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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9ACE it is the complementary color #A16531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9ACE shade: #639AC9, #74ACDC, #85BEEF, #96D0FF and #A7E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9ACE shade: #5E9ACE, #4D88BB, #3C76A8, #2B6495 and #1A5282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9ACE shade: #5F9ACD, #5F7CCD, #5F5FCD, #7D5FCD and #9B5FCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9ACE shade: #5F9ACD, #5F7CCD and #5F5FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9ACE shade matches the following richer shades: #5F9ACD, #4E9BDE and #3D9CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9ACE shade: #5F9ACD, #6F99BC, #8097AC, #91969B and #A2958A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9ACE shade: #5FCDC4, #5FB9CD, #5F9BCD, #5F7ECD and #5F60CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9ACE shade: #3371A7, #3F86C4, #5F9ACD, #7EAED7 and #9EC2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9ACE shade: #5E9ACE, #A75FCD and #C8CD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9ACE shade: #5E9ACE, #CD5F9B and #9BCD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9ACE shade: #5E9ACE, #A75FCD, #CD905F and #85CD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9ACE shade: #5E9ACE, #C85FCD, #CD905F and #64CD5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 25 / 0 / 19

HEX #5E9ACE

RGB 94 154 206

HSL 207.86, 0.53%, 0.59%

LAB 61.61, -4.57, -32.61

 

Complementary color

CMYK 0 / 37 / 70 / 37

HEX #A16531

RGB 161 101 49

HSL 27.86, 0.53%, 0.41%

LAB 48.39, 19.37, 38.66

 

CMYK 51 / 23 / 0 / 21

HEX #639AC9

RGB 99 154 201

HSL 207.65, 0.49%, 0.59%

LAB 61.64, -4.98, -29.75

 

CMYK 47 / 22 / 0 / 14

HEX #74ACDC

RGB 116 172 220

HSL 207.69, 0.6%, 0.66%

LAB 68.3, -5.43, -29.92

 

CMYK 44 / 21 / 0 / 6

HEX #85BEEF

RGB 133 190 239

HSL 207.74, 0.77%, 0.73%

LAB 74.85, -5.8, -30.1

 

CMYK 41 / 18 / 0 / 0

HEX #96D0FF

RGB 150 208 255

HSL 206.86, 1%, 0.79%

LAB 81.19, -6.91, -28.86

 

CMYK 35 / 11 / 0 / 0

HEX #A7E2FF

RGB 167 226 255

HSL 199.77, 1%, 0.83%

LAB 86.91, -11.87, -20.07

 

CMYK 54 / 25 / 0 / 19

HEX #5E9ACE

RGB 94 154 206

HSL 207.86, 0.53%, 0.59%

LAB 61.61, -4.57, -32.61

 

CMYK 59 / 27 / 0 / 27

HEX #4D88BB

RGB 77 136 187

HSL 207.82, 0.45%, 0.52%

LAB 54.84, -3.86, -32.48

 

CMYK 64 / 30 / 0 / 34

HEX #3C76A8

RGB 60 118 168

HSL 207.78, 0.47%, 0.45%

LAB 47.94, -2.95, -32.36

 

CMYK 71 / 33 / 0 / 42

HEX #2B6495

RGB 43 100 149

HSL 207.74, 0.55%, 0.38%

LAB 40.89, -1.73, -32.24

 

CMYK 80 / 37 / 0 / 49

HEX #1A5282

RGB 26 82 130

HSL 207.69, 0.67%, 0.31%

LAB 33.7, -0.04, -32.1

 

CMYK 54 / 25 / 0 / 20

HEX #5F9ACD

RGB 95 154 205

HSL 207.82, 0.52%, 0.59%

LAB 61.61, -4.66, -32.04

 

CMYK 54 / 40 / 0 / 20

HEX #5F7CCD

RGB 95 124 205

HSL 224.18, 0.52%, 0.59%

LAB 53.23, 12.94, -45.2

 

CMYK 54 / 54 / 0 / 20

HEX #5F5FCD

RGB 95 95 205

HSL 240, 0.52%, 0.59%

LAB 45.67, 30.74, -57.29

 

CMYK 39 / 54 / 0 / 20

HEX #7D5FCD

RGB 125 95 205

HSL 256.36, 0.52%, 0.59%

LAB 48.2, 37.4, -53.09

 

CMYK 24 / 54 / 0 / 20

HEX #9B5FCD

RGB 155 95 205

HSL 272.73, 0.52%, 0.59%

LAB 51.34, 44.92, -47.89

 

CMYK 54 / 25 / 0 / 20

HEX #5F9ACD

RGB 95 154 205

HSL 207.82, 0.52%, 0.59%

LAB 61.61, -4.66, -32.04

 

CMYK 54 / 40 / 0 / 20

HEX #5F7CCD

RGB 95 124 205

HSL 224.18, 0.52%, 0.59%

LAB 53.23, 12.94, -45.2

 

CMYK 54 / 54 / 0 / 20

HEX #5F5FCD

RGB 95 95 205

HSL 240, 0.52%, 0.59%

LAB 45.67, 30.74, -57.29

 

CMYK 54 / 25 / 0 / 20

HEX #5F9ACD

RGB 95 154 205

HSL 207.82, 0.52%, 0.59%

LAB 61.61, -4.66, -32.04

 

CMYK 65 / 30 / 0 / 13

HEX #4E9BDE

RGB 78 155 222

HSL 207.92, 0.69%, 0.59%

LAB 61.94, -3.08, -41.05

 

CMYK 74 / 35 / 0 / 6

HEX #3D9CEF

RGB 61 156 239

HSL 207.98, 0.85%, 0.59%

LAB 62.51, -0.28, -49.58

 

