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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A5EBB it is the complementary color #C5A144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A5EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A5EBB shade: #3F5EB6, #5070C9, #6182DC, #7294EF and #83A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A5EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A5EBB shade: #3A5EBB, #294CA8, #183A95, #072882 and #00166F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A5EBB shade: #3A5EBB, #3A3BBB, #5B3ABB, #7E3ABB and #A13ABB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A5EBB shade: #3A5EBB, #3A3BBB and #3A3ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A5EBB shade matches the following richer shades: #3A5EBB, #2655CF and #124CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A5EBB shade: #3A5EBB, #4D66A7, #616F94, #757880 and #89816C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A5EBB shade: #3AA3BB, #3A81BB, #3A5EBB, #3A3CBB and #5A3ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A5EBB shade: #263E7C, #304E9C, #3A5EBB, #5475CA and #738ED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A5EBB shade: #3A5EBB, #B03ABB and #92BB3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A5EBB shade: #3A5EBB, #BB3A5E and #5EBB3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A5EBB shade: #3A5EBB, #B03ABB, #BB973A and #44BB3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A5EBB shade: #3A5EBB, #BB3A9F, #BB973A and #3ABB56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

Complementary color

CMYK 0 / 18 / 65 / 23

HEX #C5A144

RGB 197 161 68

HSL 43.26, 0.53%, 0.52%

LAB 67.86, 3.02, 51.94

 

CMYK 65 / 48 / 0 / 29

HEX #3F5EB6

RGB 63 94 182

HSL 224.37, 0.49%, 0.48%

LAB 41.91, 17.54, -50.12

 

CMYK 60 / 44 / 0 / 21

HEX #5070C9

RGB 80 112 201

HSL 224.13, 0.53%, 0.55%

LAB 48.9, 15.9, -49.86

 

CMYK 56 / 41 / 0 / 14

HEX #6182DC

RGB 97 130 220

HSL 223.9, 0.64%, 0.62%

LAB 55.76, 14.56, -49.64

 

CMYK 52 / 38 / 0 / 6

HEX #7294EF

RGB 114 148 239

HSL 223.68, 0.8%, 0.69%

LAB 62.5, 13.45, -49.46

 

CMYK 49 / 35 / 0 / 0

HEX #83A6FF

RGB 131 166 255

HSL 223.06, 1%, 0.76%

LAB 68.98, 11.64, -47.91

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 76 / 55 / 0 / 34

HEX #294CA8

RGB 41 76 168

HSL 223.46, 0.61%, 0.41%

LAB 34.94, 20.86, -53.14

 

CMYK 84 / 61 / 0 / 42

HEX #183A95

RGB 24 58 149

HSL 223.68, 0.72%, 0.34%

LAB 27.82, 23.8, -53.26

 

CMYK 95 / 69 / 0 / 49

HEX #072882

RGB 7 40 130

HSL 223.9, 0.9%, 0.27%

LAB 20.73, 27.46, -53.09

 

CMYK 100 / 80 / 0 / 56

HEX #00166F

RGB 0 22 111

HSL 228.11, 1%, 0.22%

LAB 13.95, 31.61, -52.12

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 69 / 68 / 0 / 27

HEX #3A3BBB

RGB 58 59 187

HSL 239.53, 0.53%, 0.48%

LAB 33.17, 40.83, -67.27

 

CMYK 51 / 69 / 0 / 27

HEX #5B3ABB

RGB 91 58 187

HSL 255.35, 0.53%, 0.48%

LAB 35.67, 46.26, -63.06

 

CMYK 33 / 69 / 0 / 27

HEX #7E3ABB

RGB 126 58 187

HSL 271.63, 0.53%, 0.48%

LAB 39.66, 52.87, -56.39

 

CMYK 14 / 69 / 0 / 27

HEX #A13ABB

RGB 161 58 187

HSL 287.91, 0.53%, 0.48%

LAB 44.51, 60.33, -48.34

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 69 / 68 / 0 / 27

HEX #3A3BBB

RGB 58 59 187

HSL 239.53, 0.53%, 0.48%

LAB 33.17, 40.83, -67.27

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 82 / 59 / 0 / 19

HEX #2655CF

RGB 38 85 207

HSL 223.31, 0.69%, 0.48%

LAB 40.27, 29.51, -67.34

 

CMYK 92 / 67 / 0 / 11

HEX #124CE3

RGB 18 76 227

HSL 223.35, 0.85%, 0.48%

LAB 39.32, 41.61, -80.38

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 54 / 39 / 0 / 35

HEX #4D66A7

RGB 77 102 167

HSL 223.33, 0.37%, 0.48%

LAB 44.05, 10.09, -37.85

 

