, 0.51%

LAB 46.95, 18.99, -61.07

 

CMYK 0 / 79 / 11 / 16

HEX #D72DC0

RGB 215 45 192

HSL 308.12, 0.68%, 0.51%

LAB 51.98, 76.85, -38.84

 

Description

Color code: HEX #D7992D | qconv.com Color code: HEX #D7992D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 153 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 153 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 79 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 79% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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