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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBC39 it is the complementary color #A143C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBC39 shade: #63BC34, #74CE47, #85E05A, #96F26D and #A7FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBC39 shade: #5EBC39, #4DAA26, #3C9813, #2B8600 and #1A7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBC39 shade: #5EBB39, #81BB39, #A4BB39, #BBAF39 and #BB8C39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBC39 shade: #5EBB39, #3BBB39, #39BB5A, #39BB7D and #39BBA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBC39 shade matches the following richer shades: #5EBB39, #55CF25 and #4CE211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBC39 shade: #5EBB39, #66A74D, #6F9361, #787F74 and #806C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBC39 shade: #A3BB39, #80BB39, #5EBB39, #3BBB39 and #39BB59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBC39 shade: #3E7C26, #4E9B2F, #5EBB39, #75CA53 and #8ED473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBC39 shade: #5EBC39, #39BBB0 and #BB3992

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBC39 shade: #5EBC39, #395EBB and #BB395E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBC39 shade: #5EBC39, #39BBB0, #9639BB and #BB3944

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBC39 shade: #5EBC39, #399FBB, #9639BB and #BB5539

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 70 / 26

HEX #5EBC39

RGB 94 188 57

HSL 103.05, 0.53%, 0.48%

LAB 68.49, -51.09, 55.14

 

Complementary color

CMYK 19 / 66 / 0 / 22

HEX #A143C6

RGB 161 67 198

HSL 283.05, 0.53%, 0.52%

LAB 46.54, 58.72, -51.49

 

CMYK 47 / 0 / 72 / 26

HEX #63BC34

RGB 99 188 52

HSL 99.26, 0.57%, 0.47%

LAB 68.65, -49.97, 57.25

 

CMYK 44 / 0 / 66 / 19

HEX #74CE47

RGB 116 206 71

HSL 100, 0.58%, 0.54%

LAB 75.02, -50.35, 56.75

 

CMYK 41 / 0 / 60 / 12

HEX #85E05A

RGB 133 224 90

HSL 100.75, 0.68%, 0.62%

LAB 81.31, -50.54, 55.91

 

CMYK 38 / 0 / 55 / 5

HEX #96F26D

RGB 150 242 109

HSL 101.5, 0.84%, 0.69%

LAB 87.53, -50.61, 54.89

 

CMYK 35 / 0 / 50 / 0

HEX #A7FF80

RGB 167 255 128

HSL 101.57, 1%, 0.75%

LAB 92.26, -48.5, 52.07

 

CMYK 50 / 0 / 70 / 26

HEX #5EBC39

RGB 94 188 57

HSL 103.05, 0.53%, 0.48%

LAB 68.49, -51.09, 55.14

 

CMYK 55 / 0 / 78 / 33

HEX #4DAA26

RGB 77 170 38

HSL 102.27, 0.63%, 0.41%

LAB 62.06, -50.46, 55.32

 

CMYK 61 / 0 / 88 / 40

HEX #3C9813

RGB 60 152 19

HSL 101.5, 0.78%, 0.34%

LAB 55.55, -49.4, 54.47

 

CMYK 68 / 0 / 100 / 47

HEX #2B8600

RGB 43 134 0

HSL 100.75, 1%, 0.26%

LAB 48.96, -47.8, 52.36

 

CMYK 78 / 0 / 100 / 55

HEX #1A7400

RGB 26 116 0

HSL 106.55, 1%, 0.23%

LAB 42.32, -45.14, 46.91

 

CMYK 50 / 0 / 70 / 27

HEX #5EBB39

RGB 94 187 57

HSL 102.92, 0.53%, 0.48%

LAB 68.18, -50.7, 54.82

 

CMYK 31 / 0 / 70 / 27

HEX #81BB39

RGB 129 187 57

HSL 86.77, 0.53%, 0.48%

LAB 69.83, -38.99, 57.04

 