CMYK 34 / 25 / 0 / 42

HEX #616F94

RGB 97 111 148

HSL 223.53, 0.21%, 0.48%

LAB 47.04, 4.13, -21.85

 

CMYK 9 / 6 / 0 / 50

HEX #757880

RGB 117 120 128

HSL 223.64, 0.04%, 0.48%

LAB 50.42, 0.56, -4.76

 

CMYK 0 / 6 / 21 / 46

HEX #89816C

RGB 137 129 108

HSL 43.45, 0.12%, 0.48%

LAB 54.13, -0.64, 12.49

 

CMYK 69 / 13 / 0 / 27

HEX #3AA3BB

RGB 58 163 187

HSL 191.16, 0.53%, 0.48%

LAB 62.24, -22.03, -21.12

 

CMYK 69 / 31 / 0 / 27

HEX #3A81BB

RGB 58 129 187

HSL 206.98, 0.53%, 0.48%

LAB 52.05, -3.21, -36.9

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 69 / 68 / 0 / 27

HEX #3A3CBB

RGB 58 60 187

HSL 239.07, 0.53%, 0.48%

LAB 33.39, 40.22, -66.9

 

CMYK 52 / 69 / 0 / 27

HEX #5A3ABB

RGB 90 58 187

HSL 254.88, 0.53%, 0.48%

LAB 35.57, 46.09, -63.23

 

CMYK 69 / 50 / 0 / 51

HEX #263E7C

RGB 38 62 124

HSL 223.26, 0.53%, 0.32%

LAB 27.61, 12.88, -38.07

 

CMYK 69 / 50 / 0 / 39

HEX #304E9C

RGB 48 78 156

HSL 223.33, 0.53%, 0.4%

LAB 34.96, 15.95, -45.89

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 58 / 42 / 0 / 21

HEX #5475CA

RGB 84 117 202

HSL 223.22, 0.53%, 0.56%

LAB 50.54, 13.92, -47.81

 

CMYK 46 / 33 / 0 / 17

HEX #738ED4

RGB 115 142 212

HSL 223.3, 0.53%, 0.64%

LAB 59.66, 9.05, -38.93

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 6 / 69 / 0 / 27

HEX #B03ABB

RGB 176 58 187

HSL 294.88, 0.53%, 0.48%

LAB 46.77, 63.66, -44.6

 

CMYK 22 / 0 / 69 / 27

HEX #92BB3A

RGB 146 187 58

HSL 79.07, 0.53%, 0.48%

LAB 70.84, -32.42, 58.01

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 0 / 69 / 50 / 27

HEX #BB3A5E

RGB 187 58 94

HSL 343.26, 0.53%, 0.48%

LAB 44.8, 54.08, 8.67

 

CMYK 50 / 0 / 69 / 27

HEX #5EBB3A

RGB 94 187 58

HSL 103.26, 0.53%, 0.48%

LAB 68.19, -50.62, 54.43

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 6 / 69 / 0 / 27

HEX #B03ABB

RGB 176 58 187

HSL 294.88, 0.53%, 0.48%

LAB 46.77, 63.66, -44.6

 

CMYK 0 / 19 / 69 / 27

HEX #BB973A

RGB 187 151 58

HSL 43.26, 0.53%, 0.48%

LAB 64.16, 3.47, 52.17

 

CMYK 64 / 0 / 69 / 27

HEX #44BB3A

RGB 68 187 58

HSL 115.35, 0.53%, 0.48%

LAB 67.33, -57.32, 53.27

 

CMYK 69 / 50 / 0 / 27

HEX #3A5EBB

RGB 58 94 187

HSL 223.26, 0.53%, 0.48%

LAB 41.99, 18.54, -52.92

 

CMYK 0 / 69 / 15 / 27

HEX #BB3A9F

RGB 187 58 159

HSL 313.02, 0.53%, 0.48%

LAB 47.1, 61.76, -27.45

 

CMYK 0 / 19 / 69 / 27

HEX #BB973A

RGB 187 151 58

HSL 43.26, 0.53%, 0.48%

LAB 64.16, 3.47, 52.17

 

CMYK 69 / 0 / 54 / 27

HEX #3ABB56

RGB 58 187 86

HSL 133.02, 0.53%, 0.48%

LAB 67.36, -56.11, 40.78

 

Description

Color code: HEX #3A5EBB | qconv.com Color code: HEX #3A5EBB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 94 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 94 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 50 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 50% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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