CMYK 54 / 25 / 0 / 20

HEX #5F9ACD

RGB 95 154 205

HSL 207.82, 0.52%, 0.59%

LAB 61.61, -4.66, -32.04

 

CMYK 41 / 19 / 0 / 26

HEX #6F99BC

RGB 111 153 188

HSL 207.27, 0.36%, 0.59%

LAB 61.48, -5.16, -22.66

 

CMYK 26 / 12 / 0 / 33

HEX #8097AC

RGB 128 151 172

HSL 208.64, 0.21%, 0.59%

LAB 61.4, -3.24, -13.65

 

CMYK 6 / 3 / 0 / 39

HEX #91969B

RGB 145 150 155

HSL 210, 0.05%, 0.59%

LAB 61.83, -0.79, -3.26

 

CMYK 0 / 8 / 15 / 36

HEX #A2958A

RGB 162 149 138

HSL 27.5, 0.11%, 0.59%

LAB 62.52, 2.88, 7.53

 

CMYK 54 / 0 / 4 / 20

HEX #5FCDC4

RGB 95 205 196

HSL 175.09, 0.52%, 0.59%

LAB 76.12, -33.59, -5.11

 

CMYK 54 / 10 / 0 / 20

HEX #5FB9CD

RGB 95 185 205

HSL 190.91, 0.52%, 0.59%

LAB 70.55, -21.33, -18.33

 

CMYK 54 / 24 / 0 / 20

HEX #5F9BCD

RGB 95 155 205

HSL 207.27, 0.52%, 0.59%

LAB 61.9, -5.23, -31.6

 

CMYK 54 / 39 / 0 / 20

HEX #5F7ECD

RGB 95 126 205

HSL 223.09, 0.52%, 0.59%

LAB 53.77, 11.73, -44.34

 

CMYK 54 / 53 / 0 / 20

HEX #5F60CD

RGB 95 96 205

HSL 239.45, 0.52%, 0.59%

LAB 45.92, 30.13, -56.89

 

CMYK 69 / 32 / 0 / 35

HEX #3371A7

RGB 51 113 167

HSL 207.93, 0.53%, 0.43%

LAB 46.05, -1.86, -34.77

 

CMYK 68 / 32 / 0 / 23

HEX #3F86C4

RGB 63 134 196

HSL 207.97, 0.53%, 0.51%

LAB 54.12, -2.22, -38.77

 

CMYK 54 / 25 / 0 / 20

HEX #5F9ACD

RGB 95 154 205

HSL 207.82, 0.52%, 0.59%

LAB 61.61, -4.66, -32.04

 

CMYK 41 / 19 / 0 / 16

HEX #7EAED7

RGB 126 174 215

HSL 207.64, 0.53%, 0.67%

LAB 69.19, -5.43, -25.76

 

CMYK 30 / 14 / 0 / 12

HEX #9EC2E1

RGB 158 194 225

HSL 207.76, 0.53%, 0.75%

LAB 76.85, -4.89, -19.36

 

CMYK 54 / 25 / 0 / 19

HEX #5E9ACE

RGB 94 154 206

HSL 207.86, 0.53%, 0.59%

LAB 61.61, -4.57, -32.61

 

CMYK 19 / 54 / 0 / 20

HEX #A75FCD

RGB 167 95 205

HSL 279.27, 0.52%, 0.59%

LAB 52.74, 48.07, -45.58

 

CMYK 2 / 0 / 54 / 20

HEX #C8CD5F

RGB 200 205 95

HSL 62.73, 0.52%, 0.59%

LAB 80.05, -16.62, 53.31

 

CMYK 54 / 25 / 0 / 19

HEX #5E9ACE

RGB 94 154 206

HSL 207.86, 0.53%, 0.59%

LAB 61.61, -4.57, -32.61

 

CMYK 0 / 54 / 24 / 20

HEX #CD5F9B

RGB 205 95 155

HSL 327.27, 0.52%, 0.59%

LAB 55.61, 50.33, -11.81

 

CMYK 24 / 0 / 54 / 20

HEX #9BCD5F

RGB 155 205 95

HSL 87.27, 0.52%, 0.59%

LAB 76.96, -34.23, 48.93

 

CMYK 54 / 25 / 0 / 19

HEX #5E9ACE

RGB 94 154 206

HSL 207.86, 0.53%, 0.59%

LAB 61.61, -4.57, -32.61

 

CMYK 19 / 54 / 0 / 20

HEX #A75FCD

RGB 167 95 205

HSL 279.27, 0.52%, 0.59%

LAB 52.74, 48.07, -45.58

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 35 / 0 / 54 / 20

HEX #85CD5F

RGB 133 205 95

HSL 99.27, 0.52%, 0.59%

LAB 75.75, -42.02, 47.2

 

CMYK 54 / 25 / 0 / 19

HEX #5E9ACE

RGB 94 154 206

HSL 207.86, 0.53%, 0.59%

LAB 61.61, -4.57, -32.61

 

CMYK 2 / 54 / 0 / 20

HEX #C85FCD

RGB 200 95 205

HSL 297.27, 0.52%, 0.59%

LAB 56.95, 56.89, -38.65

 

CMYK 0 / 30 / 54 / 20

HEX #CD905F

RGB 205 144 95

HSL 26.73, 0.52%, 0.59%

LAB 64.77, 17.66, 35.09

 

CMYK 51 / 0 / 54 / 20

HEX #64CD5F

RGB 100 205 95

HSL 117.27, 0.52%, 0.59%

LAB 74.32, -52.1, 45.14

 

Description

Color code: HEX #5E9ACE | qconv.com Color code: HEX #5E9ACE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 154 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 154 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 25 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 25% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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