CMYK 12 / 0 / 70 / 27

HEX #A4BB39

RGB 164 187 57

HSL 70.62, 0.53%, 0.48%

LAB 72.05, -25.21, 60.01

 

CMYK 0 / 6 / 70 / 27

HEX #BBAF39

RGB 187 175 57

HSL 54.46, 0.53%, 0.48%

LAB 70.54, -9.38, 59.1

 

CMYK 0 / 25 / 70 / 27

HEX #BB8C39

RGB 187 140 57

HSL 38.31, 0.53%, 0.48%

LAB 61.32, 9.44, 49.64

 

CMYK 50 / 0 / 70 / 27

HEX #5EBB39

RGB 94 187 57

HSL 102.92, 0.53%, 0.48%

LAB 68.18, -50.7, 54.82

 

CMYK 68 / 0 / 70 / 27

HEX #3BBB39

RGB 59 187 57

HSL 119.08, 0.53%, 0.48%

LAB 67.1, -59.26, 53.35

 

CMYK 70 / 0 / 52 / 27

HEX #39BB5A

RGB 57 187 90

HSL 135.23, 0.53%, 0.48%

LAB 67.39, -55.71, 38.85

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 70 / 0 / 14 / 27

HEX #39BBA0

RGB 57 187 160

HSL 167.54, 0.53%, 0.48%

LAB 68.71, -41.39, 3.52

 

CMYK 50 / 0 / 70 / 27

HEX #5EBB39

RGB 94 187 57

HSL 102.92, 0.53%, 0.48%

LAB 68.18, -50.7, 54.82

 

CMYK 59 / 0 / 82 / 19

HEX #55CF25

RGB 85 207 37

HSL 103.06, 0.7%, 0.48%

LAB 73.99, -61.69, 66.85

 

CMYK 66 / 0 / 92 / 11

HEX #4CE211

RGB 76 226 17

HSL 103.06, 0.86%, 0.48%

LAB 79.6, -70.57, 75.38

 

CMYK 50 / 0 / 70 / 27

HEX #5EBB39

RGB 94 187 57

HSL 102.92, 0.53%, 0.48%

LAB 68.18, -50.7, 54.82

 

CMYK 39 / 0 / 54 / 35

HEX #66A74D

RGB 102 167 77

HSL 103.33, 0.37%, 0.48%

LAB 62.51, -37.86, 39.69

 

CMYK 24 / 0 / 34 / 42

HEX #6F9361

RGB 111 147 97

HSL 103.2, 0.2%, 0.48%

LAB 57.18, -22.34, 22.55

 

CMYK 6 / 0 / 9 / 50

HEX #787F74

RGB 120 127 116

HSL 98.18, 0.05%, 0.48%

LAB 52.32, -4.79, 5.08

 

CMYK 6 / 21 / 0 / 47

HEX #806C88

RGB 128 108 136

HSL 282.86, 0.11%, 0.48%

LAB 48.38, 13.37, -12.46

 

CMYK 13 / 0 / 70 / 27

HEX #A3BB39

RGB 163 187 57

HSL 71.08, 0.53%, 0.48%

LAB 71.98, -25.62, 59.91

 

CMYK 32 / 0 / 70 / 27

HEX #80BB39

RGB 128 187 57

HSL 87.23, 0.53%, 0.48%

LAB 69.77, -39.36, 56.96

 

CMYK 50 / 0 / 70 / 27

HEX #5EBB39

RGB 94 187 57

HSL 102.92, 0.53%, 0.48%

LAB 68.18, -50.7, 54.82

 

CMYK 68 / 0 / 70 / 27

HEX #3BBB39

RGB 59 187 57

HSL 119.08, 0.53%, 0.48%

LAB 67.1, -59.26, 53.35

 

CMYK 70 / 0 / 52 / 27

HEX #39BB59

RGB 57 187 89

HSL 134.77, 0.53%, 0.48%

LAB 67.38, -55.86, 39.33

 

CMYK 50 / 0 / 69 / 51

HEX #3E7C26

RGB 62 124 38

HSL 103.26, 0.53%, 0.32%

LAB 46.42, -36.64, 39.31

 

CMYK 50 / 0 / 70 / 39

HEX #4E9B2F

RGB 78 155 47

HSL 102.78, 0.53%, 0.4%

LAB 57.34, -43.66, 47.26

 

CMYK 50 / 0 / 70 / 27

HEX #5EBB39

RGB 94 187 57

HSL 102.92, 0.53%, 0.48%

LAB 68.18, -50.7, 54.82

 

CMYK 42 / 0 / 59 / 21

HEX #75CA53

RGB 117 202 83

HSL 102.86, 0.53%, 0.56%

LAB 73.96, -47.27, 50.44

 

CMYK 33 / 0 / 46 / 17

HEX #8ED473

RGB 142 212 115

HSL 103.3, 0.53%, 0.64%

LAB 78.51, -39.68, 41.02

 

CMYK 50 / 0 / 70 / 26

HEX #5EBC39

RGB 94 188 57

HSL 103.05, 0.53%, 0.48%

LAB 68.49, -51.09, 55.14

 

CMYK 70 / 0 / 6 / 27

HEX #39BBB0

RGB 57 187 176

HSL 174.92, 0.53%, 0.48%

LAB 69.14, -37.13, -4.64

 

CMYK 0 / 70 / 22 / 27

HEX #BB3992

RGB 187 57 146

HSL 318.92, 0.53%, 0.48%

LAB 46.4, 60.3, -20.75

 

CMYK 50 / 0 / 70 / 26

HEX #5EBC39

RGB 94 188 57

HSL 103.05, 0.53%, 0.48%

LAB 68.49, -51.09, 55.14

 

CMYK 70 / 50 / 0 / 27

HEX #395EBB

RGB 57 94 187

HSL 222.92, 0.53%, 0.48%

LAB 41.94, 18.39, -52.99

 

CMYK 0 / 70 / 50 / 27

HEX #BB395E

RGB 187 57 94

HSL 342.92, 0.53%, 0.48%

LAB 44.66, 54.47, 8.47

 

CMYK 50 / 0 / 70 / 26

HEX #5EBC39

RGB 94 188 57

HSL 103.05, 0.53%, 0.48%

LAB 68.49, -51.09, 55.14

 

CMYK 70 / 0 / 6 / 27

HEX #39BBB0

RGB 57 187 176

HSL 174.92, 0.53%, 0.48%

LAB 69.14, -37.13, -4.64

 

CMYK 20 / 70 / 0 / 27

HEX #9639BB

RGB 150 57 187

HSL 282.92, 0.53%, 0.48%

LAB 42.76, 58.35, -51.23

 

CMYK 0 / 70 / 64 / 27

HEX #BB3944

RGB 187 57 68

HSL 354.92, 0.53%, 0.48%

LAB 44.1, 52.52, 23.73

 

CMYK 50 / 0 / 70 / 26

HEX #5EBC39

RGB 94 188 57

HSL 103.05, 0.53%, 0.48%

LAB 68.49, -51.09, 55.14

 

CMYK 70 / 15 / 0 / 27

HEX #399FBB

RGB 57 159 187

HSL 192.92, 0.53%, 0.48%

LAB 61.01, -20.09, -23.01

 

CMYK 20 / 70 / 0 / 27

HEX #9639BB

RGB 150 57 187

HSL 282.92, 0.53%, 0.48%

LAB 42.76, 58.35, -51.23

 

CMYK 0 / 55 / 70 / 27

HEX #BB5539

RGB 187 85 57

HSL 12.92, 0.53%, 0.48%

LAB 48.71, 39.22, 35.75

 

Description

Color code: HEX #5EBC39 | qconv.com Color code: HEX #5EBC39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 188 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 188 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 70 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 70% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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